Review: Digging to Cambodia

Sar­ita So revis­its her Toi Whakaari solo show, turn­ing it onto a longer explor­a­tion of mak­ing memory and his­tory telling. “Through words, move­ment and songs from Cam­bod­i­a’s 1960’s rock era – Dig­ging to Cam­bod­ia is a let­ter to her past, present and future self, it asks us all “What is worth remem­ber­ing?”” So wears a […]

Review: Windigo

Wow, did I mis­un­der­stand the mar­ket­ing for this show. “Fierce and vis­cer­al, Windigo res­on­ates like a scream, the vibrant echo of a long his­tory of hu-man ran­sack­ing and destruc­tion, a viol­a­tion of a land and its cul­ture.” I went in bra­cing myself for the emo­tion­al equi­val­ent of a hur­ricane. This is not that. For me, […]

Review: Cellfish

As part of the Kia Mau fest­iv­al this year I got to go and see the open­ing night of Taki Rua’s show Cell­fish, brought to Wel­ling­ton after a sea­son in Auck­land last year. Cell­fish is intense. A two per­son show, fea­tur­ing Car­rie Green and Jason Te Kare, Cell­fish is set in a Shakespeare class at […]

Review: The Weekend

Lara has only the week­end to track down her part­ner as she tra­verses the world of pub­lic hous­ing, drug deal­ing, and addic­tion. The Week­end is based on a situ­ation that first time play­wright that Hen­ri­etta Baird (from Kuku Yalanji/Yidinji coun­try in Queensland’s Far North) exper­i­enced. From this she’s writ­ten an extremely funny, emo­tion­ally hor­ri­fy­ing one-woman […]

Review: Pōhutu

Pōhutu is a mul­ti­di­men­sion­al con­tem­por­ary dance piece that thrives in lim­in­al space. Draw­ing par­al­lels between Cho­reo­graph­er Bianca Hyslop’s grandmother’s dia­gnos­is of Alzheimers and the geo­therm­al land­scape she grew up in, it’s an unset­tling and utterly beau­ti­ful work. The begin­ning and end sequences draw gasps from the audi­ence. The middle sequences con­tain some of the most […]

Review: Over My Dead Body: Little Black Bitch

This is the world premiere of the play by Jason Te Mete. The script shared the Adam New Zea­l­and Play Award for Best Play by a Māori Play­wright in 2018. It is a the­at­ric­al rep­res­ent­a­tion of one way depres­sion can mani­fest. It starts with a mihi from Te Mete (also dir­ect­or and music­al dir­ect­or) wel­com­ing […]

Review: Beneath skin and bone

Poto Man­awa has a new flat. She took a quick trip to pick up a few things from her Mum’s place…and now her rel­at­ives won’t stop phoning her. They want her to come to a whānau hui. She’s reluct­ant to return to the homestead although she can’t quite remem­ber why. Until Paia comes along to […]

Preview: Kia Mau Festival

The fourth Kia Mau Fest­iv­al is on from 1–16 June 2018. A con­tem­por­ary Indi­gen­ous theatre and dance exper­i­ence, the fest­iv­al cel­eb­rates Māori, Pasi­fika, First Nations artists and their com­pan­ies. Kia Mau Fest­iv­al is an innov­at­ive exper­i­ence for whānau and com­munit­ies through­out the Wel­ling­ton region to engage with Tangata When­ua and First Nations artists from across […]

Preview: The Mooncake and the Kūmara

Layered with myth and fable, The Moon­cake and the Kūmara is a mov­ing story about a mixed-up, Māori-Chinese love affair that sprouts among rows of pota­toes. Told in a mix­ture of Eng­lish, Māori and Cantonese, the play is show­ing in Wel­ling­ton as part of the Kia Mau Fest­iv­al. Māori-Chinese play­wright Mei-Lin Te Puea Hansen talked […]

Preview: The Māori Sidesteps

The new­est and naugh­ti­est Maori show­band on the Aotearoa enter­tain­ment scene plays at BATS Theatre dur­ing the Kia Mau Fest­iv­al. Self described as “Funny Māor­is with funny songs” this show is more of a gig than a theatre piece for the act­ors involved. Band mem­ber Jam­ie McCaskill talked about the ori­gins of the group and what they do. “Rob Mokaraka, […]