So alone among the Wellingtonista, I have a terrible secret: apart from an early album from the Black Seeds, I have no current Wellington Music in my collection.
None.
Not even Fat Freddy’s Drop.
In my major period of buying music, Wellington music for me was a bit fringe and wacky, and worst of all, not on Flying Nun. There were occasional songs that caught my attention: Bill Direen & the Bilders’ Do the Alligator; that amusing Elephunk song; one or two songs from the Six Volts… and that’s about it. Wellington was full of arty jazzy stuff that frankly I despised.
Time has moved on – about 20 years in fact – and somehow Wellington’s musical renaissance has passed me by. This is not good.
So I need help!
What are the top five albums by Wellington bands in the last five years? Answers please: I must remove the shameful stain of my musical ignorance!
Some favourites:
The Avengers
For a time in the late sixties The Avengers were one of the highest profile rock bands on the New Zealand scene. Their song Waterpipe is one of the greatest songs to ever glorify the joys of using water in your bong. The 1968 debut LP Electric Recording has possibly my favourite album cover art ever — look how cool they are — as well as being a damn good record. They went to try their luck in Australia and broke up in ’69.
Bailter Space
Look — we have to let Christchurch have The Gordons, and The Skeptics were undoubtedly from Palmerston North, but I’m going to have to insist despite them beginning in Christchurch and ending up in New York, that Wellington be allowed to claim shoe-gazey atmospheric noise rockers Bailter Space as its own. They were an incredible live band, known for being one of the loudest of their era. Their gigs were few and far between, and many people still speak in hushed, reverential tones about the week in 1993 when there were TWO Bailter Space gigs. And their albums still stand up as being some of the best music to ever come out of New Zealand.
Birchville Cat Motel
a.k.a. Campbell Kneale. As Wikipedia sez,
although largely unknown in his home country, Kneale has toured many times throughout Asia, America, Europe, and Australia.
Daft name, and yet this one-man trancendental drone/noise act is surely the closest thing Wellington and New Zealand has ever had to a global music superstar.
Eight more, after this…
Skallander – The Camels
Take the welly dub ethic, mix it up with some guitar and ambient noise, and you end up with this brilliant slab of aural inventiveness. One of the many projects to come from the musical mind of the very talented and massively under-rated Bevan Smith.
Shihad – Killjoy
Best NZ rock album. Ever. Nuff said.
The Bilge Festival – Cape Goat
The good side of Wellington wacky rock. Two mad singer/songwriters and a super-tight rhythm section, create an opus of bizarre yet funky songs. Wildebeest a go-go!!
Over the Atlantic – Junica
Another Bevan Smith collaboration – this is like a Wellingtonian take on what the definitive New Order album might sound like. The noise wig-out on the last track ‘Fly to the States’ is the best bit of distortion you’ll ever hear. (Video below is the track ’35 Black & White’)…
Debris – She’s the Bomb
Yeah, I played on it. And technically we’re all from Christchurch. But we were living here at the time, it was recorded at the infamous Church on Frederick St., and it’s f**kin’ awesome.
If you ever talk to me and I can’t hear you, these bands and these songs are probably to blame for the condition of my ears.
We thought that we’d celebrate NZ Music month by highlighting some of our favourite Wellington music. Here’s my top 5, veering between the obscure and the downright mainstream.
Aspen, Are you that retail snob?. This was the album that got me back into making music. It’s somewhere between ambient, glitch and early 90s IDM, but all you need to know is that it’s dripping with gorgeous textures and melodies.
Rhian Sheehan, Tiny Blue Biosphere. I know, I know: it’s over-produced coffee table music for yuppies, but hell, maybe that’s what I am (even though I don’t own a coffee table). And any album that samples Carl Sagan not once but twice has to get bonus geek points.
Disasteradio, Synthtease. Damn, this guy’s ransacked my childhood! Yazoo with a VIC 20, Kraftwerk playing Asteroids, 8-bit beats and viral melodies.
Rhombus, Future Reference. Yep, it’s a Welly list, so there had to be some dub somewhere. But Rhombus’ influences range far wider than most, and touches of funk, hip-hop, electronica and jazz give their sound an infectious enthusiasm. “Scorching Bay” has to be an instant Wellington classic.
Twinset and friends, Christmas Puddin’. The only Christmas album that doesn’t make me want to stick Rudolph’s antlers where the sun don’t shine. They know that you can’t take carols too seriously, but while Benj Berryman injects some swingin’ cheese into ‘God Rest Ye Merry Gentlemen’, there are some surprisingly straight jazz treatments and delicate moments. As you can probably tell, I’m still hanging out for the lounge revival revival.
An unprecedented weekend double-header of delectable contemporary music (a.k.a. “modern classical”) is about to go down at St. Andrews on the Terrace, featuring two of New Zealand’s premier modern music ensembles.
The evening of Friday May 4 sees Auckland’s 175 East in The Sleep of Reason…, a concert featuring newly commissioned works by Phil Dadson and Ross Harris, and the world premiere of Aaron Cassidy’s solo soprano sax lung-twister asphyxia.
Then on Saturday night Wellington’s Stroma present Gnarly Buttons, described as a “cornucopia of contemporary clarinettists”.
This is going to be superb. Programme details after the jump.
Hold onto your hat and get ready for one of the most over-the-top rock n’ roll bands of all time.
Hailing from Japan, the King Brothers (Myspace page here) make it their business to somehow mash-up the elements of every vital era of rock n’ roll music and then utterly demolish it. They approximate the sound of the Germs backing Howlin’ Wolf — with his hand caught in a garbage disposal unit.
Not only is The Mighty Mighty one of our favourite bars, what with its endearingly gauché fit out and entertainingly gauché barstaff and wot-not, but this weekend they host two very exciting (and very different!) gigs.
Mëstar are touring their recent album Shut The Squizwot Factories Down and on Friday night (the 20th) they play at Mighty Mighty with Hot Swiss Mistress:
(Sorry for the stink photo of the gig poster but it was the best I could do with my phone-camera on the way to work this morning.)
And then, on Saturday night (the 21st), at the starting time of 9pm is the avant-punk theatrics of Mr. Sterile Assembly, with Xenu and Thee Strapons:
American alt.country legends Richard Buckner and Edith Frost are playing together at the San Francisco Bathhouse on Wednesday night.
There are three kinds of American folk artist: those who sit, contented, on a back porch contemplating America’s landscape and ways; those for whom its landscape and ways are something to stand against or move boldly through; and those whose America is a shadowy, impressionistic place that moves inside of them. This [latter] is the area that the sombre-voiced Richard Buckner has been exploring since 1984 –(Sylvie Simmons; The Guardian, 2004)
We all know that in Wellington, everyone and their dogs are already busy making films of some description already, but for any aspiring film-makers not currently up to their eyeballs in digital video, here’s your chance. LOOP Recordings want you to make a video for Adi Dick’s song “Beautiful View”.
They’re providing you with nearly a Gigabyte of green-screen footage of the singer, then handing it over to you to mash it up with your own footage or animation to create your interpretation of the song. You have until the 20th of May.