Review: A Bit Dramatic

This show was incred­ibly pop­u­lar and got reviewed mul­tiple times dur­ing the Improv Fest! Check out a vari­ety of those reviews below. – Reviewed by Thalia Kehoe Rowden In an intense, mov­ing 60-minute show, the cast of four take inspir­a­tion from real-life journ­al entries – unseen until the per­form­ance – and invent and explore the […]

Review: NO SLEEP

Reviewed by Rebecca Stub­bing. Fri­day the 13th was the per­fect occa­sion for NO SLEEP, a joy­fully chaot­ic improv show presen­ted at this year’s New Zea­l­and Improv Fest­iv­al. The show began at 9:30pm on the won­der­ful Stage at BATS Theatre, and the slightly sleepy audi­ence were imme­di­ately reas­sured by the per­formers not to worry, we were […]

Nelson Designer Takes Out WOW’s Top Award for Second Time

Nel­son Design­er Gill Saun­ders was awar­ded The World of Wear­able Art’s Supreme Award this Fri­day for her design, Earth­ling (pic­tured). Tak­ing its inspir­a­tion from the rising pop­ular­ity of adult col­our­ing books and pro­mot­ing mind­ful­ness in a “world under increas­ing stress”, Earth­ling cel­eb­rates earth’s nat­ur­al won­ders in a beau­ti­fully craf­ted gar­ment made from EVA foam, acryl­ic […]

Review: Mamma Mia!

Te Aua­ha’s Music­al Theatre cohort for 2023 is bring­ing Mamma Mia! to our shores this Septem­ber, and we are all bet­ter for it. A spell­bind­ing, fab­ulous ver­sion of Cath­er­ine Johnson/ABBA’s juke­box music­al knocked my abso­lute socks off last night, and I’m ser­i­ously con­sid­er­ing going back to see it again. You might have seen the 2008 […]

Review: Music To Die For

Noted Wel­ling­ton improv troupe Best on Tap is back per­form­ing this month with a new iter­a­tion of their groun­ded and clev­er improv in a show using your music sug­ges­tions! Music To Die For takes six songs that you (the audi­ence) would play at your funer­al and uses them to inspire layered, com­plex scenes about the […]

Review: Dirty Work

By Talia Carl­isle An ode to joy! For the first time recently I joined a choir, and as we joined togeth­er as strangers to sing, hold­ing our music and rais­ing our voices in har­mony, I could feel such joy and togeth­er­ness lift­ing every­one up, and con­nect­ing us togeth­er while also cre­at­ing a melod­ic story told […]

Review: Prima Facie

By Nadia Free­man Prima Facie shares an authen­t­ic story of a woman’s exper­i­ence of assault and nav­ig­at­ing the judi­cial sys­tem to seek justice. The nearly sell-out sea­son demon­strates that des­pite the raw and chal­len­ging sub­ject, there is a strong call­ing for stor­ies like this.   Rape is a word people don’t want to say, and for […]

Review: 35mm

By Talia Carl­isle Every­one is talk­ing about 35mm, and it’s not a meas­ure­ment, but a move­ment it seems, from the sound of new fans I’ve talked to. 35mm is a music­al writ­ten by Ryan Scott Oliv­er on at Gryphon Theatre until Sat­urday, which incor­por­ates music, ori­gin­al cho­reo­graphy and a live band led by music­al dir­ect­or […]

Review: The Coven on Grey Street

The first thing that grips me as soon as I walk into Circa Two is Lucas Neal’s gor­geous set design for this show – a huge pohu­takawa that stretches up and across the entire stage, a white pick­et fence, and the out­side edge of a tra­di­tion­al weather­board kiwi house. Cica­das chirp (beau­ti­ful sound design by […]

Review: Fifty Shades of Ray

Reviewed by Talia Carl­isle. On a rain-splattered Wel­ling­ton even­ing, I find myself refuge in BATS Theatre’s Stu­dio space where paper “wor­ries” are hung on string across the small stage. An eager smat­ter­ing of audi­ence mem­bers buzz in excite­ment, wait­ing for Ray Ship­ley to enter, fresh from a pop­u­lar Christ­ch­urch sea­son with a well-craf­ted set ready […]