That’s All She Wrote – Review

I’ve  found myself in a very lovely, very priv­ileged, and deeply uncom­fort­able space.  I’ve seen three pre­vi­ous Red Scare Theatre Com­pany shows, and I’ve genu­inely loved them all.  I will have to enlist one of my ‘Ista com­rades to review their shows in future, to pre­clude claims of bias and shame­less fangirl­ing. Each of those […]

Review: Dungeoning and Dragoning

The show is exactly thus – four great act­ors play­ing Dun­geons and Dragons on stage, led by an emin­ently like­able DM. I must admit I had my qualms when com­ing to this show, as I’ve always found play­ing D&D to be more fun than watch­ing it, but the cast is excel­lent, the mood appro­pri­ate, and the […]

Review: Peggy Pickit Sees the Face of God

  Liz and Frank have spent the past few years achiev­ing the sort of anaem­ic exist­ence that passed for middle-class suc­cess for my par­ents’ gen­er­a­tion.  Careers, a house, a child.  Care­fully cur­ated shelves of books and knick-knacks in the liv­ing room.  This liv­ing room is the stage for a reunion din­ner party; two old friends […]

Review: The Pink Hammer

Circa One has been turned into a man-cave, com­plete with a nude cal­en­dar – per­man­ently set to July – a fridge full of beers and a Ryobi power drill for The Pink Ham­mer, being per­formed until early Octo­ber. The show itself is a cri­tique of Kiwi mas­culin­ity (of a sort), a bit of fem­in­ist fun […]

Preview: Peggy Pickit Sees the Face of God

‘Peggy Pick­it Sees the Face of God’ by Roland Schim­melp­fen­nig is open­ing at Circa Theatre next week. A New Zea­l­and premiere appro­pri­ate for our mod­ern lives, this play exam­ines colo­ni­al­ist atti­tudes over freshly baked bread, and dis­cusses quar­ant­ines and vac­cin­a­tions while shar­ing drinks – it’s irony, of a sort. Are we doing enough to help […]

Review: Side by Side by Sondheim

A revue of ‘most adven­tur­ous com­poser’ Steph­en Sondheim’s works. Ori­gin­ally per­formed in 1976 the music­als rep­res­en­ted in this revue are from the early part of his career. (Some of the music­als men­tioned in the show’s pro­mo­tion­al mater­i­al do not fea­ture.)  He explores the themes of love, rela­tion­ships, and mar­riage. Per­formed by Julie O’Brien, Mat­thew Pike, […]

Review: Puss in Boots

Circa Theatre’s Christ­mas pan­to­mime this year is Puss in Boots. It’s a tale as old as time, if that tale were set in the wilds of Te Aro and Karori and fea­tured many dick jokes, jabs at Gareth Mor­gan and fant­ast­ic­al dance num­bers. It’s 2018. Or there abouts. Cam­illa Miller – a griev­ing wid­ow woman – […]

Review: Uneasy Dreams and Other Things

Dir­ec­ted by Sara Brod­ie. Writ­ten by Lori Leigh. Uneasy Dreams and Oth­er Things is a glor­i­ous, hil­ari­ous (in some places) piece of theatre, inspired by Franz Kafka’s The Meta­morph­os­is.  How­ever, instead of turn­ing into a giant bug overnight, our reluct­ant heroine, Sam­antha (Lydia Peck­ham), grows a penis. She spends the entirety of the play try­ing to deal […]

Preview: Medusa

With a head of pois­on­ous snakes and a mur­der­ous gaze, Medusa has come to epi­tom­ise female mon­stros­ity. Cara­vag­gio painted her. Shakespeare wrote about her. Freud had a bloody field day. The ori­gin­al myth of Medusa fol­lows the fate of the beau­ti­ful maid­en Medusa who is turned into a mon­ster by the god­dess Athena after she […]

Review: Modern Girls in Bed

What would you do if you found Kate Shep­pard in your bed? I’ll be hon­est, I don’t really know, but Mod­ern Girls in Bed attempts to find out. Ally (Maria Wil­li­ams) and Petra (Isad­ora Lao) are two young women hold­ing their own Bed-In togeth­er, not for Peace, but to improve the drear­i­ness of their lives. They intend […]