Review: Dirty Work

By Talia Carlisle An ode to joy! For the first time recent­ly I joined a choir, and as we joined togeth­er as strangers to sing, hold­ing our music and rais­ing our voic­es in har­mo­ny, I could feel such joy and togeth­er­ness lift­ing every­one up, and con­nect­ing us togeth­er while also cre­at­ing a melod­ic sto­ry told […]

Review: Paradise (Or the Impermanence of Ice Cream)

A man. A woman. A vul­ture, and a kul­fi shop. Indi­an Ink is back with anoth­er one of their fan­tas­tic pro­duc­tions. Lead actor Jacob Rajan deliv­ers a glo­ri­ous per­for­mance where he jumps between sev­en well-formed char­ac­ters to tell the sto­ry of a man trapped in lim­bo and his dreams of his past. Indi­an Ink knows […]

Review: Mrs Krishnan’s Party

Indi­an Ink’s sec­ond show of the year is quite a step away from its first, and sets us in the back of Mrs Krish­nan’s dairy, ready to cel­e­brate Onam (a Hin­du fes­ti­val of life, death and rebirth). Te Aua­ha has changed, I note, as I step inside. Far from the end-stage con­fig­u­ra­tion the Whare Tapere the­atre is […]

Review: Welcome to the Murder House

Indi­an Ink has done it again. Wel­come to the Mur­der House is dark, dead­ly, a lit­tle bit sexy, and some­thing you def­i­nite­ly should read the press release for before you see because it does not pull any punch­es. Our five main char­ac­ters; death-row con­victs who have a par­tic­u­lar pen­chant for the­atre, take us on a […]

Review: The Pickle King

The Pick­le King is on now at the Han­nah Play­house and is a colour­ful, quirky and unique tale of love, death and what is worth pre­serv­ing. Once the finest hotel in town, the Empire is now as fad­ed as the dreams of the piano play­er who haunts the lob­by. Ammachy runs the Empire with an […]