Cinephilia: Opening This Week

Watchmen posterI expect there’ll be an awful lot of dis­ap­point­ed 15 year olds when they dis­cov­er that long-await­ed graph­ic nov­el adap­ta­tion Watch­men has been rat­ed R16 despite being trail­ered in front of every big movie since The Dark Knight. Evi­dent­ly, it earns the rat­ing being every bit as bloody as the book (not to men­tion fea­tur­ing 50 foot high blue penis­es). Direc­tor Zack Sny­der looks to have used plen­ty of actu­al frames of Moore & Gib­bons work as inspi­ra­tion (much as he did with 300 in 2006) but it remains to be seen if he can suc­cess­ful­ly film the “unfilmable” book: Read­ings, Empire, Embassy, Sky City Queens­gate.

The Para­mount pro­vides plen­ty of bal­ance as usu­al, open­ing two Amer­i­can doc­u­men­taries this week. Gonzo: The Life & Work of Hunter S. Thomp­son (which sort of speaks for itself) and Crazy Love (of which I said in my Fes­ti­val pre­view last year: “… it helps to not know too much detail going in, as the reveals are deli­cious­ly han­dled. Suf­fice to say that love is blind, in more ways than one.”

[The rest of this week’s new releas­es after the jump]

Cinephilia: Opening This Week

Dean Spanley UK posterAnoth­er light-ish week of cin­e­ma releas­es to report: Read­ings have so much con­fi­dence in the new Rob Schnei­der prison-com­e­dy Big Stan that the only evening ses­sions are at a dead­en­ing 9.20pm at night. Accord­ing to IMDb this is the first film direct­ed by the Deuce Bigelow star which means we now have the phrase “a film by Rob Schnei­der” to ter­ri­fy and depress us. Also Sky City Queens­gate.

Cinephilia: Opening This Week

My Bloody Valentine 3D posterWith most Welling­ton screens grown­ing under the weight of Oscar-bait, only Read­ings (and Sky City Queens­gate if you are so inclined) is open­ing any­thing new this week. My Bloody Valen­tine 3D was well attend­ed at sneak pre­views last week but sad­ly isn’t much of a film. It’s a remake of a beloved hor­ror of the same ear­ly-80s (same vin­tage as last week’s Fri­day the 13th). Apart from the title though there isn’t any­thing ter­ri­bly ‘Valentine‑y’ about it.

A poten­tial date movie (for a cer­tain kind of date, maybe) is Zack and Miri Make a Porno, the new film by Clerks’ Kevin Smith. Love­able schlub Seth Rogen (Knocked Up) stars with Eliz­a­beth Banks in a com­e­dy about flat­mates need­ing to find mon­ey for the rent.

Turbine @ Downstage. Hot Deal.

Tim Spite & Lee Smith-Gibbons in The SEEyD Company's Turbine at DownstageDown­stage The­atre are offer­ing Welling­ton­ista read­ers a spe­cial deal for tonight’s per­for­mance of Tur­bine at 7.00pm.

Men­tion the word “Welling­ton­ista” at the box office or over the phone (04 801 6946) and you’ll get as many tick­ets as you like for only $20 each.

Cinephilia: Opening This Week

Marley & Me posterThis has to be the most mid­dle-of-the-road week for new cin­e­ma since I start­ed these lit­tle updates. Check these out:

First up Mar­ley & Me, a rom-com-weepy best-sell­er adap­ta­tion star­ring Jen­nifer Anis­ton and Owen Wil­son as a cou­ple who adopt a pup­py. Click here for the Defamer.com spoil­er. Read­ings, Empire, Light­house Petone, Sky City Queens­gate. Then we have He’s Just Not That Into You, the first film to be based on a best-sell­ing book based on a throw­away line of dia­logue from “Sex and the City”: Read­ings, Empire and Sky City Queens­gate.

Winds of Change

Turbine at DownstageDown­stage opens its doors for the first time this sum­mer with three new shows open­ing in less than a week!

This time last year Tim Spite’s SEEyD Com­pa­ny thrilled audi­ences with the paua poach­ing action adven­ture Paua (net­ting Spite the Chap­man Tripp Direc­tor of the Year Award in the process). Now they’re back with a re-work­ing of ear­li­er suc­cess Tur­bine, which blew peo­ple away at BATS in 2006: An envi­ron­men­tal­ly con­scious fam­i­ly have their prin­ci­ples test­ed when a pow­er com­pa­ny wants to build a wind farm in their ‘back yard’.

Tur­bine opens offi­cial­ly on Fri­day but ear­ly birds (or the price sen­si­tive) can see pre­views on Wednes­day or Thurs­day night for only $20.

Per­cus­sion-mon­sters Strike are back for one night only on Sun­day, play­ing favourites and show­cas­ing tracks from their forth­com­ing CD. Guests Lisa Tom­lins (The Eggs) and Mana (Rhom­bus) col­lab­o­rate and DJ Samu adds breaks. Strike Soundsys­tem is on Sun­day at 8.00pm.

Cinephilia: Opening This Week

Slumdog millionaire posterMore Oscar con­tenders hit our screens this week­end. Gus Van San­t’s biopic of the first open­ly gay elect­ed politi­cian in the USA, Milk opens today at Read­ings, Pent­house and Light­house Petone. Sean Penn plays San Fran­cis­co city super­vi­sor Har­vey Milk who was assas­si­nat­ed by fel­low city offi­cial Dan White in 1978. Penn is sup­port­ed by Josh Brolin (No Coun­try for Old Men), Emile Hirsch (Into the Willd) and James Fran­co (Pineap­ple Express).

I got to see Slum­dog Mil­lion­aire last Fri­day at the Embassy - if it does­n’t romp home with the best pic­ture Oscar I’ll be very sur­prised. Kinet­ic, colour­ful and heart­felt, it’s an object of great beau­ty. Slum­dog is also play­ing Read­ings, Pent­house and Light­house Petone.

[The rest of this week’s releas­es — and there’s heaps — after the jump]

Cinephilia: Opening This Week

Revolutionary Road posterAs Oscar night approach­es anoth­er of the expect­ed heavy­weight con­tenders goes into cin­e­mas: Sam Mendes’ Rev­o­lu­tion­ary Road reunites Kate Winslet and Leonar­do DiCaprio for the first time since Titan­ic (still the high­est gross­ing film of all time fact-fans) in a sto­ry of a mid­dle-class 1950s cou­ple dis­sat­is­fied with the Amer­i­can sub­ur­ban dream. Based on (what I under­stand to be) an awe­some nov­el by Richard Yates. Play­ing at Light­house Petone, Regent-on-Man­ners, Read­ings, Pent­house and Sky City Queens­gate.

Road­show will be hop­ing that Clint East­wood light­ning will strike twice at the Oscars and are using that rare tac­tic, the sneak pre­view, to launch his new film (and his last as an actor) Gran Tori­no. His last per­for­mance was in the mul­ti-award-win­ning Mil­lion Dol­lar Baby in 2004. You can see Gran Tori­no ear­ly at Empire, Read­ings, Pent­house and Sky City Queens­gate. (East­wood’s oth­er new film Changeling opens on Feb 12)

For those inclined toward the crap­pi­er end of the mar­ket there’s Bride Wars, a “com­e­dy” star­ring Anne Hath­away and the woe­ful­ly-man­aged Kate Hud­son. Please note that I total­ly have an open mind about this film — I just don’t have any hope or faith: Empire, Regent-on-Man­ners, Read­ings, Sky City Queens­gate.

The Pent­house keeps it classy with a big­gish-bud­get French WWII movie called Female Agents about some young French women enlist­ed into the British Spe­cial Forces and sent on a sui­cide mis­sion to res­cue a British geol­o­gist. True sto­ry appar­ent­ly. Mean­while the Para­moun­t’s eclec­tic run con­tin­ues with a Czech com­e­dy-dra­ma called Beau­ty in Trou­ble. It’s by one of my favourite film­mak­ers, Jan Hre­be­jk who made the fan­tas­tic Divid­ed We Fall from 2000. Also at the Para­mount, for just a few ses­sions, is a surf­ing movie called Bustin’ Down the Door.

All of the above will be reviewed in next week’s Cap­i­tal Times (and online at Funer­als & Snakes), although I may draw the line at the surf­ing flick.

Cinephilia: Opening This Week

The Tale of Desperaux posterFol­low­ing the flur­ry of Christ­mas and New Year releas­es (all of which are still play­ing), there are only two new titles to report this week. First­ly, The Tale of Des­per­aux an ani­mat­ed adap­ta­tion of a sup­pos­ed­ly beloved chil­dren’s book. Matthew Brod­er­ick plays a noble lit­tle mouse with enor­mous ears who teams up with a kitchen-lov­ing rat (Dustin Hoff­man) to res­cue a lone­ly Princess (Emma Wat­son) — sounds a bit like Dum­bo meets Rata­touille. The rest of the voice cast is sim­i­lar­ly pres­ti­gious includ­ing two gen­tle­men prob­a­bly on the the Acad­e­my long-list for Best Actor this year: Frank Lan­gel­la (Frost/Nixon) and Richard Jenk­ins (The Vis­i­tor). Play­ing at the Empire, Regent-on-Man­ners, Read­ings Courte­nay and Sky City Queens­gate (does any­one go there?).

Frank Miller is a hero to com­ic book afi­ciona­dos every­where. He cre­at­ed The Dark Knight Returns, 300 and Sin City (and co-direct­ed the Sin City movie along with Robert Rodriguez). Now he has both hands on the wheel of anoth­er com­ic book adap­ta­tion, Will Eis­ner’s The Spir­it and the pro­mo­tion­al mate­r­i­al makes it look like a long-lost cousin of Sin City. US reviews have not been kind but you can check it out at either Read­ings or Sky City.

The Para­mount’s Sum­mer “Best of” series con­tin­ues: Adam’s Apples, The Edge of Heav­en, I’m Not There. and Lars and the Real Girl get a sec­ond chance and they’re also raid­ing the vault with rare oppor­tu­ni­ties to see West Side Sto­ry, The Con­ver­sa­tion, Elvis: That’s The Way It Is and North by North­west.

Along with a run­down of all the Christ­mas releas­es, Des­per­aux and The Spir­it will be reviewed next week at Funer­als & Snakes (and in the Cap­i­tal Times on Wednes­day).

Cinephilia: Opening This Week

Too late to be of any use for Fri­day night enter­tain­ment, here’s a sum­ma­ry of the films open­ing this week across the city.

The Day the Earth Stood Still (Read­ings, Sky City Queens­gate and Empire). That’s it. The calm before the inevitable Box­ing Day storm.

But if Keanu Reeves play­ing a dead­pan alien isn’t enough there’s always the annu­al ‘V’ Movie Marathon at the Para­mount, kick­ing off at 4.00pm on Sat­ur­day. Organ­is­er Ant Timp­son has been some­what scathing of Welling­ton’s abil­i­ty (or inabil­i­ty) to hack the Marathon and is offer­ing a spe­cial mini-Marathon tick­et valid for 12 hours. Only prob­lem, is you have a wear a nap­py for the whole 12 hours ’cause you’d be a big baby.

On a dif­fer­ent kind of kick, this week­end sees the first Kore­an Film Fes­ti­val in Welling­ton — (only) three screen­ings of recent Kore­an movies, all at the Light­house in Petone on Sat­ur­day and Sun­day.

The Day the Earth Stood Still will get a review in the Cap­i­tal Times on Weds (and online at Funer­als & Snakes soon after).