Review: Hine Te Rēhia

It’s a chilly winter day in Pōneke, but the joy from the audi­ence sur­round­ing me and my theatre-going com­pan­ion could warm the most cyn­ic­al of souls. We’re here to see Hine Te Rēhia, a gor­geous piece of theatre by Auck­­­land-based Tutatara Col­lect­ive, and the mood in the room is unbe­liev­ably high. For­give my lack of […]

Meet the creatives behind HINE-TE-RĒHIA

Presen­ted by Tuatara Col­lect­ive, HINE-TE-RĒHIA is a mul­ti­lin­gual theatre exper­i­ence com­ing to BATS Theatre in July. Devised, cre­ated and per­formed by an all-female BIPOC cast, this excit­ing show prom­ises to leave you gasp­ing in awe of their tal­ent. I had the chance to inter­view Jason Te Mete (pre­vi­ous deviser/director), Tāwera Ormsby (co-Kaiwhaka­haere of Tuatara Col­lect­ive) […]

Review: The Transgender Agender

I’m here on the ground at Wellington’s Fringe Bar to catch a show at the tail end of the 2024 New Zea­l­and Inter­na­tion­al Com­edy Fest­iv­al – The Trans­gender Agender. This lineup of fab­ulous trans and/or non-bin­ary comedi­ans made much mer­ri­ment on the last Sat­urday of this year’s NZICF, much to the joy of their sold-out […]

Review: Femme Natale – The Queen Years

Reviewed by Talia Carl­isle The tal­en­ted team behind Femme Nat­ale have worked their butts off to bring a mag­ni­fi­cent sketch show­case of par­ents’ inner adult desires to BATS Theatre. After return­ing from Edin­burgh Fringe with a new lease on par­ent­hood, their new iter­a­tion of Femme Nat­ale is refresh­ingly hil­ari­ous and import­ant to share in a […]

soup and a scone at Arlo

Best of the Week: May 18–25

Our weekly wrap-up of what’s good,  this time fea­tur­ing fea­tur­ing Emma, Joanna and Tom Emma’s bests Best theatre: Farce Onion at BATS – a deeply warm­ing joy­ous non­sense impro­vised time Best vibes: Still­wa­ter – I only had a drink there with some mates so I can­’t speak to the effic­acy of their cof­fee or food […]

Review: Natasha, Pierre & The Great Comet of 1812

By Talia Carl­isle Invite out your friends and put on your best faux fur, because Witch Music Theatre is back in town. Don’t let the cold weath­er stop you from exper­i­en­cing the best night out this side of Broad­way, with Wellington’s own revolu­tion of music­al geni­us onstage at Han­nah Play­house until Sat­urday. Fol­low­ing a mem­or­able […]

Review: Rent

Reviewed by Talia Carl­isle Christ­mas has come early to Gryphon Theatre, with Kauri Theatre Company’s tin­selled up pro­duc­tion of Rent selling out before open­ing to those beg­ging for a chance to see cre­at­or Jonath­an Larson’s icon­ic Winter-set music­al. I am grate­ful dir­ect­or Lox Dix­on has tackled such a huge artist­ic pro­ject to bring Rent back […]

Review: Goody Goody Glam Pop

Reviewed by Talia Carl­isle Get ready to shake it, to the fab­ulous rhymes and sick beat of Goody Goody Glam Pop at Cir­cus Bar for one more night! Beth­any Miller’s trans­form­a­tion into pop super­star Brook­lyn Brook­lyn of Brook­lyn is Dis­ney magic to behold as she shares her most pop-ular songs – Back to Back, Breath­less, […]

Review: The Importance of Being Earnest

Circa Theatre’s The Import­ance of Being Earn­est has marked itself down as a fant­ast­ic retell­ing of my favour­ite non-New Zea­l­and play, and an excel­lent night out besides. Staged in a thrust stage in Circa One, Jonath­an Price’s dir­ect­ori­al hand is evid­ent as a play that is often so caught in (delight­ful) intern­al con­ver­sa­tions is broadened […]

Review: Ruthless

Reviewed by Talia Carl­isle “Where does tal­ent come from?” This is the key ques­tion asked by char­ac­ter Sylvia St. Croix (Bea Lee-Smith) in Kauri Theatre’s tal­ent-full pro­duc­tion of Ruth­less at Gryphon Theatre on until Sat­urday. The show, dir­ec­ted by Bon­ita Edwards is brim­ming with tal­ent from Bea Lee-Smith’s sequin covered entrance. There’s cheer­ful dance num­bers, […]