Review: The Human Voice (La Voix Humaine; NZO season)

TW:  Sui­cide, over­dose, trau­ma I reviewed a pro­duc­tion of La Voix Humaine in Feb­ru­ary.  It’s been a strange worm­hole of a year and it feels like a mil­lion years ago but also maybe yes­ter­day that I was sit­ting in Suite Gallery, expe­ri­enc­ing this piece for the first time.  Writ­ing this review with the last one […]

That’s All She Wrote — Review

I’ve  found myself in a very love­ly, very priv­i­leged, and deeply uncom­fort­able space.  I’ve seen three pre­vi­ous Red Scare The­atre Com­pa­ny shows, and I’ve gen­uine­ly loved them all.  I will have to enlist one of my ‘Ista com­rades to review their shows in future, to pre­clude claims of bias and shame­less fan­girling. Each of those […]

Review: Eight Songs for a Mad King

King George III, despite hav­ing been a learned and enthu­si­as­tic spon­sor of sci­en­tif­ic and indus­tri­al progress, a faith­ful hus­band and father, and in many ways very lib­er­al for his time (except pro-slav­ery, just say­ing), is basi­cal­ly famous for hav­ing gone mad. That mad­ness has been scru­ti­nized, diag­nosed, and mocked round­ly in mod­ern lit­er­a­ture, film, TV, […]

Blackbird Ensemble Performs Björk: All Is Full Of Love — Review

Black­bird Ensem­ble are “NZ’s most excit­ing cham­ber orches­tra”, and Thurs­day’s homage to Björk sup­port­ed that claim more than com­pe­tent­ly.  A col­lec­tion of strings, horns, per­cus­sion­ists, and Claire Cow­an’s mul­ti-instru­­men­­tal­ism brought direc­tor Cow­an’s arrange­ments to vibrant and emo­tion­al life.  The musi­cians were more than just that; in their glow­ing boil­er suits they became part of a sen­so­ry […]

Review: The Turn of the Screw

Dur­ing the inter­val of last night’s per­for­mance of Ben­jamin Brit­ten’s The Turn of the Screw, I popped out­side for a bit of cold air and sec­ond-hand smoke.  As I stood read­ing the play­bills, a group of four peo­ple bus­tled out, one of whom was loud­ly and petu­lant­ly pro­claim­ing “But I want PUCCINI!!!”  They did not […]

Review: Rigoletto

Verdi’s Rigo­let­to is a clas­sic, and deserved­ly so.  The sto­ry was based on a Vic­tor Hugo play, adapt­ed some­what to avoid cen­sor­ship.  Hugo, by all accounts, was not at all hap­py that his play was being pla­gia­rised (and by an Ital­ian!) until he attend­ed and was amazed by a per­for­mance.  Musi­cal­ly it was rather rev­o­lu­tion­ary, […]

Review: Side by Side by Sondheim

A revue of ‘most adven­tur­ous com­pos­er’ Stephen Sondheim’s works. Orig­i­nal­ly per­formed in 1976 the musi­cals rep­re­sent­ed in this revue are from the ear­ly part of his career. (Some of the musi­cals men­tioned in the show’s pro­mo­tion­al mate­r­i­al do not fea­ture.)  He explores the themes of love, rela­tion­ships, and mar­riage. Per­formed by Julie O’Brien, Matthew Pike, […]

Review: NZSO Baroque Series — Water Music

Tele­mann: Water Music “Ham­burg­er Ebb und Fluth” (TWV 55:C3) Hän­del: Water Music (HWV 348–350) St. Paul’s Cathe­dral, Welling­ton Fri­day 1 Feb 2019 Lis­ten­ing to the two “Water Music” suites by Tele­mann and Han­del fill the echo­ing expanse of St. Paul’s, I won­dered how it is we find rever­ber­a­tion so attrac­tive. Is it a cul­tur­al asso­ci­a­tion […]

NZSO Shed Series: “Juxtaposition”

My first trip to the new Shed 6 was a few weeks ago to see con­tem­po­rary music out­fit Stro­ma. They were play­ing a sam­pler of mod­ern art music, stretch­ing from Rav­el and Schoen­berg, through Boulez and Berio, to more recent work by Gillian White­head and David Lang. Music writer Alex Ross was our tour guide, […]

NZSO — The Shed Series

Not every­one is dig­ging the orches­tra in the con­cert hall, although let me just say that the NZSO trib­ute a few weeks ago to Torvill and Dean’s stand­out Bolero per­for­mance in 1984 was bloody pow­er­ful. Gen­er­al­ly the con­cert vibe appeals to one kind of crowd and the stand­ing in a shed gig appeals to anoth­er. […]