Search results for: fringe

Preview: Dido and Aeneas: Recomposed

Dido and Aeneas: Recom­posed is a fringe fest style opera brought to BATS by Unstuck­Opera.  Direct­ed by long time Welling­ton cre­ative Frances Moore and re-com­­posed by one of NZ’s lead­ing young com­posers, Alex Tay­lor, their re-work of Hen­ry Purcell’s clas­sic includes sam­ples from Stravin­sky, Jazz Greats, and even Bey­on­cé and is per­formed by singers in over-the-top gowns, crazy make-up […]

Review: Dank Comedy: The National Average

Dank Presents is a series of exper­i­men­tal com­e­dy shows cre­at­ed by Welling­ton come­di­ans and pro­duc­ers. Host­ed by Fringe Bar this Fringe, every show is dif­fer­ent. I saw The Nation­al Aver­age, based on an award win­ning rou­tine in BATS The­atre’s Late Night Knife Fight. Jon­ny Potts and Matt Pow­ell are broth­ers Cos­mo and Carl, left a whisky/whiskey […]

Review: Faovale Imperium

This is an exper­i­men­tal spo­ken word/poetry event. James Nokise explores Cap­tain James Cook’s voy­age through the Pacif­ic. It’s pre­sent­ed from sev­er­al dif­fer­ent points of view – Cook, his wife, an out­side nar­ra­tor. Some of the pieces are fun­ny. Some are more reflec­tive. Some, I think, are sup­posed to be fun­ny, but we don’t laugh. There’s […]

Review of Paying for it and Easy living

Pay­ing for it: an insider’s guide to the NZ sex indus­try The Pros­ti­tu­tion Reform Act was passed in 2003 but appar­ent­ly sex work is still a con­tro­ver­sial job choice. As one of the speak­ers says “It seems like nev­er is a good time to talk about sex work. “ So it’s real­ly neat that sev­er­al […]

Review: Ze: queer as fuck!

A mono­logue of self dis­cov­ery from a gen­derqueer, kinky, femme­sex­u­al, poly­mind­ed, gay-divorcee. From the open­ing sequence through to the end, this well con­struct­ed show ful­fills the pro­gramme promise that “by the end of this show you will know more about me than most peo­ple care to learn and hope­ful­ly some­thing about your­self.” Through sev­en piv­otal […]

Review: Manifesto 2083

On July 22, 2011, Anders Behring Breivik killed 77 peo­ple and injured more than 200 in Nor­way. Before he attacked his fel­low cit­i­zens he sent out a 1500 page man­i­festo con­tain­ing racist pro­pa­gan­da, philo­soph­i­cal reflec­tions, bomb man­u­als, inter­views he con­duct­ed with him­self and diary entries. Dan­ish the­atre mak­ers Chris­t­ian Lol­like, Olaf Høj­gaard and Tan­ja Diers […]

Review: Out of Darkness

Every year mil­lions of women and chil­dren around the world are traf­ficked and trapped in sex­u­al exploita­tion. Using sto­ries of real sur­vivors, Out of Dark­ness pre­sent­ed by the Just Be Col­lec­tive, fol­lows the emo­tion­al jour­ney of Alice as she is traf­ficked into sex­u­al exploita­tion and then res­cued and restored to find her way back to […]

Review: The basement tapes

After her Grand­ma’s death a woman is tasked with clean­ing out the base­ment of her house. As she sifts through what seems like every sin­gle thing her Grand­ma ever owned she dis­cov­ers a tape recorder. Then she finds a box of tapes — some of which work, and some which don’t. As she lis­tens to the […]

Preview: House of Sand season – Pedal & Castles

I couldn’t see any of the House of Sand shows in the Fringe Fes­ti­val this year so I’m real­ly pleased that two of them – Ped­al and Cas­tles — are com­ing back to BATS The­atre this month.  Cas­tles won the SYNZ Award and was nom­i­nat­ed in a num­ber of oth­er cat­e­gories.  I sent some ques­tions to […]

Review: Vladimir the Crow: Whispering Ghoul

A bare stage greets us at the Gryphon The­atre.  It seems big­ger than usu­al with a sound­scape that hints at vast des­o­late spaces where the only thing alive is the whistling wind. Then noise! Lights! And a tat­tered crea­ture that stut­ters out from the wings as if glimpsed by light­ning flash­es. Vladimir the Crow is […]