Review: The Big Show

The Big Show is a 100-minute extrav­a­gan­za with three UK come­di­ans who you may or may not have heard of. (The com­e­dy world is big, okay?) Despite my utter obliv­i­ous­ness to whom two out of three of them were, this three-act show was a whole lot of fun. Ian Smith Act­ing as our MC for […]

Review: Andrew Maxwell — Showtime

Andrew Maxwell is baf­fled by New Zealand. And fair enough too. As he so lov­ing­ly puts it, our news cycle is a mad mess of fall­en trees and cats on bus­es. We spend far too much time car­ing about things that aren’t glob­al polit­i­cal con­flicts and Trump. Why should we wor­ry about glob­al pol­i­tics when […]

Review: Uther Dean — My Fat/Sad

Guest review by Emma Maguire Uther Dean is sad and he wants you to know it. My Fat/Sad is a com­e­dy and a tragedy, a bal­ance between joy and seri­ous­ness, and a show with more of a dual­i­ty to it than you might be expect­ing. In my des­per­ate quest to avoid spoil­ers, I’ll leave the […]

Review: Wilson Dixon’s What a Country

Guest review by Emma Maguire When I glance around the the­atre before What a Coun­try and notice that I’m def­i­nite­ly the youngest per­son in the audi­ence I realise that I might be slight­ly out of this show’s demo­graph­ic. I also hate coun­try music. But that’s alright, because Wil­son Dixon’s What a Coun­try man­ages to tran­scend […]

Review: You do you babes — Donna Brookbanks

Guest review by Emma Maguire We are wel­comed into the BATS Stu­dio by a woman dressed in a black cloak. Illu­mi­nat­ed by the light of flick­er­ing (elec­tric) can­dles, we’re bap­tised by water poured from a men­stru­al cup, and we recite the sin­gle person’s prayer. All the sin­gle ladies… now put your hands up! Don­na Brook­banks’ […]

Review: Aunty

AUNTY is billed as a fam­i­ly BBQ, and it cer­tain­ly deliv­ers. Half the open­ing night crowd was clear­ly back again after the first sea­son, which adds to the ‘new part­ner at fam­i­ly Christ­mas’ vibe for first timers. Who hasn’t met a bois­ter­ous rela­tion and silent­ly won­dered, ‘can I laugh? Am I going to be next?’ […]

Review: Hudson and Halls Live

Hud­son & Halls Live!‘s Welling­ton sea­son at the Han­nah Play­house began with an ush­er  wel­com­ing crowds to the per­for­mance, assur­ing them the the­atre had been cer­ti­fied quake-safe, and explain­ing that some years after the time in which the play was set, one of the pro­tag­o­nists would die of can­cer and the oth­er would take his own life.   […]

Preview: Kia Mau Festival 2016

Eight com­pa­nies per­form eight pro­duc­tions over three weeks in the Kia Mau fes­ti­val of the­atre and dance. Matari­ki is the per­fect time of the year to indulge your sens­es with world class the­atre and dance host­ed by BATS The­atre, Te Papa, and Cir­ca The­atre. First up (tonight!) is Ver­sions of Allah pre­sent­ed by con­tem­po­rary indige­nous the­atre […]

Review: The Elephant Thief

An exu­ber­ant onstage car­toon, Indi­an Ink The­atre Company’s The Ele­phant Thief begins in a jail cell and ends in… space, or the after­life, or some oth­er such vague spoil­er. It’s an out­sized feast of imag­i­na­tive stag­ing and poten­tial pachy­derm puns, anchored by a win­ning per­for­mance by com­pa­ny new­com­er Vanes­sa Kumar. The show’s set­ting is a […]

Review: The moa show

The Junc­tion Hotel is pub in rur­al Thames. It’s fair­ly typ­i­cal– a bar, a dart board, a smok­ing area, the reg­u­lars. There’s Hen­ry Hikoi from Ngati Pukeko, Bri­an Tritt who’s in every day, and Carmichael. When the three of them start drink­ing togeth­er and talk­ing about the moa in the hills they wake up in […]