Blackbird Ensemble Performs Björk: All Is Full Of Love — Review

Black­bird Ensem­ble are “NZ’s most excit­ing cham­ber orches­tra”, and Thurs­day’s homage to Björk sup­port­ed that claim more than com­pe­tent­ly.  A col­lec­tion of strings, horns, per­cus­sion­ists, and Claire Cow­an’s mul­ti-instru­­men­­tal­ism brought direc­tor Cow­an’s arrange­ments to vibrant and emo­tion­al life.  The musi­cians were more than just that; in their glow­ing boil­er suits they became part of a sen­so­ry […]

Review: Cock

Cock is tense. It is beau­ti­ful, jar­ring­ly inti­mate, and phe­nom­e­nal­ly craft­ed. It’s also com­plete­ly heart­break­ing. Cir­ca One’s set (designed by Sean Lynch) inspires thoughts of a box­ing ring, or a fash­ion show — in the round, with bright lights cast down onto a white floor below. The audi­ence sits on three sides; I view the […]

Review: The Turn of the Screw

Dur­ing the inter­val of last night’s per­for­mance of Ben­jamin Brit­ten’s The Turn of the Screw, I popped out­side for a bit of cold air and sec­ond-hand smoke.  As I stood read­ing the play­bills, a group of four peo­ple bus­tled out, one of whom was loud­ly and petu­lant­ly pro­claim­ing “But I want PUCCINI!!!”  They did not […]

Preview: Show Me Shorts 2019 Programme Announced!

Preview: Show Me Shorts 2019 Programme Announced!

With its largest ever pro­gramme, the Show Me Shorts Film Fes­ti­val opens at cin­e­mas across Aotearoa from the 5th of Octo­ber. With six­ty short films and three music videos — all cho­sen from a record 2040 entries — this fes­ti­val is sure to be one to remem­ber. Eight Kiwi films will be mak­ing their word […]

Review: Peggy Pickit Sees the Face of God

  Liz and Frank have spent the past few years achiev­ing the sort of anaemic exis­tence that passed for mid­­dle-class suc­cess for my par­ents’ gen­er­a­tion.  Careers, a house, a child.  Care­ful­ly curat­ed shelves of books and knick-knacks in the liv­ing room.  This liv­ing room is the stage for a reunion din­ner par­ty; two old friends […]

Review: The Pink Hammer

Cir­ca One has been turned into a man-cave, com­plete with a nude cal­en­dar — per­ma­nent­ly set to July — a fridge full of beers and a Ryobi pow­er drill for The Pink Ham­mer, being per­formed until ear­ly Octo­ber. The show itself is a cri­tique of Kiwi mas­culin­i­ty (of a sort), a bit of fem­i­nist fun […]

four women in a tattoo style label

Tasty tastings

Rules around adver­tis­ing alco­hol are pret­ty strict. That’s why High­ball, Welling­ton’s first spir­its & cock­tail fes­ti­val, was not able to tell you that for your $50 entry fee, you would absolute­ly be able to get your mon­ey’s worth of drunk in free sam­ples. So instead it looked like you’d pay a lot of mon­ey to […]

Preview: Peggy Pickit Sees the Face of God

‘Peg­gy Pick­it Sees the Face of God’ by Roland Schim­melpfen­nig is open­ing at Cir­ca The­atre next week. A New Zealand pre­miere appro­pri­ate for our mod­ern lives, this play exam­ines colo­nial­ist atti­tudes over fresh­ly baked bread, and dis­cuss­es quar­an­tines and vac­ci­na­tions while shar­ing drinks — it’s irony, of a sort. Are we doing enough to help […]

Review: Death Comes To Us All

Death takes her by the hand, leads her to a pool of light at the apron of the stage and she tells us her last moments. There’s light at the end, she says, and dis­ap­pears off stage. I sniff, a lit­tle, and hold back tears. Death Comes To Us All is a remark­ably hon­est, very […]

a line of fat babes in great clothing

Polishing the Crown Jewels — a clothing pop-up sale for fat people

I have been busy, and that is why there is almost no con­tent from me on this site any­more, although you will find me on the tweets, as per usu­al, though there are of course about a dozen of us who have access to the ‘ista twit­ter account. But that’s not what I’m here to […]