Festival time!

Late Jan­u­ary 2020 and the sum­mery weath­er is here. I final­ly feel like I’m wak­ing up in 2020  — which is a bit awk­ward giv­en I’ve been back at work for a few weeks…but enough about work!  Brace your­selves for a busy the­atri­cal start to the year. We’ve got three Fes­ti­vals com­ing our way in […]

Review: Alice in Wonderland

Cir­ca’s pan­to this year is Alice in Won­der­land, and it is a mys­ti­cal jour­ney down the rab­bit hole (Mt Vic tun­nel), to dis­cov­er fun, some qual­i­ty Kiwi bangers, and utter mani­cism (in a good way). Writ­ten by Cir­ca stal­warts, Gavin Ruther­ford and Simon Leary (who play the Dame and the Mad Hat­ter respec­tive­ly), it’s a […]

Four Nights In the Green Barrow Pub — Review

Four Nights In the Green Bar­row Pub is the third of Cas­san­dra Tse’s shows I’ve seen, and each one was wild­ly dif­fer­ent from the oth­ers.  M’La­dy had me in stitch­es, The Aliens, in tears.  Four Nights, though, took me down mem­o­ry lane. Hav­ing a hun­dred noisy musi­cal Irish cousins of my own, I was prob­a­bly […]

Blackbird Ensemble Performs Björk: All Is Full Of Love — Review

Black­bird Ensem­ble are “NZ’s most excit­ing cham­ber orches­tra”, and Thurs­day’s homage to Björk sup­port­ed that claim more than com­pe­tent­ly.  A col­lec­tion of strings, horns, per­cus­sion­ists, and Claire Cow­an’s mul­ti-instru­­men­­tal­ism brought direc­tor Cow­an’s arrange­ments to vibrant and emo­tion­al life.  The musi­cians were more than just that; in their glow­ing boil­er suits they became part of a sen­so­ry […]

Review: Cock

Cock is tense. It is beau­ti­ful, jar­ring­ly inti­mate, and phe­nom­e­nal­ly craft­ed. It’s also com­plete­ly heart­break­ing. Cir­ca One’s set (designed by Sean Lynch) inspires thoughts of a box­ing ring, or a fash­ion show — in the round, with bright lights cast down onto a white floor below. The audi­ence sits on three sides; I view the […]

Review: Peggy Pickit Sees the Face of God

  Liz and Frank have spent the past few years achiev­ing the sort of anaemic exis­tence that passed for mid­­dle-class suc­cess for my par­ents’ gen­er­a­tion.  Careers, a house, a child.  Care­ful­ly curat­ed shelves of books and knick-knacks in the liv­ing room.  This liv­ing room is the stage for a reunion din­ner par­ty; two old friends […]

Review: The Pink Hammer

Cir­ca One has been turned into a man-cave, com­plete with a nude cal­en­dar — per­ma­nent­ly set to July — a fridge full of beers and a Ryobi pow­er drill for The Pink Ham­mer, being per­formed until ear­ly Octo­ber. The show itself is a cri­tique of Kiwi mas­culin­i­ty (of a sort), a bit of fem­i­nist fun […]

Preview: Peggy Pickit Sees the Face of God

‘Peg­gy Pick­it Sees the Face of God’ by Roland Schim­melpfen­nig is open­ing at Cir­ca The­atre next week. A New Zealand pre­miere appro­pri­ate for our mod­ern lives, this play exam­ines colo­nial­ist atti­tudes over fresh­ly baked bread, and dis­cuss­es quar­an­tines and vac­ci­na­tions while shar­ing drinks — it’s irony, of a sort. Are we doing enough to help […]

Review: Death Comes To Us All

Death takes her by the hand, leads her to a pool of light at the apron of the stage and she tells us her last moments. There’s light at the end, she says, and dis­ap­pears off stage. I sniff, a lit­tle, and hold back tears. Death Comes To Us All is a remark­ably hon­est, very […]

Review: High School Magical: The Reunion

We all know Har­ry Pot­ter, right? The love­ly folks over at Playshop have turned its basic premise into an improv show called High School Mag­i­cal, full of hi-jinks and com­e­dy of the wiz­ard­ing sort. It’s ten years since the Cho­sen One (who I pre­sume is gift­ed the title by the audi­ence each show, but was […]