Review: Into the Woods
Image credit: Maeve O’Connell. Reviewed by Talia Carlisle Not dissimilar to the high fashion of the Met Gala, I adorned my best tiara and lavender frock, ready to descend Te Auaha’s stairs to Witch Music Theatre’s Into The Woods. There isn’t a more magical staircase to a fairytale full of laughter. If the eye-catching advertising […]
Review: The Best is Yet to Come
Featured Image Graphic designer: Jared Pallesen Featured Image Photographer: Leoluchino Linumus The performance style for The Best is Yet to Come has a little bit of everything autobiography, ted talk, magic show and queer inspirational guidance. Adorned in wonderfully sparkling nails and gems across his forehead, Jeremy Rolston opened the show with some guidance […]
Review: Concept for a Film
A Beautiful Harmony of Theatre, Music and So Mush Spore. I loved the novel format of storytelling that ‘Concept for a Film’ delivered. The scene opens with Max Barton, sitting at a desk that faces the audience, reading out the script for a film. These readings are intermittently dispersed with many disruptions including phone calls […]
Review: The Sensemaker
Produced by ‘Woman’s Move’ from Switzerland and co-directed by choreographers Elsa Couvreur and Iona D’Annunzio. The Sensemaker starts as a clever and understated comedy that uses dance, movement and sound as its main devices. Theatre like this is at its best when minimal and perfectly timed, which is a key strength of The Sensemaker. The […]
Review: The Culture
The Culture, starts before the performers come on stage with a montage of video footage of news articles on systemic and political misogyny. This sets the scene for the everyday ways women are disadvantaged that are so embedded, that they often go unnoticed. The newsfeed soon fades out, the lights come up, and Will and […]
Review: Best on Tap Stands Up
The Fringe Bar is packed to the gills for Best on Tap Stands Up, a little out of the ordinary for a Sunday crowd, but this is a Fringe show and this is a Fringe crowd, and Best on Tap are an excellently well-established performance company, so perhaps I shouldn’t be surprised. More well-known as […]
Review: U R Here
Reviewed by Nadia Freeman U R Here is an invitation to take things a little less seriously, to forget about the business of adulthood and be playful. Set away from the day-to-day rhythm of urban living. Barbarian Productions draws us out to Martin Luckie Park in Berhampore. On arrival, my group is welcomed by 80’s […]
Review: Access
Review by Nadia Freeman Reading the cues of human emotion is an inherent trait that we take for granted. Some of us view emotion differently from others or can find it more challenging. Access, presents an opportunity to analyse this form of human expression more closely. After collecting our tickets we are asked to wait […]
Review: Limits
Reviewed by Nadia Freeman Photo credit: David Vagg This is no typical dance number meant to distract and delight you with sparkles and clap-along numbers. Limits sits in the realm of theatre that is to challenge its audience and give them a chance to view what it might be like to step into the shoes […]
Review: Wonderful
A Laugh for Literary Lovers Reviewed by Nadia Freeman Richard Huber’s Wonderful opens with Lady Hermione and her butler Roberts staring straight past the audience. We can not tell immediately what their relationship is, if they are fond of each other, if there is tension, or how long they have known each other. The set […]