Review: Uther Dean Reads 300 Haiku

Uth­er Dean Reads 300 Haiku is indeed that. 300 haiku in a row. But what the title does­n’t tell you is the wan­der­ing nar­rat­ive Uth­er tells through the 300 haiku. “These haiku were writ­ten by Peter the Poet,” he says. Yes, we agree, though I’m not con­vinced. Peter is des­per­ately in love with Jan­ine, who is a […]

Review: Hamlet (Summer Shakespeare 2019)

Sum­mer Shakespeare’s Ham­let has been a show I’ve been look­ing for­ward to for a very long time, and I can def­in­itely say that it did­n’t let me down. Dir­ec­ted by Dav­id O’Don­nell, and star­ring Stevie Han­­cox-Monk as a female Ham­let, the show brought Ham­let back to life for me in a very good way. Ham­let is a fant­ast­ic play but […]

Review: A Slightly Isolated Dog’s Santa Claus

Santa Claus brings A Slightly Isol­ated Dog’s usu­al charm, wit and innu­endo to BATS’ Ran­dom Stage for the telling of a tale about a Santa Claus who is rather tired of put­ting up with naughty people’s bull­shit. I shall not go too far into the plot of this sixty-minute show – to save you all from […]

Review: Puss in Boots

Circa Theatre’s Christ­mas pan­to­mime this year is Puss in Boots. It’s a tale as old as time, if that tale were set in the wilds of Te Aro and Karori and fea­tured many dick jokes, jabs at Gareth Mor­gan and fant­ast­ic­al dance num­bers. It’s 2018. Or there abouts. Cam­illa Miller – a griev­ing wid­ow woman – […]

Review: Actual Fact

Reviewed by our fant­ast­ic guest review­er, Shan­non Gil­lies (@dashright­in) on Twit­ter! The audi­ence arrived warm and will­ing to be enter­tained – and they were. Actu­al Fact explored story telling. Not in a way that is gen­er­ally cel­eb­rated in our soci­ety – such as I’m an adven­turer, sportsper­son, a politi­cian – listen to or read of […]

Review/s: New Zealand Improv Fest Bonanza

I saw four improv shows last night as part of the New Zea­l­and Improv Fest­iv­al. In the interests of brev­ity, here’s a joint review of all four. Aus­ten Found  Penny Ashton’s Aus­ten Found is a per­am­bu­la­tion into the world of one of Jane Aus­ten’s lost music­als – in this case, the story of one Vic­tor­ia Sandy­bot­tom, who […]

Review: Space Patrol 5 (NZ Improv Festival)

I leaned over to my theatre-going com­pan­ion just before the start of this show and poin­ted at one of the audi­ence-made space­ships lying on the floor of BATS’ Ran­dom Stage. “That space­ship looks a lot like a dildo,” I remarked, pres­ci­ently as always, and he agreed. The audi­ence, in an ode to pre­dict­ab­il­ity, chose it. […]

Review: Uneasy Dreams and Other Things

Dir­ec­ted by Sara Brod­ie. Writ­ten by Lori Leigh. Uneasy Dreams and Oth­er Things is a glor­i­ous, hil­ari­ous (in some places) piece of theatre, inspired by Franz Kafka’s The Meta­morph­os­is.  How­ever, instead of turn­ing into a giant bug overnight, our reluct­ant heroine, Sam­antha (Lydia Peck­ham), grows a penis. She spends the entirety of the play try­ing to deal […]

Review: Mrs Krishnan’s Party

Indi­an Ink’s second show of the year is quite a step away from its first, and sets us in the back of Mrs Krish­nan’s dairy, ready to cel­eb­rate Onam (a Hindu fest­iv­al of life, death and rebirth). Te Aua­ha has changed, I note, as I step inside. Far from the end-stage con­fig­ur­a­tion the Whare Tapere theatre is […]

Review: She Danced on a Friday

She Danced on a Fri­day is a spir­itu­ally evoc­at­ive and heart­break­ing play about a Hamilton murder in the early 1990s. Hav­ing only been in the coun­try for four days, 32-year old Mar­gery Hope­good was stabbed to death in a pub­lic toi­let on the 10th of Janu­ary, 1992. She was­n’t here for an OE, but to meet […]