Art-Stalker: Man on a mission

DSC00208
Well, you’d really have to know your way around to guess today’s piece just by the photo here.

One of the things I’ve been enjoy­ing is not hav­ing to wander too far from the apart­ment to find some amazing[ly weird] stuff around for you to look at.

This piece is in Jack Ilott Green. You know, the little garden just off Jer­vois Quay, the one where they’re con­stantly prom­ising to build some­thing use­ful. At the moment it just seems to be a refuge for pot smokers.

DSC00209 OK, since I’m keep­ing you in sus­pense, here’s the side view!

Yeah, the Wel­ling­tonista are think­ing it too. Bloody strange bit of art.

It has this same bias relief on all four sides, and although the entire sculp­ture seems to be get­ting a little knocked about it’s still in good form.

Prob­lem is, no-one is cer­tain what in the heck it’s sup­posed to be. If you have any sug­ges­tions, fell free to leave them in com­ments.

But first! What is it!

Random Art Story, Two

DSC00201 Next in our series of over­looked Wel­ling­ton pub­lic art is this beauty here to the right.

If you’ve not seen it before I’d be extremely sur­prised, because it’s plonked pretty much squarely oppos­ite the Lido, some­where seem­ing to always be awash with punters tip­ping the usu­al vari­ety of liquids and solids into them­selves.

As you can see, it’s a great piece, bronze, and tex­tured in a mar­velously subtle way. The slightly abstract lines just make it all the more curi­ous to look at, and the com­plete absence of nose-hair sug­gests the mod­el was extremely well-kempt.

So… what is it?

These are the fixtures of your neighbourhood

One of the things about liv­ing in a great city like Wel­ling­ton is that there are a hell of a lot of things to take for gran­ted.

I men­tion this because while listen­ing to Don McGlashan in Civic Square the oth­er day he men­tioned that Auck­land does­n’t really have any civic art. I’m not sure that’s entirely true… But, in the spir­it of paro­chi­al one-upman­ship I thought I’d bring you some of Wel­ling­ton’s oft-over­looked art and sculp­ture.

Why oft-over­looked? Well, we have the Wel­ling­ton Sculp­ture Trust and its glam­our­puss art all over the blim­min place, but there’s also a lot of smal­ler, less noticed stuff that we here at the Wel­ling­tonista want to cel­eb­rate.

DSC00197 So with no fur­ther ado, here is a sculp­ture. And ain’t it a little cutie?

The real ques­tion is of course wheth­er you recog­nise it. And you prob­ably don’t. This of course being the prob­lem with a place like Wel­ling­ton, some­times there’s so much bloody pub­lic art you can­’t walk three feet without trip­ping over the latest “abstract some­thing”…

But I digress. So what is it?! More after the jump!

Bill Hammond – City Gallery

Hammond_MASTER Assum­ing you haven’t swanned off to sun your­self in the miser­able bloody New Zea­l­and Christ­mas weath­er, dash­ing in and out of the rain­storms and/or hail with your bottle of Banana­Boat, tow­el­ing hat, and lawn­chair, then you’re prob­ably still around Wel­ling­ton.

Assum­ing you’ve made the right decision (and are hav­ing your hols in Feb­ru­ary), then we here at the Wel­ling­tonista advise you to get your­self along to the City Gal­lery for the FREE Bill Ham­mond exhib­i­tion, Jingle Jangle Morn­ing.

And why? Because even when it’s crappy out, Bill’s paint­ing is there for you.

Nicked!

The above piece of art­work is part of a series entitled Eye Candy and was skil­fully hand painted by res­id­ent Wel­ling­ton artist, Brad Wil­li­ams aka Slope, and until some­time dur­ing the 31st of Octo­ber, was on dis­play at (best late nite ven­ue nom­in­ee) Sand­wiches.

On which date it was nicked – dur­ing day­light hours – and both the Sand­wiches lads and Slope are under­stand­ably upset.

So, if you hap­pen to catch sight of this piece of work (approx­im­ately 2m x 0.7m, so should­n’t be too hard to see if is in the vicin­ity) hanging in a flat, for sale on trademe, or under the arm of some shifty-look­ing charcter on the street, give the cops a call. Cheers.

Can’t get to all the 2AWA nominated sculptures – this is the book for you!

Read, view and then vote!Wel­ling­ton: A City for Sculp­ture
edited by Jenny Harp­er and Aaron Lister, pho­to­graphy by Bruce Con­new
Pub­lished by VUP in asso­ci­ation with the Wel­ling­ton Sculp­ture Trust.

(RRP $50.00, Vic Books price $45.00)

Don’t have time to vis­it, engage and pon­der the mer­its of the sculp­tures YOU can vote for in the Second Annu­al Wel­ling­tonista Awards? Buy this book, sit down in front of the com­puter and per­use to your heart’s con­tent.

This is much more than a book of pretty pic­tures of sculp­tures in Wel­ling­ton. Whilst some of Bruce Con­new’s pho­to­graphs cap­ture the fea­tured works in bril­liant sun­shine, oth­ers are shown against grey or misty skies – an accur­ate reflec­tion of Wel­ling­ton’s change­able weath­er.

Genevieve Packer: Wish You Were Here

Genevieve Pack­er, prob­ably known best for her Hutt Val­ley and State House tee-shirts, has taken over Old Vic­tor­ia Arcade for her Mas­ter of Design exhib­i­tion.


The show is open 12 noon until 6 pm on Thursday – Sunday, from the 18th of Octo­ber to the 4th of Novem­ber. Gen’s site is here.

Exhibition – Deborah Barton

Deborah Barton Deborah Bar­ton is a Wel­ling­ton-based print maker. She has done a num­ber of exhib­i­tions, and is about to open at the Solan­der Gal­lery in Lyall Bay this Sat­urday, 13 Octo­ber.

Deborah’s prints are dark and intriguing, with over­tones of child­hood mys­ter­ies.

And now for the good news. As a young artist Deborah’s work is sur­pris­ingly reas­on­ably priced…

Need I say more.

Sandra Schmidt: Hinterland II

Hin­ter­land II
Sandra Schmidt

Michael Hirschfeld Gal­lery
(at City Gal­lery)
10 Octo­ber — 18 Novem­ber 2007

The crys­tal­line shapes and icy-col­oured forms of Sandra Schmidt’s Hin­ter­land II make up the sequel exhib­i­tion to her 2006 hot-hued Hin­ter­land which appeared at Mary New­ton Gal­lery, Wel­ling­ton. The earli­er spiky-shaped works in Hin­ter­land expressed ideas of fire, heat, pres­sure and fric­tion. In Hin­ter­land II the focus is on cool col­ours and ref­er­ences to ice and water. Both extremes of tem­per­at­ure rep­res­ent inhos­pit­able areas, the back coun­try or under­developed place, either meta­phor­ic­al or real.

(more after the jump)

White Fungus Issue 8 Release Party

Come see the new mag for the first time and enjoy a night of off-beat enter­tain­ment.

(details after the jump)