It’s Film Festival time

WFF logoLast night a select group of over 500 people at the Para­mount were treated to the launch of this year’s Wel­ling­ton Film Fest­iv­al pro­gramme. Fol­low­ing a brief-ish intro­duc­tion from return­ing dir­ect­or Bill Gos­den, those present were treated to a delight­ful anim­ated film called Persepol­is – an adapt­a­tion of Mar­jane Sat­rap­i’s graph­ic-nov­el-auto­bi­o­graphy which is avail­able in some loc­al stores. Sat­rapi grew up in pre and post-revolu­tion­ary Iran and the film is a vivid and witty por­tray­al of the way total­it­ari­an­ism of all extremes can squeeze human beings bey­ond recog­ni­tion.

The pro­gramme is in a dif­fer­ent format this year (A4) which makes it a bit easi­er on the eye as you scour it for gems. It also has to do double duty this year as the lack of a prin­cip­al spon­sor has meant the elim­in­a­tion of the glossy souven­ir guide book.

I woke up this morn­ing to find that last night I had ticked some­thing on every page which is obvi­ously not a sus­tain­able strategy, but I do have until Tues­day (when tick­ets go on sale via Tick­etek out­lets) to slim my list down. The pro­grammes are avail­able now at all the Fest­iv­al ven­ues: Embassy, Para­mount, Te Papa, Film Archive and Pent­house and across town over the next few days. The web site seems to be up and down under the load this morn­ing but has a cun­ning cal­en­dar fea­ture to allow you to build a per­son­al­ised screen­ing sched­ule over the two and a half weeks between July 18 and Aug 3.

Funer­als & Snakes will have a few Fest­iv­al pre­view posts over the next few weeks but I also com­mend you to The Lumière Read­er, whose online cov­er­age of the Fest­iv­al is likely to be unequalled.

Cinephilia: Opening This Week

The Chronicles of Narnia: Prince Caspian posterWhen times are quiet in the cinema busi­ness (as they have been all year) own­ers respond by open­ing more and more films and hop­ing some­thing will stick. This week sees the Pent­house open yet anoth­er con­tem­por­ary Brit­ish com­edy-drama, fun­ded by the UK Film Coun­cil using Nation­al Lot­tery funds (much like Happy-Go-Lucky and Brick Lane which are still screen­ing), Grow Your Own. Fea­tur­ing the rap­idly-becom­ing-ubi­quit­ous Eddie Marsan (Vera Drake, Pierre­point), Grow Your Own is about the inhab­it­ants of a Lon­don allot­ment (where the poor grow their veget­ables and/or get away from the Mis­sus) forced to deal with the arrival of a fam­ily of refugees. Pent­house and Light­house Petone. [Check out the rest of this week’s new releases after the jump]

Goodbye Rialto, we hardly knew ye

Rialto logo I ask you now to take a moment to reflect on the loss of that great crime against cinema exhib­i­tion, Rialto Wel­ling­ton, and per­haps raise a glass to cel­eb­rate it’s final day of screen­ings. If I can be there to wit­ness it’s immin­ent crum­bling beneath a hun­dred wreck­ing balls I will (how­ever, I should con­fess that in need of a few dol­lars I was the pub­li­cist for it’s open­ing back in 1994).

The dis­astrous archi­tec­tur­al and build­ing choices that wrecked many a poten­tially inter­est­ing film should not reflect on many excel­lent and com­mit­ted staff who worked there over the years. The Para­moun­t’s Kate Lar­kindale man­aged the place for a while, as did cur­rent San Fran Bath­house man­ager Chris­ana Love. The first man­ager was Bar­bara Sum­ner, now known as cru­sad­ing colum­nist Bar­bara Sum­ner Burstyn, who, as legend has it, once faxed a pic­ture of her own naked rear end to a com­pet­it­or.

[More on Rialto Wel­ling­ton, after the jump]

Craigslist

Did you know? Craig­list, the hugely suc­cess­ful free online clas­si­fied, per­son­al ad and list­ing ser­vice has a Wel­ling­ton site. As an exper­i­ment, a few weeks ago I put up an ad for volun­teers for the ‘V’ 48 Hour Film Com­pet­i­tion and got a couple of responses (two more than I was expect­ing).

There are sec­tions on employ­ment, ser­vices, per­son­als, com­munity and hous­ing. All list­ings are free and you can mon­it­or any sec­tion via RSS.

Sadly, the sig­nal to noise ratio is not great as most of the entries are a bit spammy but that should change as Wel­ling­to­ni­ans start to use it.

Cinephilia: Opening This Week

200805091044.jpg Back from an unsched­uled lay­off, and hope­fully in time for the week­end, here’s a run-down of this week’s cine­mat­ic open­ings. At the top of the list is Todd Haynes’ mas­ter­piece I’m Not There. fea­tur­ing Chris­ti­an Bale, Cate Blanchett, Mar­cus Carl Frank­lin, Richard Gere, Heath Ledger and Ben Whishaw as ver­sions of the legend of Bob Dylan. I wasn’t expect­ing it be as funny as it is but once I recal­ib­rated I enjoyed myself enorm­ously. Para­mount, Light­house Petone and Rialto.

Camer­on Diaz and Ashton Kutcher team up for romantic com­edy about two indi­vidu­als forced to become a couple in order to win a $3m slot machine prize. Domin­ion Post film review­er Graeme Tuck­ett told me by text that he was sur­prised he liked it, but then he enjoyed Maid in Man­hat­tan too. Vegas is all over the place: Read­ings, Empire, Regent-on-Man­ners.

Music With­in is an indie Amer­ic­an drama based on a true story about a deaf Viet­nam vet­er­an (Ron Liv­ing­ston from “Band of Broth­er­s”) who returned to the States and began a battle with the author­it­ies for sup­port for all Amer­ic­ans with dis­ab­il­it­ies. Rialto exclus­ive (and lim­ited ses­sions due to the build­ing work at the site so check in advance).

Finally, the Pent­house and Light­house (Petone) are play­ing an Irish film, set in a retire­ment home, called How About You, based on a short story by Maeve Binchy.

I’m Not There. and How About You have already been reviewed at Funer­als & Snakes. The oth­er two will appear next week.

Furious Filmmaking

\'V\' 48 Hours Furious Filmmaking 2008Regis­tra­tion for this year’s ‘V’ 48 Hours Furi­ous Film­mak­ing com­pet­i­tion closes in only 8 days and organ­isers are once again look­ing (some­what appre­hens­ively) at a record-break­ing num­ber of entries. 2007 saw more than 120 teams take part in the Wel­ling­ton region alone, and this year extra capa­city has been made avail­able so no one will get turned away.

There are over $100,000 of prizes up for grabs includ­ing a spe­cial Wel­ling­ton-only prize for Best Film Writ­ten or Dir­ec­ted by a Woman, donated by WIFT (thanks to the efforts of the won­der­ful Gaylene Pre­ston). While the attrac­tions of cam­era-gear, facil­it­ies vouch­ers, travel, movie tick­ets and guar­ana-infused fizzy drinks are obvi­ous, most teams enter for the sheer joy of film­mak­ing and return again and again.

Teams will shoot their films on the week­end of 16–18 May and the Heat screen­ings (this year free of charge) take place at the Para­mount from 20 May. The Wel­ling­ton Grand Final will be at The Embassy, once again, on Wed­nes­day 11 June.

Life in the City

Trolley Bus Chaos

I know we all love trol­ley buses (and can­’t wait for the flash new three-axle job­bies to start rip­ping it up along Kent Ter­race) but this must have been hor­rendous to be involved in at 5.15 yes­ter­day after­noon. And deeply amus­ing for those of NOT involved, of course.

The bus slipped off its wire (not unusu­al) and then slid back so the pole-thingy got caught in the wires. Could­n’t go for­wards (no power), could­n’t drift fur­ther back without rip­ping the wires apart. And right, slam bang in the middle of Cam­bridge Ter­race dur­ing after­noon rush hour, dis­abling all the trol­ley buses behind in the pro­cess. Legend.

[Photo taken from the Han­nah Play­house. Click for a lar­ger ver­sion.]

Cinephilia: Opening This Week

Lars and the Real Girl posterFirst up, Lars and the Real Girl is delight­fully odd indie star­ring Ryan Gos­ling as a lonely and dam­aged young man who finds love on the Inter­net. With a doll named Bianca. Para­mount, Pent­house.

Also at the Para­mount, just for Wahine Week is a doc­u­ment­ary about the dis­aster called The Wahine Dis­aster. Anoth­er doc­u­ment­ary, that I missed in my sweep last week, is John Pil­ger­’s The War on Demo­cracy which is now play­ing at the Light­house Petone only. It was ori­gin­ally going to play at the Para­mount as well but was cut by the own­ers for being ‘too left wing’. Some Para­mount cus­tom­ers have already begun a boy­cott protest­ing this simple-minded attack on free speech (not to men­tion an attack on the Para­mount itself and it’s grand his­tory of show­ing films with a human­it­ari­an and anti-estab­lish­ment pos­i­tion). Feel free to voice your dis­pleas­ure to the man­age­ment.

[The rest of this week’s new releases after the jump]

Cinephilia: Opening This Week

Change of Address posterAfter last week’s pathet­ic attempt at weath­er fore­cast­ing, I will refrain from sug­gest­ing any­thing oth­er than there are three new films at the movies this week.

First up, slip­ping in to the wee cinemas at the back of the Para­mount is French romantic com­edy Change of Address. Musi­cian Emmanuel Mouret has arrived in Par­is without accom­mod­a­tion and is approached by Fre­derique Bel about shar­ing her flat. Ignor­ing the life-rule that goes “Don’t f*ck your flat­mates, don’t mix your drinks” they become, er, acquain­ted. Com­plic­a­tions ensue. Change of Address is described by Urb­an Cine­file in Aus­tralia as “play­ful and amus­ing”. Para­mount only.

I saw Nev­er Back Down yes­ter­day and I’m not giv­ing too much away if I tell you that it is then most repuls­ive and objec­tion­able film I have wit­nessed in a long time. As Ken Duncum once said (in anoth­er con­text) not only should this film nev­er have been made but all those respons­ible should have to atone for hav­ing made it. Read­ings (and maybe Regent-on-Man­ners but their web site is down).

Finally Def­in­itely, Maybe is a romantic com­edy star­ring Ryan Reyn­olds and Abi­gail Breslin (relax, they’re not the romantic­ally entwined couple – give her a few more years yet). Breslin plays Reyn­old’s 11-year-old daugh­ter who wants to know why Daddy is get­ting divorced. Through the medi­um of exten­ded flash­back, Reyn­olds then tries to explain his life and how he and her moth­er fell in love. The twist: we don’t find out which of his three sig­ni­fic­ant former lov­ers is his one true love until the end. Read­ings.

I’ve slipped a bit behind in review­ing cur­rent releases thanks to the Show­case but these three plus Rambo, Bon­neville and The Eye will be reviewed at Funer­als & Snakes next Wed­nes­day.

Cinephilia: Opening This Week

Rambo posterLooks like the week­end is going to be beau­ti­ful, again. Per­fect weath­er for, ahem, sit­ting in a darkened air-con­di­tioned room watch­ing a flick­er­ing light on a screen. And Hol­ly­wood has come to the party with a couple of films that are going to make sit­ting in the sun­shine seem like the most nat­ur­al thing in the world.

Sly Stal­lone brings John Rambo out of retire­ment for his first film since 1988 at Read­ings and Regent-on-Man­ners. Liv­ing in quiet retire­ment in Thai­l­and, Rambo is forced back into action to res­cue Chris­ti­an mis­sion­ar­ies in Burma. In Rambo tra­di­tion it’s rated R18 for viol­ence and offens­ive lan­guage.

The second asia-hor­ror-remake to come out in two weeks (Shut­ter was last week) is The Eye. Jes­sica Alba plays a blind woman who gets a haunted cornea trans­plant and can see more than she bar­gained for. Read­ings and Regent-on-Man­ners.

[The rest of this week’s new releases after the jump]