Review: A play about space

Cap­tain Flo­ren­cia Dreg­gs (war hero) and her right hand man Warn­er Horn­shaw are on a spe­cial mis­sion for the mys­te­ri­ous Joy. There’s a piece of kit that he wants them to sal­vage but some­thing is hinky. What exact­ly is in the box and why does Joy want it so bad­ly? This is a return sea­son […]

Review: Tu

Rim­i­ni and Bene­dict are vis­it­ing their uncle Tu in order to find out about their fam­i­ly his­to­ry.  Their ques­tions force him to face the rea­son he has been estranged from the whanau for years.  Tu was first per­formed at Pip­itea Marae as part of the 2012 NZ Inter­na­tion­al Fes­ti­val of the Arts, and is based […]

Review: No Holds Bard

The actor play­ing Ham­let is suf­fer­ing a cri­sis of con­fi­dence.  Is the play as he remem­bers? Mac­beth drops in to chivvy him along. Then Oth­el­lo and King Lear give it a go as well. This solo show sees Michael Hurst dis­play his skill at deliv­er­ing Shake­speare along with hilar­i­ous­ly phys­i­cal stage com­bat moves. (Some of […]

Wellington’s Festival of Circus 2013

The grand open­ing of Welling­ton’s Fes­ti­val of Cir­cus is tonight at 6pm. They’re putting up the bunting and bring­ing out the carousel pony as I type! (Appar­ent­ly there will be real ponies as well.) Hype the kids up on can­dyfloss and pop­corn while watch­ing the Welling­ton Youth Cir­cus on the Big Rig or get some­one […]

Review: The clouds

Hap­py 13th  birth­day to The Bac­cha­nals! They are throw­ing us the sur­prise par­ty, leav­ing behind their ‘serious/politically con­sci­en­tious’ plays in order to be ‘sil­ly & have fun’.  The Clouds is sil­ly and heaps of fun while still con­tain­ing polit­i­cal and social com­men­tary. The Bac­cha­nals are grow­ing up, but not away from their roots. (As a […]

Review: Beep Test

Binge Cul­ture take a phys­i­cal fit­ness test and makes a show out of it. Upstairs at This­tle Hall there are inspi­ra­tional mes­sages sticky-taped to the wall. GIVE IT A GO. TRIUMPH. We are wel­comed into the room by Simon and Izzy – the run­ners. Some of us are coerced into stick­ing up fur­ther mes­sages. U […]

Review: We have been there (Cloud in hand)

This is part of Foot­note’s Forte series which “has a spe­cif­ic objec­tive to bring New Zealan­ders who have excelled off shore home to make work here.” Berlin based chore­o­g­ra­ph­er Lisa Densem has cre­at­ed a work set to music by Andrew Thomas. In the pro­gramme she writes the per­for­mance aim is “to cre­ate a struc­ture that […]

Review: [title of show]

 [title of show] is “a musi­cal about two guys writ­ing a musi­cal about two guys writ­ing a musi­cal”. First per­formed in 2004 it was nom­i­nat­ed for a Tony Award for Best Book of a Show in 2008. Ener­gy The­atre have giv­en it a live­ly NZ pre­miere. There’s a table to one side of the stage […]

Review: Residence

The fly­er says “This can­dlelit prom­e­nade per­for­mance will guide you though dif­fer­ent worlds with­in Inver­lochy House.” I was expect­ing some­thing that ref­er­enced the his­to­ry of the house. What I got was an explo­ration of sto­ry­telling and cre­ativ­i­ty.  Each sketch hap­pened in a dif­fer­ent room in the house and did­n’t seem to be con­nect­ed to any […]

Review: Touched

Con­tact impro­vi­sa­tion is a dance form in which the points where bod­ies touch pro­vide a start for phys­i­cal impro­vi­sa­tion. Some­times it’s the basis for set chore­og­ra­phy, and some­times, as in this case, the impro­vi­sa­tion is the per­for­mance. This per­for­mance also includ­ed artists, musi­cians, singers, a pho­tog­ra­ph­er, and spo­ken word. We get to the per­for­mance space […]