Review: The Tigers of Wrath

“Our par­ents do not fol­low a tra­di­tion­al per­spect­ive, grow­ing smal­ler on approach. Only later will their true scale be appar­ent.” – Alan Moore, The Birth Caul Once, so the legend goes, there were a race of beau­ti­ful fiery-eyed chil­dren who heard the clar­i­on-call of a new and bright­er age; and buoyed by the prosper­ity wrest […]

Discover the Light House Cuba before the world’s movie-talkers spread the word during Skyfall

The Cuba Quarter­’s new­est enter­tain­ment ven­ue is a wel­come addi­tion indeed, with the well-respec­ted Light House Cinemas spread­ing into Wel­ling­ton prop­er (sorry Petone but whatchagone do, you’re Petone) via their new loc­a­tion oppos­ite Havana on Wigan Street. If Cuba Street and Cour­tenay Place had a fight (what do you mean “if,” right?), this now gives […]

Review: The Hobbit Companion

It’s not by chance that John Ron­ald Reuel Tolki­en’s was the set­ting that would become the default tem­plate for the pop­u­lar notion of high-fantasy; no arbit­rary cir­cum­stance that led to Tolki­en’s intric­ately-craf­ted argot becom­ing the lin­gua franca of the sword-and-sor­cery genre as it’s com­monly under­stood today. Tolki­en, with his fel­low Ink­ling and under­study in Chris­tian­ity […]

Putting them away with JK: We attend an Event at Tuatara’s new brewery

It’s 9:50am and the glit­ter­ati of Par­a­pa­raumu are itch­ing to get they drank on. Out­side the brand-new Tuatara Brrry (or Brew­ery, as it’s known on paper), they huddle under the awn­ing to escape a rain that nev­er falls, hug­ging the out­er wall of the benighted edi­fice – hop­ing, per­haps, to osmose their way to double-vis­ion. […]

Review: Privatising Parts

It’s hard to come away from Privat­ising Parts without a renewed sense of optim­ism for our next step, you know, as humans. Tee­ter­ing at the brink of a new dysto­pi­an sin­gu­lar­ity for every day of the week – glob­al eco­nom­ic col­lapse, post-human obsol­es­cence, a flail­ing mass des­cent through Sartre’s naus­ea and out into hyper-Mater­­i­al­ist nihil­ism […]

Review: Serial Killers

The Gryphon’s pro­duc­tion of Seri­al Killers is a peri­od piece set in the days when instead of say­ing “You­Tube” we said “net­work tele­vi­sion,” and instead of bemoan­ing “real­ity TV” and its effects on the unwashed-at-large, we bemoaned “soap oper­as” and their see above. One assumes it’s inten­ded as ever­green com­ment­ary upon the early 2000s when […]