Review: Homemade Takeaways

I don’t think any­one will dis­agree with me that it’s been one hell of a year, and Christ­mas is des­cend­ing on us fast.  So it seemed com­pletely appro­pri­ate to be watch­ing a show about people who’ve had a hell of a year, too, drawn togeth­er at Christ­mas. Annie and Will have grav­it­ated back to the […]

Review: Olive Copperbottom

Leav­ing Circa on Wed­nes­day after the open­ing night of Olive Cop­per­bot­tom, one of the many things I was feel­ing was deep regret that it was the very first of Penny Ashton’s shows that I’d seen, and I’d missed so many oth­ers.  Ashton is a bright light.  Her energy, her wit, and her joy were incan­des­cent […]

Review: Macbeth

I went into Macbeth at the St James com­pletely cold – I know Ver­di’s later oper­as, includ­ing his later Shakespeare oper­as; Otello and Fal­staff.  But I’ve some­how missed Macbeth, and decided to keep it that way, I guess because it’s so excit­ing to go into some­thing com­pletely fresh and new, even if it was writ­ten […]

Review: The Look Of Love

I’ve seen Ali Harp­er before, at Old St Paul’s in 2012, and I was struck by her humour and pro­fes­sion­al­ism then.  It was a fun night out with my Robot Mum and we both enjoyed hear­ing songs we knew, and some we did­n’t, per­formed by someone who knew her craft and was super skilled. On […]

Review: The Human Voice (La Voix Humaine; NZO season)

TW:  Sui­cide, over­dose, trauma I reviewed a pro­duc­tion of La Voix Humaine in Feb­ru­ary.  It’s been a strange worm­hole of a year and it feels like a mil­lion years ago but also maybe yes­ter­day that I was sit­ting in Suite Gal­lery, exper­i­en­cing this piece for the first time.  Writ­ing this review with the last one […]

That’s All She Wrote – Review

I’ve  found myself in a very lovely, very priv­ileged, and deeply uncom­fort­able space.  I’ve seen three pre­vi­ous Red Scare Theatre Com­pany shows, and I’ve genu­inely loved them all.  I will have to enlist one of my ‘Ista com­rades to review their shows in future, to pre­clude claims of bias and shame­less fangirl­ing. Each of those […]

Review – Oddacity

Odda­city prom­ised an “award-win­n­ing, best-of spec­tac­u­lar with a cast of inter­na­tion­al luminar­ies per­form­ing styl­ish acts”, under the beau­ti­ful sky­light in Bats’ Hey­day Dome.   I was­n’t sure what to expect, know­ing the theatre would­n’t suit aer­i­als or acro­bat­ics, but I hoped  for clowns.  I was not dis­ap­poin­ted in that sense. Odda­city is usu­ally Sach­ie Mikawa, Trent […]

Review: DND Live at the Fringe: When Dwarves Cry

I would­n’t neces­sar­ily say that Dun­geons and Dragons has gone main­stream, but it’s become a lot more pop­u­lar in the last twenty years.  It prob­ably helps that there are so many TV shows these days with a fantasy ele­ment, as well as movies like the Lord of the Rings series mak­ing sword-and-sor­cery stuff cool­er. DnD […]

Review: Dr Drama Makes a Show

It was weird for me to go to a show at 93 Kel­burn Parade, hav­ing com­pleted my own humble BA at Vic almost 20 years ago.  In fact, #93 was the site of at least one audi­tion and more than a few rehears­als for me.  It’s had a bit of a facelift, now being an […]

Review: Eight Songs for a Mad King

King George III, des­pite hav­ing been a learned and enthu­si­ast­ic spon­sor of sci­entif­ic and indus­tri­al pro­gress, a faith­ful hus­band and fath­er, and in many ways very lib­er­al for his time (except pro-slavery, just say­ing), is basic­ally fam­ous for hav­ing gone mad. That mad­ness has been scru­tin­ized, dia­gnosed, and mocked roundly in mod­ern lit­er­at­ure, film, TV, […]