Who’d’ve thought a few holes could be so useful. Finc are doing Yemenese pancakes on their breakfast and brunch menu at the moment (with poached winter fruit warmed in a ginger syrup with thick yoghurt) – a thin spongy dinner-plate-sized pancake full of holes and great for catching and mopping up sauces and syrups. And […]
As I said before, I’m working my way around the lunchtime Dine menus of places near my work. Here’s what I’ve got to report. 1. Vivant 2. Little Beer Quarter 3. Ti Kouka Cafe 4. Finc
For my first Wellington on a Plate meal deal, I decided to go to Finc, with the delightful company of a friend I’d just seen killed twice on Saturday night. People have differing opinions about Finc, but for myself, I’ve always found it great in the evenings and very average at lunchtimes. For pork belly, I would take the plunge.
Yeah I know, I’m a disgusting pesky fly. But just because I slurp food off the plate with my proboscis doesn’t mean I should have to pay full price when I have a handy-dandy gold entertainment card to get a free meal.
Here’s how it went down… we went to Finc on a Friday night – for the simple reason that it is in the Entertainment Guide. We ordered two mains both worth around $34 each and an entree for $8. The deal in the Entertainment Guide is:
“you and your guest are invited to enjoy one complimentary main course when another main course of equal or greater value is purchased. Up to $30.00 value”.
We were told that as our mains were both over the value of $30 we would receive NO discount. When we also asked them why was the entree not taken off we were told that we did not intend to have this as a main so they would not discount that either.
To read the shocking conclusion click “read more”
A new photography group, “gasp!”, has an exhibition entitled “a sharp intake of breath” at Finc CafÃƒÂ© from now until 10 June.
[Photo Ã‚Â© Geraldine Downey, 2007]
The group (Geraldine Downey, Andrew Ecclestone, Stella Ramage, Paul Holley and Jordyn O’Keeffe) gave themselves the wide brief for the exhibition of creating images inspired by the word ‘enigma’. The brief exhibition catalogue explains that they were “Aiming to make space for a slower, deeper vision amongst the torrent of visual information that swamps us everyday. We wanted to produce images which asked more questions than they answered, to arouse a flicker of intrigue, a shiver of unease, or create a pause for thought.”