Art-Stalker: Man on a mission

DSC00208
Well, you’d real­ly have to know your way around to guess today’s piece just by the pho­to here.

One of the things I’ve been enjoy­ing is not hav­ing to wan­der too far from the apart­ment to find some amazing[ly weird] stuff around for you to look at.

This piece is in Jack Ilott Green. You know, the lit­tle gar­den just off Jer­vois Quay, the one where they’re con­stant­ly promis­ing to build some­thing use­ful. At the moment it just seems to be a refuge for pot smok­ers.

DSC00209 OK, since I’m keep­ing you in sus­pense, here’s the side view!

Yeah, the Welling­ton­ista are think­ing it too. Bloody strange bit of art.

It has this same bias relief on all four sides, and although the entire sculp­ture seems to be get­ting a lit­tle knocked about it’s still in good form.

Prob­lem is, no-one is cer­tain what in the heck it’s sup­posed to be. If you have any sug­ges­tions, fell free to leave them in com­ments.

But first! What is it!

Random Art Story, Two

DSC00201 Next in our series of over­looked Welling­ton pub­lic art is this beau­ty here to the right.

If you’ve not seen it before I’d be extreme­ly sur­prised, because it’s plonked pret­ty much square­ly oppo­site the Lido, some­where seem­ing to always be awash with pun­ters tip­ping the usu­al vari­ety of liq­uids and solids into them­selves.

As you can see, it’s a great piece, bronze, and tex­tured in a mar­velous­ly sub­tle way. The slight­ly abstract lines just make it all the more curi­ous to look at, and the com­plete absence of nose-hair sug­gests the mod­el was extreme­ly well-kempt.

So… what is it?

These are the fixtures of your neighbourhood

One of the things about liv­ing in a great city like Welling­ton is that there are a hell of a lot of things to take for grant­ed.

I men­tion this because while lis­ten­ing to Don McGlashan in Civic Square the oth­er day he men­tioned that Auck­land does­n’t real­ly have any civic art. I’m not sure that’s entire­ly true… But, in the spir­it of parochial one-upman­ship I thought I’d bring you some of Welling­ton’s oft-over­looked art and sculp­ture.

Why oft-over­looked? Well, we have the Welling­ton Sculp­ture Trust and its glam­our­puss art all over the blim­min place, but there’s also a lot of small­er, less noticed stuff that we here at the Welling­ton­ista want to cel­e­brate.

DSC00197 So with no fur­ther ado, here is a sculp­ture. And ain’t it a lit­tle cutie?

The real ques­tion is of course whether you recog­nise it. And you prob­a­bly don’t. This of course being the prob­lem with a place like Welling­ton, some­times there’s so much bloody pub­lic art you can’t walk three feet with­out trip­ping over the lat­est “abstract some­thing”…

But I digress. So what is it?! More after the jump!

Bill Hammond — City Gallery

Hammond_MASTER Assum­ing you haven’t swanned off to sun your­self in the mis­er­able bloody New Zealand Christ­mas weath­er, dash­ing in and out of the rain­storms and/or hail with your bot­tle of Banan­aBoat, tow­el­ing hat, and lawn­chair, then you’re prob­a­bly still around Welling­ton.

Assum­ing you’ve made the right deci­sion (and are hav­ing your hols in Feb­ru­ary), then we here at the Welling­ton­ista advise you to get your­self along to the City Gallery for the FREE Bill Ham­mond exhi­bi­tion, Jin­gle Jan­gle Morn­ing.

And why? Because even when it’s crap­py out, Bil­l’s paint­ing is there for you.

Nicked!

The above piece of art­work is part of a series enti­tled Eye Can­dy and was skil­ful­ly hand paint­ed by res­i­dent Welling­ton artist, Brad Williams aka Slope, and until some­time dur­ing the 31st of Octo­ber, was on dis­play at (best late nite venue nom­i­nee) Sand­wich­es.

On which date it was nicked — dur­ing day­light hours — and both the Sand­wich­es lads and Slope are under­stand­ably upset.

So, if you hap­pen to catch sight of this piece of work (approx­i­mate­ly 2m x 0.7m, so should­n’t be too hard to see if is in the vicin­i­ty) hang­ing in a flat, for sale on trademe, or under the arm of some shifty-look­ing charc­ter on the street, give the cops a call. Cheers.

Can’t get to all the 2AWA nominated sculptures — this is the book for you!

Read, view and then vote!Welling­ton: A City for Sculp­ture
edit­ed by Jen­ny Harp­er and Aaron Lis­ter, pho­tog­ra­phy by Bruce Con­new
Pub­lished by VUP in asso­ci­a­tion with the Welling­ton Sculp­ture Trust.

(RRP $50.00, Vic Books price $45.00)

Don’t have time to vis­it, engage and pon­der the mer­its of the sculp­tures YOU can vote for in the Sec­ond Annu­al Welling­ton­ista Awards? Buy this book, sit down in front of the com­put­er and peruse to your heart’s con­tent.

This is much more than a book of pret­ty pic­tures of sculp­tures in Welling­ton. Whilst some of Bruce Con­new’s pho­tographs cap­ture the fea­tured works in bril­liant sun­shine, oth­ers are shown against grey or misty skies – an accu­rate reflec­tion of Welling­ton’s change­able weath­er.

Genevieve Packer: Wish You Were Here

Genevieve Pack­er, prob­a­bly known best for her Hutt Val­ley and State House tee-shirts, has tak­en over Old Vic­to­ria Arcade for her Mas­ter of Design exhi­bi­tion.


The show is open 12 noon until 6 pm on Thurs­day — Sun­day, from the 18th of Octo­ber to the 4th of Novem­ber. Gen’s site is here.

Exhibition — Deborah Barton

Deborah Barton Deb­o­rah Bar­ton is a Welling­ton-based print mak­er. She has done a num­ber of exhi­bi­tions, and is about to open at the Solan­der Gallery in Lyall Bay this Sat­ur­day, 13 Octo­ber.

Deb­o­rah’s prints are dark and intrigu­ing, with over­tones of child­hood mys­ter­ies.

And now for the good news. As a young artist Deb­o­rah’s work is sur­pris­ing­ly rea­son­ably priced…

Need I say more.

Sandra Schmidt: Hinterland II

Hin­ter­land II
San­dra Schmidt

Michael Hirschfeld Gallery
(at City Gallery)
10 Octo­ber — 18 Novem­ber 2007

The crys­talline shapes and icy-coloured forms of San­dra Schmidt’s Hin­ter­land II make up the sequel exhi­bi­tion to her 2006 hot-hued Hin­ter­land which appeared at Mary New­ton Gallery, Welling­ton. The ear­li­er spiky-shaped works in Hin­ter­land expressed ideas of fire, heat, pres­sure and fric­tion. In Hin­ter­land II the focus is on cool colours and ref­er­ences to ice and water. Both extremes of tem­per­a­ture rep­re­sent inhos­pitable areas, the back coun­try or under­de­vel­oped place, either metaphor­i­cal or real.

(more after the jump)

White Fungus Issue 8 Release Party

Come see the new mag for the first time and enjoy a night of off-beat enter­tain­ment.

(details after the jump)