Petone Carnival

The magnificent Petone Winter Carnival has been postponed until tomorrow night, which is lucky, since I forgot to mention it is on until today. It really is worth a visit, and great for kids. Unlike the Guy Fawkes display, the fireworks kick off at a very civilised hour, 7.30pm. Prior to that there are heaps of activities along the Esplanade to keep everyone in the family entertained. For those with a perverse desire to feel extremely uncomfortable, there is a polar plunge at 2.30pm, it is for a good cause (Wesley Community Action), so if this floats your boat, get nekkid! Actually, nekkid isn’t really part of the programme, but I’m all for initiating fun.

And while you’re out here, grab a bite to eat. There are masses of excellent establishments, my favourite at the moment is the magnificent Gusto, and if you go, I recommend the steak. Mmmm steak.

Cinephilia: Film Festival preview

Wellington Film Festival posterThe Film Festival has been a fixture of Wellington’s winter calendar for nearly 40 years and for those of us who organise our lives around glowing rectangles of one kind or another there is no better way to spend a cold and wet afternoon than in the comfy leather chairs at the Embassy, engrossed in a work of art.

Programming a Festival like Wellington may seem easy but I can assure you it’s getting tougher every year. The sheer volume of independent film is growing beyond all reason (I read that there were around 5,000 films submitted to Sundance last year) and attention must be paid to all four corners of the globe nowadays.

The glossy programme (doing double-duty this year as Festival Guide Book and Souvenir Programme) is 90 pages long and I direct you to it forthwith – my role here is, with the help of some previews from the Festival office, to point your attention towards some of the unheralded titles available amongst the hundreds on offer. This year I only mention films I have seen and readers are asked to add their picks/hopes/reports in the comments.

The Savages stillThe first thing to point out is that, unlike the old days, there is nothing to be gained in trying to guess which films will return for a commercial season. With the loss of the three (otherwise unlamented) Rialto screens in June, there is even less chance of a film coming back than before and the general downturn in attendance this year has made distributors wary. At the moment there are no plans to release The Savages (a well-observed, superbly acted drama with plenty of black humour starring Philip Seymour Hoffman and Laura Linney) and even the Jack Black – Michel Gondry comedy Be Kind Rewind is expected to go straight to DVD post-Festival (although strong local sales may provoke a change of mind). Recommendation: if the big screen experience is important to you, don’t wait.

[Preview continues after the jump]

Holy Mac Truck

Check out the Party of the Universe the Mighty is putting on for Wellington NEXT WEEK!!!!!

(click image to see larger version of the poster)

For those of you who don’t know CW Stoneking – you should. He’s never played NZ before and he’s something. Check him out on myspace.

And for the other nights, the finest in NZ bands from around the country covering a pretty diverse range of genres. There’s the Americana night kicking things off, extreme neon for the Heavy Petting electro night, followed by a total mash up of rockabilly and electronics from Bang Bang Eche, and then a Wild Trash extravaganza of Wellington’s own to top things off.

There’ll be pole dancers, limbo competitions, a vodka slide and so much more. Chose your night. Bring your friends and come and party at the Castle that Cares!

snapped? (rua)

So we can confirm that yes, the new Snapper cards do work pretty well in the buses (based on the small sample of one attempt earlier today using our trial USB snapper pictured). One would expect so, given that the technology comes from the giant T-Money install in Seoul, where their mega-city sized public transport operation will have smoothed all the rough-edges out of it long ago.

Snapper USB card - this one plugs into your PCBut WTF is happening with Snapper?

First, the Dom Post reports that the rollout, due for Monday 14th, has been delayed again (originally the rollout was supposed to be in June). Then we find that at least some buses are running with live, lit-up and useable Snapper readers anyway – such was the one we caught this morning. And to confuse the matter further, no retailers appear able to sell commuters the cards until the end of the month… well, those retailers that actually have agreed to sell the things in the first place, that is.

But… we wants it!

So what might have caused this Clayton‘s delay? In the absence of anything useful from Snapper themselves we can, of course, indulge in wild speculation (after the jump):

Birds of Wellington

Eastern RosellaOh how we love ye.

Well, not necessarily all of ye, and maybe not especially these colourful little numbers as they methodically strip the buds from the flowering cherry tree. You, Rosella, made this Wellingtonista wish momentarily for the .410 he used to use as a kid. But that would be criminally irresponsible in a built-up area, as well as a serious digression from the subject matter of this posting.

Onward.

This week is Landcare Research’s Garden Bird Survey:

The basic format of the garden bird survey is that people spend 1 hour during a specified week in winter watching birds in their home gardens, public parks, or school grounds, and recording the largest number of each species they see at any one time. When repeated over a number of years this will provide valuable information on changes in distribution and population trends of birds in our urban environment.

This recent fine weather provides the perfect opportunity. It’s inevitable that you’ll probably not see the occasional spectacular visitor in the hour you choose, like that falcon that was hunting the Western Suburbs a few years back, but at least you’ll be doing your bit for science.

And what could be nicer than a quiet hour outside counting the birds?

Just confirming what we all knew

I’m not usually a political fly, but I do like raking muck, so I couldn’t resist posting this image from a campaign poster. Thanks to the (deeply flawed, of course) Electoral Finance Act, now we know who’s really behind the National Party:

Photobucket

Any suggestion that they’re financed by C Untts would be vulgar sock-puppetry, so I won’t stoop to that. Oh, if you insist.

Familiarity in the Cockpit

Last weekend’s Sunday Star Times Sunday magazine had a fun essay by Leah McFall lamenting how hard it is to meet-cute in Wellington – that is, have one of those lovely romantic-comedy style accidental meetings with the fellow of your dreams, usually involving something quirky like bagels or poodles. It’s impossible here because, as we all know, in Wellington everyone knows everyone.

The essay isn’t online (boo, Sunday magazine!) but I thought it was worth sharing this bit, where Leah comes up with a magnificent metaphor for Wellington’s dating scene:

It’s like when you step onto a 16-seat propellor plane. There’s the guy at the top of the steps who rips your ticket, stows your laptop and passes round the Minties. Then he puts down the lollies, tugs on an earpiece, strides to the cockpit and starts the ignition. That’s what you’re dealing with, in Wellington: the man who is everywhere. How can you meet-cute with that? You’ve met him before.

Being a recent arrival to these parts, there are still many social dots I’m yet to connect, but I’m already finding strange connections in places I’d least expect it.

But perhaps there’s an advantage to this small-village scene? After all, if everyone knows everyone, you’re soon going to hear what your pilot’s crash rate is like.

Mystery? Pah!

Sometimes, a bar is too pretentious even for me. Though by “pretentious”, I don’t mean what some people seem to mean by that: expensive, stylish, ambitious or glamorous. No, it’s bars that make a great show of aspiring to all those qualities, and yet end up being the same-old same-old Courtenay Place tack, that really set my mandibles on edge.

I Heart Live Music

You know that most gig promoters live in Auckland, eh? And that Aucklanders don’t know we exist, right?

As a response to the Aucklocentricism (it’s a word, ok) of the touring scene, a bunch of local promoters have sprung up, banded together and generally defied the odds to bring some amazing internationals to intimate Wellington venues over the last few years. Which means we don’t have to travel to see our favourite band, and taking a punt on an unknown quantity is a lot easier and way less expensive than trekking up the island. Plus the likelihood of having a quiet beer next to the main act after a show is ramped up several notches when it’s at SFBH or Bodega.

Which brings me to I Heart Hiroshima. They came over from Australia in April to support Ratatat in Auckland, but they couldn’t make it down here. Ratatat, however, played to a sold-out crowd at Bodega and knocked our socks off. They told IHH about it, and the band begged indie Wellington promoter Palomino Agency to bring them down to see us. They’re playing at Bodega next week – Friday 18th – so do us all a favour and go see them! Their songs have been all over tv and radio recently, but if you haven’t heard them, and you liked Ratatat – or you like the fab local supports Thought Creature or Little Pictures – take a punt. Tickets are only $20+bf right now from Slowboat on Cuba St so why wouldn’t you?

Strike: banging, crashing and beautiful music

Strike posterCharlie Watts was once asked in an interview whether he ever tuned his drums. When Charlie replied in the negative the interviewer asked him “why not?”

“Because every time I hit ’em, they go out of tune.”

I am minded of this story every time I hear the Strike guys striking up for they give their gear a fearful walloping at times (as well as plenty of beautiful, subtle and fun moments, too).

“Elemental”, Strike’s new show is well in to it’s first week and audiences of all ages are loving it. Described by Simon Sweetman in the Dominion as “an amazing show” and Aaron Watson in the Capital Times as “endlessly inventive” and “not to be missed” this show is a smash hit.

There are seventeen percussion pieces in the show, including newly-commissioned compositions from Gareth Farr and composer-in-residence Takumi Motokawa, and the ensemble play hydrophones, pyrophones, dippophones, Bedford trucks, and even the occasional percussion instrument, as part of a tremendously theatrical concert experience.

The season continues at Downstage until 26 July and you can find more information here.

Full disclosure: I work for Downstage and you’ll often find me at the top of the Hannah Playhouse staircase, welcoming patrons to the venue.