Theatre: the REAL NZ Festival

The next round of theatre and per­form­ance cour­tesy of the REAL NZ Fest­iv­al starts this week. BATS Theatre has two shows start­ing – Death by cheer­lead­er on Tues­day, and The first Asi­an AB on Thursday. Both have a good buzz from their Auck­land sea­sons. Until 24 Septem­ber and 1 Octo­ber respect­ively. Circa Theatre hosts He […]

Review: Te Radar’s Eating the dog

Te Radar has a pas­sion for his­tory. This show has developed over a num­ber of years from an ori­gin­al com­mis­sion by the Christ­ch­urch Arts Fest­iv­al, in con­junc­tion with Te Run­anga o Ngai Tahu, in 2005. There he explored South Island his­tory. Here, he explores some of New Zeal­and’s his­tory. Explorers, high­way­men, invent­ors, and enter­tain­ers are […]

Review: Four flat whites in Italy

There’s no doubt that Circa puts on a great Roger Hall and this iter­a­tion of Four flat whites in Italy is no excep­tion. It crackles with energy and fair zips through the action. Here’s the story – Adri­an (Stu­art Devenie) and Alis­on (Dari­en Takle) – art gal­lery attend­ing, book read­ing, Labour voters – are about […]

Review: I, George Nepia

 I, George Nepia is a beau­ti­fully writ­ten, beau­ti­fully real­ised play. The script by Hone Kouka draws inspir­a­tion from many sources includ­ing Nepi­a’s auto­bi­o­graphy. You don’t have to have read the book to appre­ci­ate the play. (I’m not even sure you have to appre­ci­ate rugby.) The nar­rat­ive is about a man find­ing his place in a […]

The Rugby World Cup and You, Too

Des­pite Hadyn­’s earli­er post we know there’s a reas­on­able pro­por­tion of you out there (just as among the Wel­ling­tonista itself) that are rel­at­ively meh about this whole World Cup thing. But whatever your opin­ions about the event, it has to be acknow­ledged that a lot of effort has gone into the asso­ci­ated off-field activ­it­ies, many […]

Theatre: New Zealand plays in the next fortnight

#RWC11 is prompt­ing an abund­ance of New Zea­l­and theatre. The plays cov­er NZ his­tory, polit­ics, and travel. On at Down­stage is On the Upside-Down of the World by Arthur Meek. It’s based on ‘Our Maor­is’ by Ann Mar­tin. She came to New Zea­l­and from Eng­land with the first Chief Justice. The play fol­lows her as […]

Review: CAV&PAG

Caval­ler­ia rus­tic­ana by Mas­cagni, and Pagliacci,  by Leon­cavallo, are appar­ently oper­a’s most fam­ous double bill. Both oper­as cov­er betrayed love and jeal­ousy.  Both end with a death.  They are sat­is­fy­ingly epic in this pro­duc­tion by New Zea­l­and Opera, sup­por­ted by the Vec­tor Wel­ling­ton Orches­tra. The cur­tain rises on an enorm­ous rocky out­crop. It’s a bar­ren […]

WOW 2011

It’s WOW time again, and this year’s show is the most amaz­ing and extra­vag­ant yet. But was it too extra­vag­ant this year? I’ll get to that later. Please note that this post will con­tain spoil­ers about the show, so if you’re going, don’t read it until after­wards okay?  The Wel­ling­tonista has a little pre-WOW game. […]

Review: Eight

Mono­logues have always struck me as excit­ing things to watch. There is only the per­former and the audi­ence. If the audi­ence does­n’t like the per­former then it can seem like a very long time sit­ting in the dark wait­ing to get back to the bar. If it works then it’s magic­al. In Eight, there are […]

Strike: Elemental

Strike are com­plet­ing their Down­stage Res­id­ency with a revis­it of Ele­ment­al. It’s a “per­cuss­ive based the­at­ric­al stage show” which is funny, breath­tak­ing, and intric­ate. Mur­ray Hick­man, Tim Whitta, Leni Sulusi, and Tak­umi Motokawa, are joined by new­bie Tom Broome. Their team work is so good that it’s dif­fi­cult to tell that he’s new. The pieces […]