Festival time!

Late Janu­ary 2020 and the sum­mery weath­er is here. I finally feel like I’m wak­ing up in 2020  – which is a bit awk­ward giv­en I’ve been back at work for a few weeks…but enough about work!  Brace yourselves for a busy the­at­ric­al start to the year. We’ve got three Fest­ivals com­ing our way in […]

Review: Alice in Wonderland

Cir­ca’s panto this year is Alice in Won­der­land, and it is a mys­tic­al jour­ney down the rab­bit hole (Mt Vic tun­nel), to dis­cov­er fun, some qual­ity Kiwi bangers, and utter man­i­cism (in a good way). Writ­ten by Circa stal­warts, Gav­in Ruther­ford and Simon Leary (who play the Dame and the Mad Hat­ter respect­ively), it’s a […]

Four Nights In the Green Barrow Pub – Review

Four Nights In the Green Bar­row Pub is the third of Cas­sandra Tse’s shows I’ve seen, and each one was wildly dif­fer­ent from the oth­ers.  M’Lady had me in stitches, The Ali­ens, in tears.  Four Nights, though, took me down memory lane. Hav­ing a hun­dred noisy music­al Irish cous­ins of my own, I was prob­ably […]

Blackbird Ensemble Performs Björk: All Is Full Of Love – Review

Black­bird Ensemble are “NZ’s most excit­ing cham­ber orches­tra”, and Thursday’s homage to Björk sup­por­ted that claim more than com­pet­ently.  A col­lec­tion of strings, horns, per­cus­sion­ists, and Claire Cow­an’s multi-instru­­ment­al­ism brought dir­ect­or Cow­an’s arrange­ments to vibrant and emo­tion­al life.  The musi­cians were more than just that; in their glow­ing boil­er suits they became part of a sens­ory […]

Review: Cock

Cock is tense. It is beau­ti­ful, jar­ringly intim­ate, and phe­nom­en­ally craf­ted. It’s also com­pletely heart­break­ing. Circa One’s set (designed by Sean Lynch) inspires thoughts of a box­ing ring, or a fash­ion show – in the round, with bright lights cast down onto a white floor below. The audi­ence sits on three sides; I view the […]

Review: Peggy Pickit Sees the Face of God

  Liz and Frank have spent the past few years achiev­ing the sort of anaem­ic exist­ence that passed for middle-class suc­cess for my par­ents’ gen­er­a­tion.  Careers, a house, a child.  Care­fully cur­ated shelves of books and knick-knacks in the liv­ing room.  This liv­ing room is the stage for a reunion din­ner party; two old friends […]

Review: The Pink Hammer

Circa One has been turned into a man-cave, com­plete with a nude cal­en­dar – per­man­ently set to July – a fridge full of beers and a Ryobi power drill for The Pink Ham­mer, being per­formed until early Octo­ber. The show itself is a cri­tique of Kiwi mas­culin­ity (of a sort), a bit of fem­in­ist fun […]

Preview: Peggy Pickit Sees the Face of God

‘Peggy Pick­it Sees the Face of God’ by Roland Schim­melp­fen­nig is open­ing at Circa Theatre next week. A New Zea­l­and premiere appro­pri­ate for our mod­ern lives, this play exam­ines colo­ni­al­ist atti­tudes over freshly baked bread, and dis­cusses quar­ant­ines and vac­cin­a­tions while shar­ing drinks – it’s irony, of a sort. Are we doing enough to help […]

Review: Death Comes To Us All

Death takes her by the hand, leads her to a pool of light at the apron of the stage and she tells us her last moments. There’s light at the end, she says, and dis­ap­pears off stage. I sniff, a little, and hold back tears. Death Comes To Us All is a remark­ably hon­est, very […]

Review: High School Magical: The Reunion

We all know Harry Pot­ter, right? The lovely folks over at Play­shop have turned its basic premise into an improv show called High School Magic­al, full of hi-jinks and com­edy of the wiz­ard­ing sort. It’s ten years since the Chosen One (who I pre­sume is gif­ted the title by the audi­ence each show, but was […]