Black Swan posterI under­stand that New Zealand is pro­por­tion­al­ly the biggest mar­ket in the world for dance movies — the Step Ups, Stomp­ing the Yards, dance bat­tle films are huge here — so I won­der whether that will hold true for a psy­cho­log­i­cal dra­ma set in the world of clas­si­cal bal­let. Black Swan is Dar­ren Aronof­sky’s fol­low-up to The Wrestler and the first of about half a dozen Natal­ie Port­man films that are due out this year.

Port­man is a brit­tle young dancer, plucked from the cho­rus to play the Queen in a new pro­duc­tion of Swan Lake in New York. Can she hack the pres­sure? Well, no, actu­al­ly, but the film is all about how she fails to hack it. My review is in the cur­rent Cap­i­tal Times and also online if you click here. The film itself is every­where: Empire, Light­house Petone, Read­ings, Pent­house, Event Cin­e­mas Queens­gate and Embassy.

Also already reviewed at both loca­tions is The Hopes and Dreams of Gaz­za Snell — an Auck­land-made pic­ture described as a comedy/drama even if there isn’t much com­e­dy in it. Gaz­za Snell (Aussie actor William McInnes) dis­cov­ers that you need more than just a big heart when a fam­i­ly tragedy starts to shake his world apart. It’s a Para­mount exciu­sive.

Final­ly, we get to see one of the sur­prise hits of the Amer­i­can sum­mer, Sec­re­tari­at is the true sto­ry of the extra­or­di­nary race­horse who in 1973 won the first Triple Crown in 25 years. That’s a very big deal appar­ent­ly. An unlike­ly man­age­ment team of a woman own­er (Diane Lane), eccen­tric train­er (John Malkovich) and a black groom (Nel­san Ellis) lead the lit­er­al­ly big-heart­ed horse to unprece­dent­ed suc­cess and the film is one of those feel-good pic­tures that used come along a lot more often from the Walt Dis­ney Com­pa­ny. You can find it at the Light­house Petone, Read­ings, Pent­house and Event Cin­e­mas Queens­gate.

Sec­re­tari­at wil get its review on Tues­day at Funer­als & Snakes (and in the Cap­i­tal Times on Wednes­day).

Final­ly, there’s a spe­cial screen­ing of one of my favourite films of the last few years, Jafar Panahi’s Off­is­de on Sun­day evening at 6.15pm at the Para­mount. Jafar Panahi was recent­ly impris­oned for six years by the Iran­ian author­i­ties (and also banned from mak­ing films for a fur­ther 20) and the screen­ing is part of a glob­al cam­paign to have the film­mak­er released. Off­side is the delight­ful sto­ry of four foot­ball mad Teheran girls who try and sneak in to a male only inter­na­tion­al match. I reviewed it here in 2007.