Phoenix in Thriller at Stadium

Ross Aloisi of the Phoenix in action during the round one A-League match between Wellington Phoenix and Melbourne Victory.Photo: Getty ImagesFour­teen and half thou­sand of us watched the Phoenix get their A‑League cam­paign under way with a thrilling 2–2 draw at West­pac sta­di­um this after­noon. An esti­mat­ed (by myself and a cou­ple of oth­er self-appoint­ed experts) cou­ple of thou­sand more were stuck in queues for the first quar­ter and gave up and went home.

Yes, it was anoth­er tri­umph of event tick­et­ing with the com­bi­na­tion of a huge walk-up due to the good weath­er plus a huge pick-up queue for those that booked by phone yes­ter­day caus­ing chaos on Fran Wilde Walk.

If it had­n’t been for Sky and oth­er Asia-Pacif­ic broad­cast com­mit­ments I’m sure the kick-off would have been held back but, as it was, those of us in our seats were treat­ed to an enter­tain­ing spec­ta­cle with the Phoenix sav­ing their best for a sen­sa­tion­al last 15 min­utes.

[Match report after the jump]

Short Ends:

  • I got too hun­gover from the Occi­den­tal’s ter­ri­ble host respon­si­bil­i­ty (hand­ing out free drink tick­ets for mugs and jugs that need­ed to be drunk that night) busy to post about this last week, but Team Quiz­ing­ton­ista won the Welling­ton­ista Quiz League. Woo ha! Points must also go to Click­Suite for being the only oth­er team to show up every week. Although I sup­pose Jef­frey from Xero had oth­er things on his mind.

  • Mod­ern Love in the Left Bank is clos­ing down cos Helen’s mov­ing to Mel­bourne. Get your ass in there ASAP to get dis­counts of 50–70% off every­thing.

  • What two things can you find on pret­ty much every cor­ner of Welling­ton? Wish­bone out­lets and gov­ern­ment employ­ees get­ting their lunch there, of course. So why do must Wish­bone use a #5 plas­tic con­tain­er for most of their foods when govt3* recy­cling sta­tions will only accept #1–3 plas­tic? Appar­ent­ly you can take your emp­ty #5s to Com­mon­sense Organ­ics and they’ll recy­cle them for you, but that seems like an awful­ly large com­mit­ment to make.
  • *govt3 is a scheme where­by gov­ern­ment employ­ees have their rub­bish bins tak­en away and replaced with a cube the size of a cof­fee mug, so they’re forced to sort their rub­bish into com­post, recy­clables and land­fill waste. It’s a great idea but it’s very very annoy­ing how hard it seems to be for slight­ly old­er gen­er­a­tions to adapt to it. If it gets put in place in your work­place, stay out of the kitchen for a cou­ple of months or get earplugs because OH MY GOD how hard can it pos­si­bly be and is it real­ly worth the hours and hours of com­plain­ing and not under­stand­ing what to put where? No!

    Cinephilia: Opening This Week

    The Bourne Ultimatum posterThe biggest movie in the world last week­end was The Bourne Ulti­ma­tum (US$47m on Thurs­day, Fri­day and Sat­ur­day alone) and it opens here tomor­row. The last of the big tent-pole fran­chise attrac­tions of the (north­ern) sum­mer, this Bourne brings Jason back home to New York (with a detour in Blighty). Play­ing at Read­ings, Regent-on-Man­ners, Sky City Queens­gate and (prob­a­bly the ulti­mate Bourne expe­ri­ence) the Embassy

    Also open­ing tomor­row is Russ­ian art-house weepy The Ital­ian (direct from the Fes­ti­val): Rial­to and Light­house Petone only. The Singer (Quand j’étais chanteur) places one of France’s all-time greats (Gérard Depar­dieu) along­side one of her fresh­est new faces Cécile De France (Orches­tra Seats) for some May-Decem­ber romance. Depar­dieu plays a fad­ing night­club singer who woos De France’s sin­gle moth­er real estate agent. Also at Rial­to and (unsur­pris­ing­ly) the Pent­house.

    Final­ly, The War With­in opens at the Para­mount: it’s a dra­ma about a Pak­istani ter­ror­ist in New York and it was made for dot­com bil­lion­aire Mark Cuban’s HDNet, the cable chan­nel devot­ed to break­ing down the estab­lished studio/distributor/exhibitor stran­gle­hold. Oth­er titles pro­duced by Cuban include Enron: the Smartest Guys in the Room, Bub­ble and Good Night, and Good Luck.

    The Ital­ian and The War With­in are reviewed at Funer­als & Snakes; reviews of the oth­er two will appear there next Wednes­day.

    Craft 2.0 is on again tomorrow

    I’m sure you know by now that tomor­row the fantab­u­lous Craft 2.0 fair is hap­pen­ing again at the New­Dowse tomor­row from 11am-3pm. And even though this does mean you’ll need to ven­ture out to the Hutt, you’re will­ing to make that sac­ri­fice. Plus, since you can also go see the exhi­bi­tions that are on at the same time, you can take advan­tage of this:

    When you trav­el by bus to see Becom­ing King Kong – get a free ride home! Sim­ply bring in your bus tick­et to The­New­Dowse and you’ll receive a vouch­er for a free ride home. Must show a valid tick­et from a City­line Hutt Val­ley, Stage­coach Welling­ton or Go Welling­ton bus ser­vice.

    And if you need even more of an incen­tive to get along oth­er than just the great range for stuff for sale, Welling­ton­ista mem­bers Martha, Sue and Joan­na will all be there in the flesh sign­ing auto­graphs sell­ing their wares, which you can sam­ple for free if you get there at 11am for the gift­bags. Hur­rah!

    Just remem­ber to take cash along for all your shiny pur­chas­es as there is no ATM.

    PS. Welling­ton­ista Che will be sell­ing some­one else’s wares.

    P.P.S. 101 gift bags get hand­ed to the first peo­ple through the door at 11am.
    You can check out Craft2.0 before 11am, but the the gift bags get hand­ed out with the offi­cial fair start of 11am.

    Sexually perverse — and awesome

    There are a cou­ple of things that we’re uni­ver­sal­ly fond of here at the Welling­ton­ista. Bars. Being enter­tained. Expe­ri­enc­ing dif­fer­ent things. Sex­u­al per­ver­si­ty. If only there was a way we could com­bine all those things togeth­er… Hang on, there is! David Mamet’s one-act play Sex­u­al Per­ver­si­ty in Chica­go starts tonight at 6pm (doors at 5.30) at the San Fran­cis­co Bath House, and we’re guar­an­tee­ing* it’s going to be a good time. If you need more con­vinc­ing, here’s five good rea­sons you should see it.

    1. David Mamet’s plays and screen­plays for things are gen­er­al­ly wit­ty and hilar­i­ous.
    2. It’s one act only! This means it starts at 6pm sharp and you’ll be out by 7.15pm, which is per­fect if you’re not much of a the­atre-goer and you just want to dip your toes in.
    3. You can drink while you watch!
    4. It’s only $15 a tick­et (or $10 for stu­dents), and is a great way to see some seri­ous­ly tal­ent­ed up-and-com­ing tal­ent, like the love­ly Lau­rel Deve­nie (pic­tured).
    5. SFBH is one of our most favouri­tist venues (not just because of how late they’re open) and the play has been spe­cial­ly staged to fit the space, which will be very inter­est­ing to see.

    It runs from Thurs­day 16th — Sat­ur­day 25th August 2007, so we’ll see you there, right?

    * Well, not tech­ni­cal­ly. But we are giv­ing you our word as a gen­tle­man.

    EDIT: And now I’ve actu­al­ly seen it, I rec­om­mend it like, ten times as much as before. Cabaret-style shows where you can sit at a table and drink and eat while watch­ing hilar­i­ous dia­log and pret­ty con­vinc­ing mid-west accents and also hott boys in their panties are alright by me!

    Cinephilia: Opening This Week

    Breach posterThe indus­try is in an inter­est­ing state when a rel­a­tive­ly small film like Breach can get a release at Read­ings and the Para­mount across the road – and also at the sub­ur­ban Empire and Light­house. Made and dis­trib­uted in the US by major stu­dio Uni­ver­sal, here it is being dis­trib­uted by inde­pen­dent Rial­to (no longer con­nect­ed to the cin­e­ma chain), hence all the indie exhibitors. My under­stand­ing is that Read­ings, how­ev­er, want every­thing and will sim­ply hoover up any and all avail­able titles and no one can afford to turn them down.

    Breach is based on the true sto­ry of a CIA dou­ble-agent played by Chris Coop­er and his ulti­mate expo­sure by ex-Mr With­er­spoon Ryan Phillippe and one Imdb con­trib­u­tor calls it “the best of the year to date” although the com­ment was made in Feb­ru­ary…

    Wellington is no Auckland. Hurray.

    Since the rest of the Welling­ton­ista are doing it, here are a few things about Dami­an Christie’s arti­cle about Welling­ton that I dis­agree with.

    • He advo­cates avoid­ing Courte­nay Place. Don’t do that. Yes, it’s hor­ri­ble on Fri­days and Sat­ur­day nights, but with­out Courte­nay Place there would be no beloved Welling­ton­ista insti­tu­tions Sweet Moth­er’s Kitchen, the Para­mount, Arashi, or access to Boulot on Blair St.

    • He says “A real city should have at least one bar that stays open 24 hours a day.” Well, The San Fran­cis­co Bath House is often open until 6am, and Sand­wich­es until 7am, and after that, you can jump in a cab and go get a pie from the Hataitai Bak­ery, and eat it in the laun­dro­mat, both of which are open 24 hours. Per­haps you’ll find some anony­mous sex there while you’re at it.

    • He men­tions that Welling­ton lacks celebri­ties. Hel­lo, don’t you know who I am? The Welling­ton­ista are socialites. Llew in par­tic­u­lar bears a strik­ing resem­blance to Glin­da Kirk­patrick.

    • Dami­an’s men­tioned before how all the girls in Welling­ton wear skirts over their trousers. I know I do every day, but I don’t know any­one else who does. And I know every­one.

    • Seri­ous­ly, talk­ing about Fat Fred­dy’s and Fly My Pret­ties? Yawn. It seems like he just googled ‘Welling­ton Music’ and took those names from a Wall­pa­per arti­cle. For some­one seen around town as much as he is, you’d think he might have realised that there’s a lot more going on in our music scene.


    Full dis­claimer: I have Dami­an list­ed as a friend on both Face­book AND Myspace.

    The Final Question

    The final ques­tion that ends all dis­cus­sions or post mortems of Welling­ton­ista events:

    also, did some­one pick up our bar tab?

    I like it for its sim­ple, if plain­tive, opti­mism.

    Flight of the Conchords: Inner City Pressure

    Bret and Jemaine chan­nel the Pet Shop Boys cir­ca “West End Boys”

    Real Art Roadshow

    Real Art Road­show is a mobile exhi­bi­tion of orig­i­nal work by more than 60 lead­ing New Zealand artists. It’s cur­rent­ly parked right out­side the Bee­hive.

    More details, incl. list of artists, after the jump.