Review: Pōhutu

Pōhutu is a mul­ti­di­men­sion­al con­tem­po­rary dance piece that thrives in lim­i­nal space. Draw­ing par­al­lels between Chore­o­g­ra­ph­er Bian­ca Hyslop’s grandmother’s diag­no­sis of Alzheimers and the geot­her­mal land­scape she grew up in, it’s an unset­tling and utter­ly beau­ti­ful work. The begin­ning and end sequences draw gasps from the audi­ence. The mid­dle sequences con­tain some of the most […]

Review: Over My Dead Body: Little Black Bitch

This is the world pre­miere of the play by Jason Te Mete. The script shared the Adam New Zealand Play Award for Best Play by a Māori Play­wright in 2018. It is a the­atri­cal rep­re­sen­ta­tion of one way depres­sion can man­i­fest. It starts with a mihi from Te Mete (also direc­tor and musi­cal direc­tor) wel­com­ing […]

Review: System

A sparse set — two walls, some tape on the floor —  is giv­en char­ac­ter by light­ing (Natasha James) and pro­jec­tion effects (Jason Wright). Flick­er­ings along the edges of fur­ni­ture, spin­ning tri­an­gles, water on the base of the wall, clear­ly defined shad­ows. A light rec­tan­gle becomes some­thing to inves­ti­gate. The score (Jason Wright) is an […]

Review: Water

Based on the true sto­ry of Carl Hans Lody, a WW1 Ger­man Spy. He was caught then exe­cut­ed inthe Tow­er of Lon­don four months into World War I. This new play, from award-win­n­ing writer, Mark Lang­ham, cen­tres Lody’s sto­ry and his rea­sons for becom­ing a spy. Stephen Lloyd-Coombs is a per­son­able and charm­ing Lody. Around […]

Review: Yesterday, in space

The good space­ship Yes­ter­day is the first rock­et ship to launch from Aotearoa New Zealand and we get to come along for the ride! Her new crew are deter­mined to show us a good time. What a pity they’re stuck in the mid­dle of pro­fes­sion­al rival­ries, con­fus­ing per­son­al rela­tion­ships, and an aster­oid belt… All those […]

Review: Coffee Bean-Queen Machine

Paja Neuhofer­o­va wears a blue flo­ral pat­tern full skirt, a short navy jack­et with the blue flo­ral fab­ric on the front, a head­band with small flow­ers. As we arrive she is sit­ting on the counter. The accor­dion she plays is a deep glossy red. It sounds jaun­ty. Eigh­teen of us are tight­ly packed in to […]

Review: Blonde Mountain Wolf Man

Craig Geen­ty comes from a large and extend­ed fam­i­ly. They’re gre­gar­i­ous. They like a bit of a drink. They’ve been whis­per­ing about a fam­i­ly secret for years. Great-grand­­fa­ther Joseph is still offi­cial­ly miss­ing after dis­ap­pear­ing on his way back home after mak­ing a deliv­ery in town in 1921. Did he crash? Did he run away? […]

Review: Side by Side by Sondheim

A revue of ‘most adven­tur­ous com­pos­er’ Stephen Sondheim’s works. Orig­i­nal­ly per­formed in 1976 the musi­cals rep­re­sent­ed in this revue are from the ear­ly part of his career. (Some of the musi­cals men­tioned in the show’s pro­mo­tion­al mate­r­i­al do not fea­ture.)  He explores the themes of love, rela­tion­ships, and mar­riage. Per­formed by Julie O’Brien, Matthew Pike, […]

Review: Why are we still here?

Four women on the run break into an aban­doned the­atre to shel­ter from a ter­ri­ble storm. The group’s leader, Ben­ny, is the first to notice they’re not alone — there are two oth­ers in the build­ing. It takes the group of women a lit­tle while to dis­cov­er that the ‘oth­ers’ are ghosts but by then […]

Preview: All Good

Pareku­ra and Ra re-unite on a night out in the town. Their past rekin­dles an old kind, odd romance for each oth­er again. They enjoy the night and end up back at Parekura’s whare where her father, Chief, awaits the return of his only daugh­ter not expect­ing to see her infa­mous friend as well. Chief con­cedes to Parekura’s demands […]