Review: The Human Voice (La Voix Humaine; NZO season)

TW:  Sui­cide, over­dose, trauma I reviewed a pro­duc­tion of La Voix Humaine in Feb­ru­ary.  It’s been a strange worm­hole of a year and it feels like a mil­lion years ago but also maybe yes­ter­day that I was sit­ting in Suite Gal­lery, exper­i­en­cing this piece for the first time.  Writ­ing this review with the last one […]

That’s All She Wrote – Review

I’ve  found myself in a very lovely, very priv­ileged, and deeply uncom­fort­able space.  I’ve seen three pre­vi­ous Red Scare Theatre Com­pany shows, and I’ve genu­inely loved them all.  I will have to enlist one of my ‘Ista com­rades to review their shows in future, to pre­clude claims of bias and shame­less fangirl­ing. Each of those […]

Review: Eight Songs for a Mad King

King George III, des­pite hav­ing been a learned and enthu­si­ast­ic spon­sor of sci­entif­ic and indus­tri­al pro­gress, a faith­ful hus­band and fath­er, and in many ways very lib­er­al for his time (except pro-slavery, just say­ing), is basic­ally fam­ous for hav­ing gone mad. That mad­ness has been scru­tin­ized, dia­gnosed, and mocked roundly in mod­ern lit­er­at­ure, film, TV, […]

Blackbird Ensemble Performs Björk: All Is Full Of Love – Review

Black­bird Ensemble are “NZ’s most excit­ing cham­ber orches­tra”, and Thursday’s homage to Björk sup­por­ted that claim more than com­pet­ently.  A col­lec­tion of strings, horns, per­cus­sion­ists, and Claire Cow­an’s multi-instru­­ment­al­ism brought dir­ect­or Cow­an’s arrange­ments to vibrant and emo­tion­al life.  The musi­cians were more than just that; in their glow­ing boil­er suits they became part of a sens­ory […]

Review: The Turn of the Screw

Dur­ing the inter­val of last night’s per­form­ance of Ben­jamin Brit­ten’s The Turn of the Screw, I popped out­side for a bit of cold air and second-hand smoke.  As I stood read­ing the play­bills, a group of four people bustled out, one of whom was loudly and petu­lantly pro­claim­ing “But I want PUCCINI!!!”  They did not […]

Review: Rigoletto

Ver­di’s Rigo­letto is a clas­sic, and deservedly so.  The story was based on a Vic­tor Hugo play, adap­ted some­what to avoid cen­sor­ship.  Hugo, by all accounts, was not at all happy that his play was being pla­gi­ar­ised (and by an Itali­an!) until he atten­ded and was amazed by a per­form­ance.  Music­ally it was rather revolu­tion­ary, […]

Review: Side by Side by Sondheim

A revue of ‘most adven­tur­ous com­poser’ Steph­en Sondheim’s works. Ori­gin­ally per­formed in 1976 the music­als rep­res­en­ted in this revue are from the early part of his career. (Some of the music­als men­tioned in the show’s pro­mo­tion­al mater­i­al do not fea­ture.)  He explores the themes of love, rela­tion­ships, and mar­riage. Per­formed by Julie O’Brien, Mat­thew Pike, […]

Review: NZSO Baroque Series – Water Music

Tele­mann: Water Music “Ham­burger Ebb und Fluth” (TWV 55:C3) Händel: Water Music (HWV 348–350) St. Paul’s Cathed­ral, Wel­ling­ton Fri­day 1 Feb 2019 Listen­ing to the two “Water Music” suites by Tele­mann and Han­del fill the echo­ing expanse of St. Paul’s, I wondered how it is we find rever­ber­a­tion so attract­ive. Is it a cul­tur­al asso­ci­ation […]

NZSO Shed Series: “Juxtaposition”

My first trip to the new Shed 6 was a few weeks ago to see con­tem­por­ary music out­fit Stroma. They were play­ing a sampler of mod­ern art music, stretch­ing from Ravel and Schoen­berg, through Boulez and Berio, to more recent work by Gil­lian White­head and Dav­id Lang. Music writer Alex Ross was our tour guide, […]

NZSO – The Shed Series

Not every­one is dig­ging the orches­tra in the con­cert hall, although let me just say that the NZSO trib­ute a few weeks ago to Tor­vill and Dean’s standout Bolero per­form­ance in 1984 was bloody power­ful. Gen­er­ally the con­cert vibe appeals to one kind of crowd and the stand­ing in a shed gig appeals to anoth­er. […]