Review by Nadia Freeman Reading the cues of human emotion is an inherent trait that we take for granted. Some of us view emotion differently from others or can find it more challenging. Access, presents an opportunity to analyse this form of human expression more closely. After collecting our tickets we are asked to wait […]
Reviewed by Nadia Freeman Photo credit: David Vagg This is no typical dance number meant to distract and delight you with sparkles and clap-along numbers. Limits sits in the realm of theatre that is to challenge its audience and give them a chance to view what it might be like to step into the shoes […]
A Laugh for Literary Lovers Reviewed by Nadia Freeman Richard Huber’s Wonderful opens with Lady Hermione and her butler Roberts staring straight past the audience. We can not tell immediately what their relationship is, if they are fond of each other, if there is tension, or how long they have known each other. The set […]
Reviewed by Nadia Freeman Photo credit: Philip Merry Jacob Dombroski is all heart in his performance of Big J A New Legacy. It is clear that he relives the feelings of every story he shares. This vulnerability is most evident during his dance pieces. From krump to graceful, emotive sections, his actions are deliberate. He […]
We need more shows like this. The kind that effortlessly transports you to the same childlike sense of wonder, akin to the first time you are read what will become your favourite story. And it is no coincidence that The Griegol, written by Hannah Smith and Ralph McCubbin Howell, revolves around the power of storytelling. […]
Owls Do Cry is not your typical theatrical retelling of a book. Instead, it is a complete reinterpretation of the work through movement, design and song. The show starts very light-hearted with a chorus of singing, movement and audience interaction. As the show continues, however, it draws you into the real pain and fragility of […]