Review: Dying Swanologues

Tutus and trau­ma: a deli­cious slice By Talia Carlisle It’s nev­er too late to join the bal­let band­wag­on, unless that wag­on is the Tem­pest sea­son of Dying Swanologues at BATS The­atre, in which case you have sore­ly missed out. The short and sweet sea­son from July 5–9 was made short­er with two last minute can­cel­la­tions […]

Review: Trifles

Reviewed by Shauwn Keil. Upon enter­ing the the­atre, we are treat­ed to a mag­nif­i­cent set, designed by Jas­mine Bry­ham. Every­thing that reminds you of Nana and Pop­pa’s house is present. Jars of God knows what across the kitchen bench. A ket­tle and cool mugs. Din­ner set items. A paua shell ash­tray on a shelf on […]

Review: Soho Cinders

Reviewed by Talia Carlisle The set of Soho Cin­ders is a sim­ple train sta­tion in Lon­don, but the sto­ry, design and per­for­mances are far from sim­ple. A saucy queer rewrite of Cin­derel­la, Soho Cin­ders tells us the sto­ry of Rob­bie (Chris McMil­lan), who’s caught between sug­ar dad­dy Lord Belling­ham (Stan­ford Reynolds) and Lon­don May­oral Can­di­date James Prince (Michael Steb­bings). […]

Review: Illegally Blind

Now, I’m lit­er­al­ly in this show so I fig­ured prob­a­bly not the best for me to review it. This week we’ve got the love­ly Cordy Black writ­ing some kind words! The expe­ri­ence starts in the foy­er, after a rit­u­al of scan­ning and phone-wav­ing — the default pro­gramme for Ille­gal­ly Blind is pre­sent­ed to the vis­i­tor […]

Review: The Little Mermaid

Some­how it’s near­ly Christ­mas again, and that means Cir­ca The­atre’s annu­al pan­tomime is back! I’ve been going every year since I moved to Welling­ton, and I’ve got­ta say, it’s still a fan­tas­tic and very ridicu­lous expe­ri­ence. This year it’s a wet and wild ride through The Lit­tle Mer­maid, writ­ten once again by Cir­ca stal­warts Simon Leary […]

Review: Hole

I’ve been on a review­ing spree this week, so I passed this one onto our love­ly guest review­er, who took up the man­tle very well for his first time review­ing. Check out his piece below! — Hole is unbe­liev­ably charm­ing. The play itself is clev­er­ly writ­ten, uti­liz­ing the charm of the char­ac­ters to get impor­tant […]

Review: Poprox Improv

  Poprox Improv is the brain­child of a bunch of Welling­ton the­atre stal­warts: Pip­pa Drake­­ford-Croad, Dylan Hut­ton, Austin Har­ri­son, Nina Hogg, Jon­ny Paul & Nino Raphael, and it is a show absolute­ly wor­thy of their tal­ent. Per­formed for the first time this night at Mira­mar’s gor­geous new per­for­mance venue — Roxy Live (a glo­ri­ous new space […]

Review: Medea

The Vic­to­ria Uni­ver­si­ty Ancient The­atre Soci­ety’s adap­ta­tion of Medea is an unique com­bi­na­tion of both the Euripi­des and the Seneca play — and I must say, I like where it goes. It’s a fresh take on two clas­si­cal scripts, and they meld togeth­er well, adapt­ed by VATS’ Rebec­ca Drum­mond and Rebec­ca Scholtz. The show itself […]

Review: Best on Tap’s Community Noticeboard

This is the only the­atre show cur­rent­ly run­ning in Welling­ton, we’re told, as Com­mu­ni­ty Notice­board begins. It’s a lit­tle sur­re­al to be back in a the­atre — I’ve per­son­al­ly not been in one since like… June? — and it is espe­cial­ly sur­re­al to be wear­ing masks and spaced out across a tra­verse in BATS The­atre’s Dome stage. […]

Review: Maximum Benefit

I’m out of com­mis­sion at the moment brain-wise, and could­n’t get to this show, but the work got love­ly com­ments from those there in my steed. The show sea­son is com­plete­ly sold out, but I’m cer­tain these two will be about town per­form­ing at a lat­er date — they’re a tal­ent­ed pair and deserve your […]