Cinephilia: Opening This Week

Elizabeth posterI was really hop­ing they were going to to call the Eliza­beth sequel Eliza­beth II but instead it is Eliza­beth: The Golden Age. Co-artist­ic-dir­ect­or-des­ig­nate of the Sydney Theatre Com­pany and Elf Queen, Cate Blanchett returns to play Eliza­beth. She’s still fight­ing cath­ol­ics but this time they are amassed off the coast in an Armada. Clive Owen plays Errol Flynn as Wal­ter Raleigh. Pent­house, Read­ings, Light­house Petone, Rialto, Sky City Queens­gate, Embassy

Christ­mas is here and the first “hol­i­day” movie off the rank is Fred Claus at Read­ings, Regent-on-Man­ners and Sky City Queens­gate. Paul Gia­matti is Santa and Vince Vaughan plays his lay­about little broth­er Fred (a bit like Billy Carter or Roger Clin­ton).

Older read­ers will remem­ber the days when Kev­in Cost­ner was the biggest star in the Hol­ly­wood firm­a­ment. Des­pite some career mis-steps he remains a watch­able per­former and this week he flicks the seri­al killer switch in Mr Brooks at Read­ings, Regent-on-Man­ners, Sky City Queens­gate. The twist is that Wil­li­am Hurt plays his alter-ego, a bit like Jekyll and Hyde.

Finally, a poten­tial art­house treat at the Para­mount. Golden Door fol­lows turn of the cen­tury immig­rants from Sicily to Ellis Island and stars Char­lotte Gains­bourg. It won six awards at the 2006 Venice Film Fest­iv­al includ­ing the Sil­ver Lion.

All these films will be reviewed at Funer­als & Snakes next Wed­nes­day (and in print in the Cap­it­al Times on the same day) .

Cinephilia: Opening This Week

Death Proof posterI have it on good author­ity that Quentin Tarant­ino gave his per­son­al per­mis­sion for the Film Fest­iv­al to screen the com­plete Grind­house exploit­a­tion double-fea­ture as he and Robert Rodrig­uez inten­ded, des­pite it being yanked early from Amer­ic­an cinemas due to dis­mal box office: how­ever Road­show inter­vened to pre­vent the screen­ing and the only way NZ audi­ences can see Grind­house will be on DVD at some future time. That big screen exper­i­ence has been replaced by an expan­ded ver­sion of Tarant­ino’s Death Proof, open­ing today at Read­ings and Sky City Queens­gate. The tale of a crazed stunt­man (Kurt Rus­sell) stalk­ing two sets of beau­ti­ful women includ­ing kiwi stuntie Zoe Bell and Sydney Poit­i­er, Death Proof looks like more of that pat­en­ted Tarant­ino-like fun.

The rest of this week’s new releases after the jump…

Cinephilia: Opening This Week

Venus posterThis week the Para­mount has a spe­cial attrac­tion for fans of oddball geni­us Dav­id Lynch: Inland Empire has been acclaimed by (sev­er­al) crit­ics world­wide as a return to the edgy and out­rageous Lynch of his early career (think Eraser­head rather than, say, The Straight Story). Inland Empire screens exclus­ively at the Para­mount for one week only. Set aside plenty of time.

Also return­ing from suc­cess­ful screen­ings at this year’s Fest­iv­al is Venus, star­ring Peter O’Toole as an age­ing act­or get­ting a new lease on life when he meets a brash and beau­ti­ful teen­age girl. Domin­ion-Post crit­ic Graeme Tuck­ett has called it his film of the year although that may have changed since East­ern Prom­ises. Venus is writ­ten by the nev­er less than inter­est­ing Hanif Kur­e­ishi (My Beau­ti­ful Laundrette and Intim­acy) and plays at the Embassy, Para­mount, Rialto and Sky City Queens­gate.

The rest of this week’s releases after the jump…

If Only: Striving for perfection in the real world

In the corner office of our won­der­ful Ivory Tower (lit­er­ally now, thanks Noizy for shelling out for that rebuild) we look down upon the seeth­ing popu­lace of Wel­ling­ton that we love so dear and think to ourselves: if only…if only they were as per­fect as we are. At which point it’s time for our 11am mas­sage and man­i­cure.

This time gave us the chance to con­struct a short list of estab­lish­ments around Wel­ling­ton that could be bet­ter if only they changed some things.

The Port Café

What they have going for them: Fant­ast­ic day­time sun, great city views, really good fish & chips, and a BYO license.
What they need to change: The décor! Plain white walls and con­crete floors alone do not add up to styl­ish min­im­al­ism: that requires eleg­ant pro­por­tions and exquis­ite detail­ing, where­as this place just looks cheap and unfin­ished. The chairs were salvaged from the bar­gain bin at Ware­house Sta­tion­ery, and the only attempts at actu­al design (mod­el ships and some blue down­lights) make it look taw­dry and twee. Either get in a prop­er interi­or design­er or drop the prices and be a plain old chip­pie.

more after the jump..

Cinephilia: Opening This Week

Eastern Promises posterViggo Mortensen reunites with dir­ect­or Dav­id Cronen­berg (A His­tory of Viol­ence) for the acclaimed new drama East­ern Prom­ises, set deep in the under­belly of present day Lon­don among the vicious Rus­si­an mafia. Naomi Watts plays a mid­wife invest­ig­at­ing the death of a young pros­ti­tute whose diary leads to king­pin Armin Mueller-Stahl. Viggo plays his mys­ter­i­ous driver. Read­ings and Queens­gate.

Frac­ture is a twisty courtroom thrill­er star­ring Ryan Gos­ling (just pulled/pushed out of The Lovely Bones) and Anthony Hop­kins. Hop­kins plays Ted Craw­ford, accused of mur­der­ing his wife; Gos­ling is the ambi­tious Deputy DA who sees this case as his tick­et out to the big money cor­por­ate world but the case proves more com­plic­ated than it first appears. Read­ings, Empire and Queens­gate.

[The rest of this week’s new releases after the jump.]

Mighty Good Times

This new­bie mem­ber of the Wel­ling­tonista was beaten to punch when it came to report­ing on the glad-wrap­ping record attempt at the Mighty Mighty. How­ever I thought I would add my two cents worth about the night and the over­all friend­li­ness of the Mighty Mighty for the female solo trav­el­er.

 First off, why was I head­ing into the night to be mum­mi­fied in the first place? Well some­times you have the kind of week where you wish that someone would render you mostly immob­ile by glad-wrap­ping your arms to the side of your body. While this does present tech­nic­al dif­fi­culties when it comes to drink­ing beer, it does keep your hands off the key­board for awhile! The exper­i­ence reminded me some­what of Tokyo morn­ing rush hour trains, the term “sushi zume” packed like sushi seemed pretty apt as the final cir­cu­lar wrap was made around 41(?) people. The chances of being groped were about the same (you might be sur­prised how cre­at­ive some people can be even with their hands firmly wrapped to them­selves) but there were few­er suits and more hip­pies and smiles on this love train. Oh and free jager­meister.

Cinephilia: Opening This Week

Atonement posterThe best grown-up film of the year opens today. Atone­ment is dir­ec­ted by up-and-comer Joe Wright (Pride & Pre­ju­dice) and is adap­ted from the acclaimed nov­el by Ian McE­wan. 12 year old Bri­ony Tal­lis (played by Saoirse Ron­an from Peter Jackson’s forth­com­ing The Lovely Bones) tells a ter­rible lie, con­demning fam­ily friend Rob­bie Turn­er (James McA­voy) to pris­on and dis­grace and her sis­ter Cecil­ia (Keira Knight­ley) to heart­break and loss. It takes a life­time for Bri­ony to atone. Atone­ment is play­ing at the Embassy, Read­ings, Pent­house, Light­house Petone and the Empire Island Bay.

New Zea­l­and vam­pire thrill­er Per­fect Creature gets a long-awaited cinema release, more than two years after com­ple­tion. Dir­ec­ted by Glenn Standring (The Irre­fut­able Truth About Demons) and star­ring imports Dougray Scott and Saf­fron Bur­rowns along with loc­als Scott Wills and Rob­bie Maga­s­iva, Per­fect Creature offers us an altern­at­ive New Zea­l­and known as Nuovo Zeland­ia where vam­pires and humans peace­fully co-exist – until the bal­ance is chal­lenged by a reneg­ade vam­pire known as Edgar (Leo Gregory). Read­ings, Embassy and Sky City Queens­gate.

A kinder, gentler option is provided by Con­ver­sa­tions With My Garden­er from dir­ect­or Jean Beck­er (Chil­dren of the Marsh­lands). Daniel Auteuil plays an artist who returns to the fam­ily home to escape a messy divorce and renews a friend­ship with the old school mate (Jean-Pierre Darroussin) who tends his veg­gie garden. Pent­house and Light­house Petone.

Finally, the Itali­an Film Fest­iv­al kicked off with a gala shindig at the Para­mount last night. It runs for a fort­night and there’s plenty to keep you enter­tained.

Atone­ment and Con­ver­sa­tions With My Garden­er are reviewed at Funer­als & Snakes, to be joined next week by Per­fect Creature.

Cinephilia: Opening This Week

The Devil Dared Me To posterIn 2006 the New Zea­l­and Film Com­mis­sion announced a new ultra-low budget fea­ture film scheme called Head­strong and asked for sub­mis­sions. The Head­strong team (includ­ing the Incred­ibly Strange Ant Timpson, dir­ect­or Paul Swadel and pro­du­cer Leanne Saun­ders) went through the 300 scripts to select 10 to devel­op in the hope that four would go in to pro­duc­tion. The first com­pleted film gets a large scale nation­al release today: The Dev­il Dared Me To (in which legendary stunt­man Randy Camp­bell attempts to jump Cook Strait in a rock­et car).

The Dev­il is screen­ing at Read­ings, Empire, Regent-on-Man­ners, Sky City Queens­gate

At Read­ings, Light­house Petone and the Pent­house, Angelina Jolie plays Mari­anne Pearl, wid­ow of murdered journ­al­ist Daniel Pearl, in the true story A Mighty Heart. Dir­ec­ted by the great Michael Win­ter­bot­tom, A Mighty Heart has been described as “moving and fright­en­ingly real” by the LA Times.

[The rest of this week’s new releases after the jump]

Cinephilia: Opening This Week

La vie en rose posterEdith Piaf’s life was full of drama, drama that poured out of her when she sang. Born into poverty in WWI-era Par­is, raised in a brothel when both par­ents aban­doned her, dis­covered singing on street corners, she became one of the biggest stars of the 20th Cen­tury and died of liv­er can­cer at the age of only 47. Her life is giv­en the big screen treat­ment in La Vie En Rose, a big budget French pro­duc­tion that opened the Ber­lin Film Fest­iv­al this year. La Vie En Rose is play­ing almost every­where from today: Read­ing Cour­tenay Cent­ral, Rialto, Light­house Petone, Pent­house and Embassy.

Also open­ing today is a Michael (Heat) Mann pro­duced thrill­er called The King­dom, star­ring Jam­ie Foxx. A bomb explodes in Saudi Ara­bia, tar­get­ing Amer­ic­ans work­ing there. The US Gov­ern­ment offers the loc­als an elite team of FBI invest­ig­at­ors to sup­port the invest­ig­a­tion and they rap­idly find them­selves cul­tur­ally out of their depth even though they have the skills and tech­no­logy to loc­ate the ter­ror­ists before they strike again. Also star­ring Jen­nifer Garner, Chris Cooper (Breach) and Jason Bate­man. The King­dom plays at Read­ings, Regent-on-Man­ners and Sky City Queens­gate.

Finally this week, Scar­lett Johans­son stars in The Nanny Diar­ies, adap­ted from the smash hit nov­el by the people who brought you the won­der­ful Amer­ic­an Splendor (Robert Pul­cini and Shari Spring­er Ber­man). Star of Amer­ic­an Splendor, Paul Gia­matti, also fea­tures as one of the pois­on­ous par­ents entrust­ing their off­spring to decent hard­work­ing Scar­lett (the oth­er is Laura Lin­ney). Read­ings Cour­tenay Cent­ral and Sky City Queens­gate.

La Vie En Rose has been reviewed at Funer­als & Snakes and the oth­er two will show up in due course.

Cinephilia: Opening This Week

200709262145Fully 60% of all the open­ing films this week are at the Para­mount: first up indie thrill­er Unknown has a great ensemble cast includ­ing James Caviezel, Greg Kin­near and Barry Pep­per. It’s a riddle of a thrill­er as five guys wake up locked in a deser­ted ware­house unable to remem­ber what happened or which of them are the good guys and which are the bad­dies. A gas leak has caused mul­tiple amne­sia and the race is one to work out who is the kid­nap­per and who the kid­napped. By all accounts there are plenty of twists which make this a thrill­er to get the old brain box going.

The rest of this week’s new cinema releases after the jump.