The Wellingtonista

Random stuff about Wellington since 2005

Review: Body Double

by Jess on November 15, 2017 in review, Theatre

Female desire, that most elusive of quarries. We should be chaste, but not prudish. Experienced, but not too slutty. Up for anything. Well, not that. Or that. Maybe just don’t talk about it?

It’s enough to make a girl want to take a vow of celibacy and retire to a cave with a half-dozen rescued cats.

Enter Body Double, a new work at BATS that explores the silence, contradictions, joys, and shame around women’s sexuality and desire. Watch as two straight women explore their own desire in vivid, awkward, hilarious, and moving detail. It’s as though Karin McCracken and Julia Croft are making up for two lifetimes of being told to shut up with an hour-long show. It’s an emotional rollercoaster (much like being a sexual woman in modern society), to say the least.

The stage looks like a classic interpretation of heaven – all flowing white gauze and a fuzzy blanket that begs to be patted – until you notice the floor is covered in plastic tarp, as though ready for the slipperiest of orgies. Virgins and whores, indeed.

McCracken and Croft move seamlessly from cringeworthy tales of disastrous hookups to secret fantasies to rape culture to faking orgasms to the absurdity of media, all bound by an accessible discussion of just how much of our understanding of female desire is socially constructed and performed. If we want romance and tenderness, it’s because we’re conditioned that way. But if we buck the stereotype, are we just playing right into the patriarchy’s hands? Are any of our desires really ours? Does it matter?

While the performers are undoubtably brilliant, the show’s use of live video deserves a special mention. You can revel in the enthralling tech to distract from the sinking realisation that you might be the unnamed partner in that embarrassing reenactment. There’s something compelling about watching the carefully curated version of a scene projected on a screen even as you can see the performers in their entirety. Even when we know what we’re experiencing is a construction, that doesn’t make it any less real.

Without giving away too much, this show combines two of my great loves – chicken and sex. You’ll laugh, you’ll cry, you’ll cringe in relatable horror. Truly something for everyone.

If you are a woman or have ever wanted to fuck a woman, you too should see it. If you’ve ever caught yourself intellectualising the problematic-ness of literally everything you’ve ever loved, you’ll like Body Double. If you are currently fucking someone (of any gender – let’s be real, we are universally bad at talking about sex), you should see it together, and then stick around BATS, have a drink, and discuss your own desires.

That’s the only way we ever move forward, so kudos to McCracken and Croft for giving us so much juicy fodder for that conversation.

Body Double is on at BATS until 25 November and again at the Auckland Arts Festival at the end of March next year.

All photos by Tabitha Arthur.

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Review: Zest Food Tours

by Jess on October 31, 2017 in Uncategorised

An eating tour of Wellington? That’s basically every weekend in my life, but it hadn’t occurred to me to try a structured one. Enter Zest Food Tours, who run eating extravaganzas masquerading as walking tours. Get your culture and history while also stuffing your face? Yes please.

We took a condensed sampler version of the Capital Tastes tour – stopping briefly at some of the locales to talk about what we’d eat there instead of actually eating – but still had a solid couple of hours meandering the city. The real version is three and a half hours of intense snacking and leisurely strolling, rain or shine. 

The target market for tours like this is usually tourists, but our guide had so many tidbits and factoids about Wellington that even our group of experienced eaters and bloggers learned new things. Heather is bursting with love for Wellington’s food scene, so the tour feels more like a day with an enthusiastic geek friend than a stuffy tour. She happily ventured on tangents based on what we knew or what we were interested in, so there’s definitely something for everyone. 

We started with coffee and a scone at Mojo, where we heard the origin story of how Wellington became Graceland for coffee aficionados. We then wandered on along the waterfront and Civic Square, and chatted about architecture, history, and earthquakes on the way to Gelissimo, where we sampled some of the wares while learning their history and the difference between ice cream and gelato. 

The Zest team has put the time into building relationships with the establishments they visit, so you feel like a warmly-welcomed friend of a regular instead of a pesky tourist. Case in point – we happened across Graham, the owner, as we were sampling gelato at Gelissimo. He immediately invited us into the back kitchen (thus ticking ‘Wonka-style ice cream factory tour’ off my bucket list) to show us where the magic happens, and let us taste a few experiments from the freezer. 

(Pro tip: always ask a producer about their favourite. Chances are they’ll give you another sample.)

The tour includes a detour for cheese and accoutrements at Moore Wilson’s, a nice way to showcase products from the wider region. We wrapped up in the Hannah’s Laneway, where the full tour would sample their way through the Leeds Street Bakery, Fix & Fogg, and the Wellington Chocolate factory. The guide would typically send their charges off with a list of personalised recommendations for further eating, but we just swapped stories of our favourite haunts. 

The standard tour is a solid half day of exploring (longer if you go for the Gourmet package and get a two-course wine-matched lunch at the end), and naturally lends itself to continuing on to one of Wellington’s many bars or cafes, so it would be a great way to entertain visiting family members (or get someone out of the house while you decorate for a surprise party). The walking bit is definitely secondary to the eating, so while you should wear comfy shoes, you don’t need to be especially fit. 

Zest will tailor the tour to any tastes, so it could be a fun activity for a pre-wedding do, corporate team building exercise, or birthday party. As Heather rattled off some of the themed tours they’d done in the past, I got the impression she’d welcome the challenge of creating a tour for a really specific set of interests, so bring her your pickiest relative.

All in all, it’s a delicious reminder of just how much this town has to offer. I left wanting to sign up to become a tour guide.  The $185 price tag may feel a bit spendy, but the intimate size (capped at eight people) and personal guide make it more of a treat yo’self kind of day than following around a robot guide waving a flag and reciting a script. Sometimes, when you’re overwhelmed by options, it’s nice to let someone else make choices for you. Also, there’s a lot of food. 

Recommended for venturing beyond your usuals, or introducing new arrivals to the joys of eating in Wellington. Or just getting your visiting family out of your hair for a few hours. 

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Sacha Lees

by Martha Craig on October 26, 2017 in Uncategorised

Wellington artist Sacha Lees began her career working on The Lord of the Rings trilogy as an illustrator, airbrush artist and creature designer. These days Lees, originally from the West Coast, is a leading artist. She developed her painting technique in Florence and now specialises in the “fantastic” genre – a movement specialising in mythical creatures and folklore. Her solo exhibition that begins next week showcases her perfectly rendered dystopian canvases that are strangely uplifting for even the most cynical soul. Be sure to own a Lees before the Weta gang buy them all up.
October 26 to November 25
Exhibitions Gallery of Fine Art
20 Brandon St
Wellington

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Review: The Father

by librarykris on October 24, 2017 in Uncategorised

André lives in his flat where Anne, his daughter, visits him. He’d rather his daughter Elise visited but she’s busy with her art work. Or is she? And who is Pierre? And why does Laura keep coming around?

This show explores reality and perception in a family situation which is familiar to many people. What happens when memory starts to disappear and when does that become a problem?  It’s an excellent script (and translation) which tends towards the more comedic side of aging. This doesn’t detract from the struggle and emotions of the characters as they deal with what is happening. Jeffrey Thomas plays André. Thomas gives him a faded sense of his former charm which still shows through as the character loses his memory. Danielle Mason is his daughter Anne with her fussy movements at the beginning of the show translating to emotional worry at the end. Gesture is important as characters mirror each other and swap mannerisms. Perhaps it is the repetition of both words and physicality but this ensemble (including Gavin Rutherford, Harriet Prebble, Simon Leary and Bronwyn Turei) feels established.

The set echoes the progress of the script with a blackout between scenes allowing for the stage to be reset. This enhances the sense that time and reality are strange. It stretches,  pauses, repeats and skips, keeping the audience ever so slightly unbalanced.

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by Joanna October 9, 2017

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Review: Kátya Kabanová

by Joanna October 7, 2017

Kátya Kabanová was the first opera I ever saw, back in 1996 when it was here for the International Festival. I was 16, and we got $5 tickets to the dress rehersal through drama class. I was overwhelmed by the music and the draaaaama and the rain on stage and the cliff that rose up on hydraulics […]

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What’s on this week?

by librarykris September 18, 2017

Here’s a round up of what shows are on this week. At Circa Theatre… Anahera, on at Circa Theatre to 7 October 2017 A contemporary domestic thriller (in the style of Broadchurch) about a struggling kiwi family. Liz and Peter Hunter have it all. A great marriage, successful careers, a beautiful house and two wonderful children. Until […]

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Review: That Bloody Woman

by librarykris September 14, 2017

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Preview: Anahera

by librarykris September 7, 2017

Anahera is the new play from Emma Kinane. Described as an “enthralling mix of an intense missing child drama and a behind-closed-doors look at New Zealand’s social services” it’s a contemporary domestic thriller about a struggling Kiwi family and how one woman making a stand could make all the difference. A finalist in last year’s Adam […]

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by Steph September 4, 2017

The Pickle King is on now at the Hannah Playhouse and is a colourful, quirky and unique tale of love, death and what is worth preserving. Once the finest hotel in town, the Empire is now as faded as the dreams of the piano player who haunts the lobby. Ammachy runs the Empire with an […]

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