Review: Pudgy Mediocre White Men Solve Your Problems

A white­board greets us at the top of the stairs of BATS’ Dome The­atre. 10am — Danc­ing with Craig (R18). It reads. 1.45pm — Knit­ting with Craig (R18), then 8pm — Dave & Bryan Impov Thing. And that is what we’re here to see (though I am par­tic­u­lar­ly tak­en by the con­cept of 12.45pm — Autop­sy for Begin­ners.) We’re at […]

Review: Effy

Reviewed by Lox Dixon. Pre­sent­ed as a part of the TAHI Fes­ti­val, 2022.  Effy is a piece of phys­i­cal the­atre per­formed by a masked actor, and fea­tur­ing no ver­bal com­mu­ni­ca­tion. The show takes place in what osten­si­bly looks like a pub­lic park. A rub­bish bin sits on one side of the stage, an old wood­en […]

Review: HATCH

Reviewed by Jules Daniel. Pre­sent­ed by TAHI: New Zealand Fes­ti­val of Solo Per­for­mance, HATCH is an oppor­tu­ni­ty for five emerg­ing stu­dent artists from Te Aua­ha, Toi Whakaari: NZ Dra­ma School, and Te Heren­ga Waka — Vic­to­ria Uni­ver­si­ty of Welling­ton to show­case and devel­op their work fur­ther. The mahi of a pro­gram with a kau­pa­pa to […]

Review: Shift Your Paradigm

Shift Your Par­a­digm Reviewed by Lox Dixon Shift Your Par­a­digm (No Chairs Required) begins by wel­com­ing us into the Dome space at BATS The­atre, for a chair sem­i­nar. The stage is sparse. Two cheap desks are set up, one to either side of stage, and an object (pre­sum­ably a chair) cov­ered by a sheet, sits […]

Review: Trifles

Reviewed by Shauwn Keil. Upon enter­ing the the­atre, we are treat­ed to a mag­nif­i­cent set, designed by Jas­mine Bry­ham. Every­thing that reminds you of Nana and Pop­pa’s house is present. Jars of God knows what across the kitchen bench. A ket­tle and cool mugs. Din­ner set items. A paua shell ash­tray on a shelf on […]

Review: Illegally Blind

Now, I’m lit­er­al­ly in this show so I fig­ured prob­a­bly not the best for me to review it. This week we’ve got the love­ly Cordy Black writ­ing some kind words! The expe­ri­ence starts in the foy­er, after a rit­u­al of scan­ning and phone-wav­ing — the default pro­gramme for Ille­gal­ly Blind is pre­sent­ed to the vis­i­tor […]

Review: Best on Tap’s Community Noticeboard

This is the only the­atre show cur­rent­ly run­ning in Welling­ton, we’re told, as Com­mu­ni­ty Notice­board begins. It’s a lit­tle sur­re­al to be back in a the­atre — I’ve per­son­al­ly not been in one since like… June? — and it is espe­cial­ly sur­re­al to be wear­ing masks and spaced out across a tra­verse in BATS The­atre’s Dome stage. […]

Review: Maximum Benefit

I’m out of com­mis­sion at the moment brain-wise, and could­n’t get to this show, but the work got love­ly com­ments from those there in my steed. The show sea­son is com­plete­ly sold out, but I’m cer­tain these two will be about town per­form­ing at a lat­er date — they’re a tal­ent­ed pair and deserve your […]

Review: The Saboteur

It’s improv. It’s a game show. It’s delight­ful chaos. It’s The Sabo­teur.  Off the back of sold-out sea­sons in the NZ Improv Fes­ti­val in 2019 and in Mel­bourne in 2020, The Sabo­teur is just over an hour’s worth of improv chaos as a part of this year’s Com­e­dy Fest. Five impro­vi­sors, one of which is try­ing to sab­o­tage […]

Preview: The Slutcracker

From School For Gift­ed Chil­dren, and the cre­ator of Change Your Own Life comes a new queer bal­let for Christ­mas. Loose­ly based on the clas­sic Tchaikovsky bal­let The Nut­crack­er, The Slut­crack­er tells the sto­ry of a queer cho­sen fam­i­ly Christ­mas gath­er­ing, and a roman­tic whirl­wind night through the queer streets of Welling­ton. Direc­tor Jean Ser­gent says “I […]