If you are considering going to the cinema this weekend, and you’ve already seen Bond and the other 21 films currently playing in Wellington, here’s a quick guide to the new releases.
Cinema owners all over the city are breathing a little easier now that two of the biggest box office releases from the States have opened at the same time. High School Musical 3: Senior Year is the third in the trilogy and the first to get a full cinema release: Readings, Empire, Sky City Queensgate. I saw it tonight at the Empire and my eyes and ears are still hurting.
Knocking Bond off his perch last weekend in the US was the Christmas rom-com Four Holidays starring Vince Vaughan and Reese Witherspoon. I believe I am out of step with most critics but I actually quite enjoyed it – and so did US$31m worth of other people. Readings, Empire, Sky City Queensgate.
Quarantine is a very quick-out-of-the-blocks Hollywood remake of the Spanish horror film [REC] that Ant Timpson was promoting earlier this year. It’s a Readings exclusive. Might be worth a look if, like me, you found it hard to read the subtitles in the original with your hands over your eyes.
The Visitor is going to be popular, mark my words. From Thomas McCarthy, writer-director of The Station Agent (which did more business per capita here than anywhere else in the world), this one is about a depressed middle-aged economics professor who rediscovers life when he meets an illegal immigrant couple in New York City. Oh man, it is so much better than I just made it sound. Penthouse, Paramount, Lighthouse Petone.
The acclaimed documentary The Survivors (about the final year of the Holocaust) gets two screenings at the Film Archive on Friday and Saturday respectively as part of their Human Rights series and finally, a Penthouse exclusive: Suddenly, a Swedish drama about a man and his son recovering from the death of the mother and brother. "A quiet and beautiful film," says IMDb.
The Visitor has already been reviewed at Funerals & Snakes, with the others following next week (and in the Capital Times next Wednesday).
UPDATE: My interview with The Visitor star Richard Jenkins is up at F&S
So, this is the week I come out of hibernation to resume posting and what do I have to report? Only the bleeding obvious information that the new Bond (Quantum of Solace) is everywhere this weekend and that the only cinema daring to go up against the behemoth is plucky little Paramount which is playing American Teen from today.
QoS is the middle film of an expected trilogy so don’t expect much in the way of resolution. And despite being the most expensive Bond film in history it’s a welcome half an hour shorter than the previous Casino Royale: More sessions = more money. Playing at Readings, Empire, Penthouse, Regent-on-Manners, Embassy and Lighthouse Petone.
A big winner at Sundance this year, American Teen is a documentary surveying a cross-section of current US young-adult-hood in the town of Warsaw, Indiana. The characters are stock (which is sort of the point): the Jock, the Nerd, The Queen and the Outsider. You’ve got to love a film with this poster though. Paramount exclusive.
Quantum of Solace was reviewed this week at Funerals & Snakes and American Teen will join it next week (and in the Capital Times if you prefer ink and paper).
The Film Festival has been a fixture of Wellington’s winter calendar for nearly 40 years and for those of us who organise our lives around glowing rectangles of one kind or another there is no better way to spend a cold and wet afternoon than in the comfy leather chairs at the Embassy, engrossed in a work of art.
Programming a Festival like Wellington may seem easy but I can assure you it’s getting tougher every year. The sheer volume of independent film is growing beyond all reason (I read that there were around 5,000 films submitted to Sundance last year) and attention must be paid to all four corners of the globe nowadays.
The glossy programme (doing double-duty this year as Festival Guide Book and Souvenir Programme) is 90 pages long and I direct you to it forthwith – my role here is, with the help of some previews from the Festival office, to point your attention towards some of the unheralded titles available amongst the hundreds on offer. This year I only mention films I have seen and readers are asked to add their picks/hopes/reports in the comments.
The first thing to point out is that, unlike the old days, there is nothing to be gained in trying to guess which films will return for a commercial season. With the loss of the three (otherwise unlamented) Rialto screens in June, there is even less chance of a film coming back than before and the general downturn in attendance this year has made distributors wary. At the moment there are no plans to release The Savages (a well-observed, superbly acted drama with plenty of black humour starring Philip Seymour Hoffman and Laura Linney) and even the Jack Black – Michel Gondry comedy Be Kind Rewind is expected to go straight to DVD post-Festival (although strong local sales may provoke a change of mind). Recommendation: if the big screen experience is important to you, don’t wait.
The big guns still dominate proceedings at our cinemas (at least until Thursday when the little art-house films all gang up for the Festival). Last week was hardly worth writing a column about as all the big distributors sensibly made way for Will Smith’s annual 4th of July blockbuster, Hancock (Readings, Empire, Regent-on-Manners & Embassy).
This week, the ABBA musical (that had a season at the Civic in Auckland a couple of years ago) Mamma Mia! leads the pack. Justifiably described as a phenomenon since the stage show launched in London in 1996, the film features Meryl Streep, Pierce Brosnan, Stellan SkarsgÃ¥rd and Colin Firth singing and dancing their way through the ABBA back catalogue. It’s been trailered for months now, so awareness should be pretty high and it’s playing everywhere: Readings, Empire, Penthouse, Embassy, Lighthouse Petone, Regent-on-Manners.
[The rest of this week’s new releases summarised after the jump]
Yet another school holiday looms and Dreamworks‘ attempt to capture the animated audience (or rather ‘the audience for animation’) before Pixar‘s WALL·E emerges in September, is Kung Fu Panda starring the voice of Jack Black. Launched on the croisette at the Cannes Film Festival only a few weeks ago, KFP has been acclaimed by critics (88% at RottenTomatoes) and looks like it will be worth checking out this weekend. Readings, Empire, Regent.
The Paramount continues to slip interesting, single-print, releases into the marketplace: this week’s entry is a John Boorman (Deliverance, Excalibur) morality tale, The Tiger’s Tail, in which a self-made businessman (Brendan Gleason) discovers he has a sinister double who seems to determined to bring him down.
When times are quiet in the cinema business (as they have been all year) owners respond by opening more and more films and hoping something will stick. This week sees the Penthouse open yet another contemporary British comedy-drama, funded by the UK Film Council using National Lottery funds (much like Happy-Go-Lucky and Brick Lane which are still screening), Grow Your Own. Featuring the rapidly-becoming-ubiquitous Eddie Marsan (Vera Drake, Pierrepoint), Grow Your Own is about the inhabitants of a London allotment (where the poor grow their vegetables and/or get away from the Missus) forced to deal with the arrival of a family of refugees. Penthouse and Lighthouse Petone. [Check out the rest of this week’s new releases after the jump]
Back from an unscheduled layoff, and hopefully in time for the weekend, here’s a run-down of this week’s cinematic openings. At the top of the list is Todd Haynes’ masterpiece I’m Not There. featuring Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw as versions of the legend of Bob Dylan. I wasn’t expecting it be as funny as it is but once I recalibrated I enjoyed myself enormously. Paramount, Lighthouse Petone and Rialto.
Cameron Diaz and Ashton Kutcher team up for romantic comedy about two individuals forced to become a couple in order to win a $3m slot machine prize. Dominion Post film reviewer Graeme Tuckett told me by text that he was surprised he liked it, but then he enjoyed Maid in Manhattan too. Vegas is all over the place: Readings, Empire, Regent-on-Manners.
Music Within is an indie American drama based on a true story about a deaf Vietnam veteran (Ron Livingston from “Band of Brothersâ€) who returned to the States and began a battle with the authorities for support for all Americans with disabilities. Rialto exclusive (and limited sessions due to the building work at the site so check in advance).
Finally, the Penthouse and Lighthouse (Petone) are playing an Irish film, set in a retirement home, called How About You, based on a short story by Maeve Binchy.
I’m Not There. and How About You have already been reviewed at Funerals & Snakes. The other two will appear next week.
First up, Lars and the Real Girl is delightfully odd indie starring Ryan Gosling as a lonely and damaged young man who finds love on the Internet. With a doll named Bianca. Paramount, Penthouse.
Also at the Paramount, just for Wahine Week is a documentary about the disaster called The Wahine Disaster. Another documentary, that I missed in my sweep last week, is John Pilger’s The War on Democracy which is now playing at the Lighthouse Petone only. It was originally going to play at the Paramount as well but was cut by the owners for being ‘too left wing’. Some Paramount customers have already begun a boycott protesting this simple-minded attack on free speech (not to mention an attack on the Paramount itself and it’s grand history of showing films with a humanitarian and anti-establishment position). Feel free to voice your displeasure to the management.
After last week’s pathetic attempt at weather forecasting, I will refrain from suggesting anything other than there are three new films at the movies this week.
First up, slipping in to the wee cinemas at the back of the Paramount is French romantic comedy Change of Address. Musician Emmanuel Mouret has arrived in Paris without accommodation and is approached by Frederique Bel about sharing her flat. Ignoring the life-rule that goes “Don’t f*ck your flatmates, don’t mix your drinks” they become, er, acquainted. Complications ensue. Change of Address is described by Urban Cinefile in Australia as “playful and amusing”. Paramount only.
I saw Never Back Down yesterday and I’m not giving too much away if I tell you that it is then most repulsive and objectionable film I have witnessed in a long time. As Ken Duncum once said (in another context) not only should this film never have been made but all those responsible should have to atone for having made it. Readings (and maybe Regent-on-Manners but their web site is down).
Finally Definitely, Maybe is a romantic comedy starring Ryan Reynolds and Abigail Breslin (relax, they’re not the romantically entwined couple – give her a few more years yet). Breslin plays Reynold’s 11-year-old daughter who wants to know why Daddy is getting divorced. Through the medium of extended flashback, Reynolds then tries to explain his life and how he and her mother fell in love. The twist: we don’t find out which of his three significant former lovers is his one true love until the end. Readings.
I’ve slipped a bit behind in reviewing current releases thanks to the Showcase but these three plus Rambo, Bonneville and The Eye will be reviewed at Funerals & Snakes next Wednesday.
Looks like the weekend is going to be beautiful, again. Perfect weather for, ahem, sitting in a darkened air-conditioned room watching a flickering light on a screen. And Hollywood has come to the party with a couple of films that are going to make sitting in the sunshine seem like the most natural thing in the world.
Sly Stallone brings John Rambo out of retirement for his first film since 1988 at Readings and Regent-on-Manners. Living in quiet retirement in Thailand, Rambo is forced back into action to rescue Christian missionaries in Burma. In Rambo tradition it’s rated R18 for violence and offensive language.
The second asia-horror-remake to come out in two weeks (Shutter was last week) is The Eye. Jessica Alba plays a blind woman who gets a haunted cornea transplant and can see more than she bargained for. Readings and Regent-on-Manners.
[The rest of this week’s new releases after the jump]