Leaving Circa on Wednesday after the opening night of Olive Copperbottom, one of the many things I was feeling was deep regret that it was the very first of Penny Ashton’s shows that I’d seen, and I’d missed so many others. Ashton is a bright light. Her energy, her wit, and her joy were incandescent […]
I went into Macbeth at the St James completely cold – I know Verdi’s later operas, including his later Shakespeare operas; Otello and Falstaff. But I’ve somehow missed Macbeth, and decided to keep it that way, I guess because it’s so exciting to go into something completely fresh and new, even if it was written […]
I’ve seen Ali Harper before, at Old St Paul’s in 2012, and I was struck by her humour and professionalism then. It was a fun night out with my Robot Mum and we both enjoyed hearing songs we knew, and some we didn’t, performed by someone who knew her craft and was super skilled. On […]
TW: Suicide, overdose, trauma I reviewed a production of La Voix Humaine in February. It’s been a strange wormhole of a year and it feels like a million years ago but also maybe yesterday that I was sitting in Suite Gallery, experiencing this piece for the first time. Writing this review with the last one […]
I’ve found myself in a very lovely, very privileged, and deeply uncomfortable space. I’ve seen three previous Red Scare Theatre Company shows, and I’ve genuinely loved them all. I will have to enlist one of my ‘Ista comrades to review their shows in future, to preclude claims of bias and shameless fangirling. Each of those […]
King George III, despite having been a learned and enthusiastic sponsor of scientific and industrial progress, a faithful husband and father, and in many ways very liberal for his time (except pro-slavery, just saying), is basically famous for having gone mad. That madness has been scrutinized, diagnosed, and mocked roundly in modern literature, film, TV, […]
Blackbird Ensemble are “NZ’s most exciting chamber orchestra”, and Thursday’s homage to Björk supported that claim more than competently. A collection of strings, horns, percussionists, and Claire Cowan’s multi-instrumentalism brought director Cowan’s arrangements to vibrant and emotional life. The musicians were more than just that; in their glowing boiler suits they became part of a sensory […]
During the interval of last night’s performance of Benjamin Britten’s The Turn of the Screw, I popped outside for a bit of cold air and second-hand smoke. As I stood reading the playbills, a group of four people bustled out, one of whom was loudly and petulantly proclaiming “But I want PUCCINI!!!” They did not […]
Verdi’s Rigoletto is a classic, and deservedly so. The story was based on a Victor Hugo play, adapted somewhat to avoid censorship. Hugo, by all accounts, was not at all happy that his play was being plagiarised (and by an Italian!) until he attended and was amazed by a performance. Musically it was rather revolutionary, […]