The lat­est Dean Park­er play (with songs! and live music!) per­formed by the Bac­cha­nals fol­lows the lives of Ethel and Ger­van McMil­lan, and Frances and Arnold Nord­mey­er. Ger­van and Arnold played active roles in the Labour gov­ern­men­t’s intro­duc­tion of a wel­fare scheme in 1938. It looks at cir­cum­stances that influ­enced their think­ing on wel­fare, then the fight they had to get those ideas accept­ed by the gov­ern­ment. It’s a fas­ci­nat­ing look at the ori­gins of an ongo­ing polit­i­cal and soci­etal issue.

I think this is the best ensem­ble work I’ve seen the Bachan­nals do. They are adept at the comedic scenes and ground­ed for the seri­ous scenes. One of the things I like about them is that they’re con­stant­ly play­ing with the audi­ence as well as each oth­er. There are winks dur­ing some prop wran­gling which invites the audi­ence to be part of the expe­ri­ence. This pro­duc­tion is anchored by excel­lent per­for­mances by Kirsty Bruce (sassy as Ethel McMil­lan), Bri­anne Kerr (sweet as Frances Nord­mey­er), Alex Greig (alter­nate­ly cheeky then seri­ous as Dr Ger­van McMil­lan), and Michael Trigg (appro­pri­ate­ly right­eous as Arnold Nord­mey­er.) Michael Ness deliv­ers a stir­ring speech as Joe Sav­age.

Tight ensem­ble work, a live­ly and engag­ing two hours of overt­ly polit­i­cal (music and) the­atre in elec­tion year.