Review: Filthy Little Goblin

Brynley Stent’s 2019 solo show Filthy Little Goblin is a bizarre and fantastic series of esoteric vignettes and I absolutely loved it. From birthday gifts to self-checkout machines, strange strip performances and word-based game shows, this absurdist show pushes the envelope in terms of comedy and is just very, very fun. Stent has an incredible […]

Review: Big Dumb Cats

We are all just big dumb cats, stumbling around on two legs, expecting our feline overlords to hunt food for us to keep us alive. Daniel John Smith’s Big Dumb Cats is part cat facts, part family parable, and all great comedy with a poignant message. Smith’s in the midst of an exciting office fashion […]

Review: Mincing

Mincing is a joy and I absolutely loved it. Jimini Jolly Snr (Tom Sainsbury) runs the best butchery in Timaru, alongside his wife Marge-Irine (Kura Forrester), their son Jimini Jnr (Chris Parker) and their daughter Nicole (Brynley Stent). Jimini Jnr is off to New York to go to tap school, Marge-Irine is on a jaunt […]

Review: Token African (Urzila Carlson)

With a few little observations to warm up the crowd, Urzila, “doesn’t pick on people,” she says, and reinforces that she can’t see anyone in the crowd because of the raised seating at Te Auaha’s Tapere Nui theatre. She rolls into talking about Wellington, students, and how nobody in their right mind would ever continue […]

Review: The Blair Witch Projector

After a few minutes of technical issues – which may have been an actual ghost in the theatre, who knows! – we’re brought into this show by James Mustapic talking about being unemployed, to which several people in the audience cheer in unfortunate acknowledgement (myself included). Mustapic is going to do a “proper stand-up show”, […]

Review: The Mournmoor Murders

As The Wellingtonista’s resident super-fan of afternoon murder mystery television for old people, I was unbelievably excited to get the chance to see The Mournmoor Murders, Maria Williams and Alice May Connolly’s excellent satire of that whole genre. And it was fantastic! Detective Thompson (Williams) and Detective Constable Detective Agent Cooper (Connolly) must unearth dark […]

Review: Uther Dean Reads 300 Haiku

Uther Dean Reads 300 Haiku is indeed that. 300 haiku in a row. But what the title doesn’t tell you is the wandering narrative Uther tells through the 300 haiku. “These haiku were written by Peter the Poet,” he says. Yes, we agree, though I’m not convinced. Peter is desperately in love with Janine, who is a […]

Fringe show reviews: Glittery Clittery, Dry & Damaged and Missing Lids

Today’s guest reviews of three fringe shows come courtesy of Tony Barnes. Thanks Tony! The Fringe Wives Club – Glittery Clittery A year ago, while touring several of her shows at the 2018 NZ Fringe Festival, Tessa Waters mentioned that she had another show in development that she would bring to the 2019 Fringe. Fringe […]

Review: System

A sparse set – two walls, some tape on the floor –  is given character by lighting (Natasha James) and projection effects (Jason Wright). Flickerings along the edges of furniture, spinning triangles, water on the base of the wall, clearly defined shadows. A light rectangle becomes something to investigate. The score (Jason Wright) is an […]

Review: Water

Based on the true story of Carl Hans Lody, a WW1 German Spy. He was caught then executed inthe Tower of London four months into World War I. This new play, from award-winning writer, Mark Langham, centres Lody’s story and his reasons for becoming a spy. Stephen Lloyd-Coombs is a personable and charming Lody. Around […]