Well, you’d really have to know your way around to guess today’s piece just by the photo here.
One of the things I’ve been enjoying is not having to wander too far from the apartment to find some amazing[ly weird] stuff around for you to look at.
This piece is in Jack Ilott Green. You know, the little garden just off Jervois Quay, the one where they’re constantly promising to build something useful. At the moment it just seems to be a refuge for pot smokers.
OK, since I’m keeping you in suspense, here’s the side view!
Yeah, the Wellingtonista are thinking it too. Bloody strange bit of art.
It has this same bias relief on all four sides, and although the entire sculpture seems to be getting a little knocked about it’s still in good form.
Problem is, no-one is certain what in the heck it’s supposed to be. If you have any suggestions, fell free to leave them in comments.
But first! What is it!
Next in our series of overlooked Wellington public art is this beauty here to the right.
If you’ve not seen it before I’d be extremely surprised, because it’s plonked pretty much squarely opposite the Lido, somewhere seeming to always be awash with punters tipping the usual variety of liquids and solids into themselves.
As you can see, it’s a great piece, bronze, and textured in a marvelously subtle way. The slightly abstract lines just make it all the more curious to look at, and the complete absence of nose-hair suggests the model was extremely well-kempt.
So… what is it?
One of the things about living in a great city like Wellington is that there are a hell of a lot of things to take for granted.
I mention this because while listening to Don McGlashan in Civic Square the other day he mentioned that Auckland doesn’t really have any civic art. I’m not sure that’s entirely true… But, in the spirit of parochial one-upmanship I thought I’d bring you some of Wellington’s oft-overlooked art and sculpture.
Why oft-overlooked? Well, we have the Wellington Sculpture Trust and its glamourpuss art all over the blimmin place, but there’s also a lot of smaller, less noticed stuff that we here at the Wellingtonista want to celebrate.
So with no further ado, here is a sculpture. And ain’t it a little cutie?
The real question is of course whether you recognise it. And you probably don’t. This of course being the problem with a place like Wellington, sometimes there’s so much bloody public art you can’t walk three feet without tripping over the latest “abstract something”…
But I digress. So what is it?! More after the jump!
Assuming you haven’t swanned off to sun yourself in the miserable bloody New Zealand Christmas weather, dashing in and out of the rainstorms and/or hail with your bottle of BananaBoat, toweling hat, and lawnchair, then you’re probably still around Wellington.
Assuming you’ve made the right decision (and are having your hols in February), then we here at the Wellingtonista advise you to get yourself along to the City Gallery for the FREE Bill Hammond exhibition, Jingle Jangle Morning.
And why? Because even when it’s crappy out, Bill’s painting is there for you.
The above piece of artwork is part of a series entitled Eye Candy and was skilfully hand painted by resident Wellington artist, Brad Williams aka Slope, and until sometime during the 31st of October, was on display at (best late nite venue nominee) Sandwiches.
On which date it was nicked – during daylight hours – and both the Sandwiches lads and Slope are understandably upset.
So, if you happen to catch sight of this piece of work (approximately 2m x 0.7m, so shouldn’t be too hard to see if is in the vicinity) hanging in a flat, for sale on trademe, or under the arm of some shifty-looking charcter on the street, give the cops a call. Cheers.
Wellington: A City for Sculpture
edited by Jenny Harper and Aaron Lister, photography by Bruce Connew
Published by VUP in association with the Wellington Sculpture Trust.
(RRP $50.00, Vic Books price $45.00)
Don’t have time to visit, engage and ponder the merits of the sculptures YOU can vote for in the Second Annual Wellingtonista Awards? Buy this book, sit down in front of the computer and peruse to your heart’s content.
This is much more than a book of pretty pictures of sculptures in Wellington. Whilst some of Bruce Connew’s photographs capture the featured works in brilliant sunshine, others are shown against grey or misty skies – an accurate reflection of Wellington’s changeable weather.
Genevieve Packer, probably known best for her Hutt Valley and State House tee-shirts, has taken over Old Victoria Arcade for her Master of Design exhibition.
The show is open 12 noon until 6 pm on Thursday – Sunday, from the 18th of October to the 4th of November. Gen’s site is here.
Deborah Barton is a Wellington-based print maker. She has done a number of exhibitions, and is about to open at the Solander Gallery in Lyall Bay this Saturday, 13 October.
Deborah’s prints are dark and intriguing, with overtones of childhood mysteries.
And now for the good news. As a young artist Deborah’s work is surprisingly reasonably priced…
Need I say more.
Hinterland II
Sandra Schmidt
Michael Hirschfeld Gallery
(at City Gallery)
10 October — 18 November 2007
The crystalline shapes and icy-coloured forms of Sandra Schmidt’s Hinterland II make up the sequel exhibition to her 2006 hot-hued Hinterland which appeared at Mary Newton Gallery, Wellington. The earlier spiky-shaped works in Hinterland expressed ideas of fire, heat, pressure and friction. In Hinterland II the focus is on cool colours and references to ice and water. Both extremes of temperature represent inhospitable areas, the back country or underdeveloped place, either metaphorical or real.
(more after the jump)
Come see the new mag for the first time and enjoy a night of off-beat entertainment.
(details after the jump)