Clive Owen has his second big film of the year in cinemas now, following the romantic-thriller Duplicity in March. The International is a full-time thriller about an international banking conspiracy and it’s directed by Run Lola Run‘s Tom Tykwer. Naomi Watts plays second-fiddle. What happened to her career? Readings, Sky City Queensgate and the Empire, Island Bay.
All the other releases this week go straight to the art-house: 2008 Cannes-winner The Class gets a season immediately after headlining the World Cinema Showcase (Paramount), as does The Grocer’s Son, about a young French waiter forced by his father’s illness to return to rural Provence and run the mobile grocery van – a situation about which he is not happy. Penthouse and Lighthouse Petone.
[The rest of this week’s new releases after the jump]
At last I get some time to preview this week’s new releases and, frankly, it hardly seems worth it. I’ve just got in from two of the most dispiriting experiences I’ve had in a cinema in some time. Full reviews will come when I’ve had a chance to find the right kind of language to describe precisely how unambitious Fast & Furious and 17 Again are, a challenge I must rise to before Capital Times deadline on Monday night. Fast & Furious is the fourth in the series of petrol-head thrillers and original stars Vin Diesel and Paul Walker are both back. That fact might mean something to someone, somewhere.
Meanwhile, High School Musical star Zac Efron gets a vehicle of his own as the young version of depressed 37 year old failure Matthew Perry. Some not quite explained magic gives him his young body back and the chance to put things right. Both Readings and Sky City Queensgate.
[The rest of this week’s new releases after the jump]
Pick of the week at the movies must be The Wrestler, Mickey Rourke’s triumphant return to major leagues after years wandering in the wilderness. It’s a comeback of sorts for director Darren Aronofsky, too. His last film, The Fountain, was a strange and beautiful fable about trying to escape death but he’s probably best-known for Requiem for a Dream, nine years ago. Rourke plays a rung-out and strung-out professional wrestler trying to reinvent his life outside the ring. Readings, Penthouse, Lighthouse Petone.
In other news, Elizabeth Banks (Zack and Miri Make a Porno) tries a change of pace as a (possibly) evil nanny in the chiller The Uninvited (Readings and Sky City Queensgate) and my favourite B-movie action hero Jason Statham returns as the eponymous Transporter in the third episode of Luc Besson’s action series. Big question in Transporter 3? Is Frank Martin gay. The director has a perfect action movie name: Olivier Megaton. Readings and Sky City Queensgate.
It’s a busy week at the Paramount: exclusive seasons of Atom (The Sweet Hereafter) Egoyan’s new drama Adoration and the documentary The Spirit of the Marathon started today along with a shared season of Al Pacino Shakespearean vehicle The Merchant of Venice. Pacino plays Shylock, and fans of his Richard III doco Looking for Richard will already know Pacino’s facility and enthusiasm for Shakespeare’s greatest characters. Merchant is also playing at the Lighthouse in Petone.
Tony Gilroy’s debut feature Michael Clayton was a stand-out last year and he’s constructed a new (although lighter) corporate thriller in Duplicity. Clive Owen and Julia Roberts star as spies teaming up to sting two rival companies. I enjoyed it a lot but remember almost nothing. Regent-on-Manners, Readings, Sky City Queensgate.
{The rest of this week’s new releases after the jump]
I expect there’ll be an awful lot of disappointed 15 year olds when they discover that long-awaited graphic novel adaptation Watchmen has been rated R16 despite being trailered in front of every big movie since The Dark Knight. Evidently, it earns the rating being every bit as bloody as the book (not to mention featuring 50 foot high blue penises). Director Zack Snyder looks to have used plenty of actual frames of Moore & Gibbons work as inspiration (much as he did with 300 in 2006) but it remains to be seen if he can successfully film the "unfilmable" book: Readings, Empire, Embassy, Sky City Queensgate.
The Paramount provides plenty of balance as usual, opening two American documentaries this week. Gonzo: The Life & Work of Hunter S. Thompson (which sort of speaks for itself) and Crazy Love (of which I said in my Festival preview last year: "… it helps to not know too much detail going in, as the reveals are deliciously handled. Suffice to say that love is blind, in more ways than one."
[The rest of this week’s new releases after the jump]
Another light-ish week of cinema releases to report: Readings have so much confidence in the new Rob Schneider prison-comedy Big Stan that the only evening sessions are at a deadening 9.20pm at night. According to IMDb this is the first film directed by the Deuce Bigelow star which means we now have the phrase "a film by Rob Schneider" to terrify and depress us. Also Sky City Queensgate.
With most Wellington screens growning under the weight of Oscar-bait, only Readings (and Sky City Queensgate if you are so inclined) is opening anything new this week. My Bloody Valentine 3D was well attended at sneak previews last week but sadly isn’t much of a film. It’s a remake of a beloved horror of the same early-80s (same vintage as last week’s Friday the 13th). Apart from the title though there isn’t anything terribly ‘Valentine-y’ about it.
A potential date movie (for a certain kind of date, maybe) is Zack and Miri Make a Porno, the new film by Clerks‘ Kevin Smith. Loveable schlub Seth Rogen (Knocked Up) stars with Elizabeth Banks in a comedy about flatmates needing to find money for the rent.
This has to be the most middle-of-the-road week for new cinema since I started these little updates. Check these out:
First up Marley & Me, a rom-com-weepy best-seller adaptation starring Jennifer Aniston and Owen Wilson as a couple who adopt a puppy. Click here for the Defamer.com spoiler. Readings, Empire, Lighthouse Petone, Sky City Queensgate. Then we have He’s Just Not That Into You, the first film to be based on a best-selling book based on a throwaway line of dialogue from "Sex and the City": Readings, Empire and Sky City Queensgate.
More Oscar contenders hit our screens this weekend. Gus Van Sant’s biopic of the first openly gay elected politician in the USA, Milk opens today at Readings, Penthouse and Lighthouse Petone. Sean Penn plays San Francisco city supervisor Harvey Milk who was assassinated by fellow city official Dan White in 1978. Penn is supported by Josh Brolin (No Country for Old Men), Emile Hirsch (Into the Willd) and James Franco (Pineapple Express).
I got to see Slumdog Millionaire last Friday at the Embassy – if it doesn’t romp home with the best picture Oscar I’ll be very surprised. Kinetic, colourful and heartfelt, it’s an object of great beauty. Slumdog is also playing Readings, Penthouse and Lighthouse Petone.
[The rest of this week’s releases – and there’s heaps – after the jump]
As Oscar night approaches another of the expected heavyweight contenders goes into cinemas: Sam Mendes’ Revolutionary Road reunites Kate Winslet and Leonardo DiCaprio for the first time since Titanic (still the highest grossing film of all time fact-fans) in a story of a middle-class 1950s couple dissatisfied with the American suburban dream. Based on (what I understand to be) an awesome novel by Richard Yates. Playing at Lighthouse Petone, Regent-on-Manners, Readings, Penthouse and Sky City Queensgate.
Roadshow will be hoping that Clint Eastwood lightning will strike twice at the Oscars and are using that rare tactic, the sneak preview, to launch his new film (and his last as an actor) Gran Torino. His last performance was in the multi-award-winning Million Dollar Baby in 2004. You can see Gran Torino early at Empire, Readings, Penthouse and Sky City Queensgate. (Eastwood’s other new film Changeling opens on Feb 12)
For those inclined toward the crappier end of the market there’s Bride Wars, a "comedy" starring Anne Hathaway and the woefully-managed Kate Hudson. Please note that I totally have an open mind about this film – I just don’t have any hope or faith: Empire, Regent-on-Manners, Readings, Sky City Queensgate.
The Penthouse keeps it classy with a biggish-budget French WWII movie called Female Agents about some young French women enlisted into the British Special Forces and sent on a suicide mission to rescue a British geologist. True story apparently. Meanwhile the Paramount’s eclectic run continues with a Czech comedy-drama called Beauty in Trouble. It’s by one of my favourite filmmakers, Jan Hrebejk who made the fantastic Divided We Fall from 2000. Also at the Paramount, for just a few sessions, is a surfing movie called Bustin’ Down the Door.
All of the above will be reviewed in next week’s Capital Times (and online at Funerals & Snakes), although I may draw the line at the surfing flick.