Review: Cellfish

As part of the Kia Mau fes­ti­val this year I got to go and see the open­ing night of Taki Rua’s show Cell­fish, brought to Welling­ton after a sea­son in Auck­land last year. Cell­fish is intense. A two per­son show, fea­tur­ing Car­rie Green and Jason Te Kare, Cell­fish is set in a Shake­speare class at […]

Review: The Weekend

Lara has only the week­end to track down her part­ner as she tra­vers­es the world of pub­lic hous­ing, drug deal­ing, and addic­tion. The Week­end is based on a sit­u­a­tion that first time play­wright that Hen­ri­et­ta Baird (from Kuku Yalanji/Yidinji coun­try in Queensland’s Far North) expe­ri­enced. From this she’s writ­ten an extreme­ly fun­ny, emo­tion­al­ly hor­ri­fy­ing one-woman […]

A still from Honeyland

DocEdge preview: Honeyland

Hon­ey­land Direct­ed by: Ljubomir Ste­fanov, Tama­ra Kotevs­ka Dressed in a high-necked yel­low blouse, mot­tled long skirt and pat­terned head­scarf, the leath­ery Hatidze Mura­to­va nego­ti­ates a moun­tain ledge to find a remote hive where she extracts just the right amount of hon­ey so that both she and her bees thrive. Back home in her ancient stone […]

Review: Pōhutu

Pōhutu is a mul­ti­di­men­sion­al con­tem­po­rary dance piece that thrives in lim­i­nal space. Draw­ing par­al­lels between Chore­o­g­ra­ph­er Bian­ca Hyslop’s grandmother’s diag­no­sis of Alzheimers and the geot­her­mal land­scape she grew up in, it’s an unset­tling and utter­ly beau­ti­ful work. The begin­ning and end sequences draw gasps from the audi­ence. The mid­dle sequences con­tain some of the most […]

Review: Over My Dead Body: Little Black Bitch

This is the world pre­miere of the play by Jason Te Mete. The script shared the Adam New Zealand Play Award for Best Play by a Māori Play­wright in 2018. It is a the­atri­cal rep­re­sen­ta­tion of one way depres­sion can man­i­fest. It starts with a mihi from Te Mete (also direc­tor and musi­cal direc­tor) wel­com­ing […]

DocEdge preview: The Silence of Others

DocEdge preview: The Silence of Others

DocEdge kicks off in Welling­ton on 13th June (run­ning to the 23rd) and we’ve been for­tu­nate enough to pre­view some of the films that will be show­ing. First up… The Silence of Oth­ers Direct­ed by Almu­de­na Car­ruce­do and Robert Bahar María Martín pins up her long grey hair with gnarled hands, then strug­gles with a […]

Review: Public Service Announcements — Indignity War

Judith Collins is on the warpath, Par­lia­ment is in chaos, and Simon Bridges is lead­ing chore­o­graphed dances in this iter­a­tion of PSA — Indig­ni­ty War. As David Sey­mour tables a bill to halve the amount of MPs in Par­lia­ment, all the major par­ties are pan­ick­ing about who they’ll have to let go. Jacin­da has the […]

Review: Uther Dean’s Elevation

This is a show some­what about the hit U2 song “Ele­va­tion” (which I still haven’t heard) and some­what not at all about that song. From the Fast and the Furi­ous films to fights in Burg­er King, new part­ners and the cin­e­mat­ic clas­sic Lara Croft: Tomb Raider, Dean spins a ver­bose tale of coin­ci­dence, ennui and […]

Review: Absolute Monster by Alice Sneddon

Absolute Mon­ster, guest reviewed by Lena Beets. It’s quite hard to write a review for a com­e­dy show that has a medi­um to large bomb­shell admis­sion in the mid­dle that changes the con­text of all the jokes told thus far, but I’ll try my best because Alice Snedden’s Absolute Mon­ster was great. I’ve been a […]

Review: Space Couch

Tim Batt and Dis­as­tera­dio’s Space Couch is a syn­th­wave Com­mu­nist talk­show, and I don’t think those words have ever been uttered togeth­er in a sen­tence before. Things go like this. The tit­u­lar pink Space Couch — sent into space by the Sovi­ets in the mid-70s — has fall­en back to earth and decid­ed to host […]