The Wellingtonista

Random stuff about Wellington since 2005

I’m out of commission at the moment brain-wise, and couldn’t get to this show, but the work got lovely comments from those there in my steed. The show season is completely sold out, but I’m certain these two will be about town performing at a later date – they’re a talented pair and deserve your time!

Guest review below –

Unusually for improv, rather than ask the audience for a relationship, or location, they asked for something you were passionate about. Working with this, they spun an engaging and creative story – in this case based around a militant anti-scooter group, and their adversaries, a big scooter company – from nothing.

One the main highlights was watching them play about 6 characters between the two of them, swapping roles as they needed, and the whole thing descending into hilarious chaos in the finale, when 4 characters were on stage at once.

90% of the lines got laughs. I counted. Never looked nervous, never got lost, created a fun, respectful narrative based on cursory check-in with one audience member. When it got really grounded, during the romantic moments between two quirky & odd characters, it drew the audience in an even deeper way.

This pair of talented improvisers have an easy, likeable charm about them which adds some immersive depth to this quick-fire, long-form improv show.

10/10, would watch again.

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We might be stuck in New Zealand for a while, but that doesn’t mean the world can’t come to us (especially if they’re rich, apparently). That’s the cool thing about the new exhibition Surrealist Art: Masterpieces from Museum Boijmans Van Beuningen
He Toi Pohewa: He Toi Marupō o Muhiama o Boijmans Van Beuningen. You’ll get a slice of Europe last century and get to get out of the wind of Wellington all at the same time.

The exhibition steps you through Dada first, which was a reaction to the first World War. When things are pretty shit, it’s natural to want to escape into the dreamy and fantastical, right? I think we all experienced that in 2020. Many of the Dada cut & paste abstract journals on display seemed familiar to me – expect I knew them in the ’90s as zines. It was interesting to see the pieces with a more contemporary eye – does a figure with soft “feminised” hips and a penis still seem as shocking now that the Western world is finally waking up to the fact that gender is not binary?

A visitor hears voices of Dada

A visitor hears voices of Dada

But I felt the curation could have guided us a little more for the current context. If the Mae West sofa was originally considered shocking for the art of sitting on lips, what does it mean when it’s on display in a country where the head is considered to be tapu and everyone knows you don’t sit on tables or kitchen benches?

A sofa in the shape of Mae West's lips on display at Te Papa

Salvador Dalí, Mae West Lips Sofa, 1938, wood, woollen flannel, cotton, and brass rivets. ©Salvador Dalí, Fundació Gala-Salvador Dalí/VEGAP. Copyright Agency, 2021. 

Or in the case of the Margritte Mirror digital replication, where you see the back of your head when looking straight in to a mirror, how can that be reinterpreted for the age of selfies?

Four images of the back of Joanna's head, reflected in a fake mirror that is actually a screen

And then what does it mean when I take photos of it taking images of me and share them here?

That’s not the only interactive part of the exhibition. The surrealists were obsessed with dreams, so you’re invited to write down one of your own and file it away in the card catalogue. I was there the day the exhibition opened so the catalogue was empty, but I wonder if reading about other people’s dreams would be as dreary as listening to them can be.

There’s a screened-off room full of the more risqué pieces – a Venus in bondage, a little nudity, a film that was shocking in the 1930s. Legends of Tomorrow fans will even discover Gary’s haunted nipple – perhaps those wacky time travellers are what inspired Duchamp’s Please Touch

As the most famous Surrealist artist, Salvador Dali is at the centre of the exhibition, both metaphorically but also physically, with his four of his dreamy landscapes in their own circular enclosure.This is where I really must recommend that you try to see the exhibition at a quiet time. Take an extended lunch break if you can, or go first thing in the morning on a weekend before others get up. You’ll want time to sink into his hyper-realistic-but-also-not works, and you’ll want the quiet.

Visitor with Dali's Couple With Their Heads Full Of Clouds

Salvador Dalí, Couple with their heads in the clouds, oil on panel, 1936. Museum Boijmans Van Beuningen, Rotterdam. Purchase with the support of: the Museum Boijmans Van Beuningen Foundation, the Rembrandt Association, the Prins Bernhard Cultuurfonds, the Erasmusstichting and Stichting Bevordering van Volkskracht. Photo: Studio Tromp. © Salvador Dalí, Fundació Gala-Salvador Dali/VEGAP. Copyright Agency, 2020

The exhibition took me around an hour to get through, by myself and it wasn’t too empty, but I am a fast reader. But if you can make it to the museum on a quiet weekday not in the school holidays, definitely make sure you take yourself through the rest of the art too, and go and bathe in the light of Tiffany Singh’s Indra’s bow & Total internal reflection. That’s got to be good for your vitamin D levels!

Sureallist Art is on until October 31. Adult tickets are $23.50, and concessions are available. Te Papa and the exhibition are wheelchair accessible and their website lists a couple of quieter sessions for visitors with autism or sensory sensitivities, or living with disability.

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This year’s United Nations World Refugee Day is on 20 June, and to mark the event the ChangeMakers Resettlement ForumVoice of Aroha, and Living Wage Movement Aotearoa NZ are hosting the My Life … to Live photo exhibition at the Hub (Victoria University).

The exhibition opening starts at 11am and runs from 11am to 4pm.

The photos and text by Ehsan Hazaveh profile the lives of six refugee background workers who have and who are now trying to make a difference in Aotearoa.

There’ll also be food, drink, performances and discussions. All are welcome!

More info at:
the Facebook event page
ChangeMakers Resettlement Forum info page
Last year’s exhibition photos and text

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Honestly I thought they were done but the team at Kia Mau have one more show for us on Saturday June 19.

BLOK PARTY at Meow Bar 

Nau mai, haere mai! Kia Mau Festival presents BLOK PARTY. Join us at Meow Bar with special guest performers DJ DeezNaks, halfqueen & JessB. BLOK PARTY is between 12-4pm on the final day of Kia Mau Festival, easing in music & gigs into the KMF programme.

This is an alcohol-free event.

Astronesian native, DJ DeezNaks aka NahBo, tries on the soundcloud fuckboy aesthetic, is sad about colonisation, then writes beats about it. NahBo is a character designed and embodied by Pōneke-based artist and activist Taranaki Ah Young-Grace, who mixes the sonic aesthetics of neo-soul, indie rap, jazz and trap into an explosive and lyrically subversive experience.

JessB masters new sounds with hype-inducing confidence propelling her rising status even higher. When she wasn’t spending her days and nights writing and recording at Red Bull Music Studios, JessB has been flexing her creative chops as part of the new generation of local artists, featuring on “Flying” as part of NZ rap collective BLKCITY. She also ran a week-long workshop at Roundhead Studio with some of her favourite artists and producers, and co-curates the popular Filth club night with regular collaborator Halfqueen.

Coming out of Auckland, NZ, Halfqueen is a DJ whose sets are just as unapologetic and empowered as her presence in every space. Rooted in the experience of her Fijian and Paakehaa bloodlines, her background has influenced a confluence of sound that is ever-evolving, musically speaking into a local and global sense of diaspora. Specializing in the genre-bending sounds of global club, Halfqueen is driven to connect via ass shaking.

SCHEDULE
DJ DeezNaks: 12pm – 2pm
JessB & halfqueen: 2pm – 3.30pm
halfqueen: 3.30pm – 4pm

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