Theatre: the REAL NZ Festival

The next round of the­atre and per­for­mance cour­tesy of the REAL NZ Fes­ti­val starts this week. BATS The­atre has two shows start­ing — Death by cheer­leader on Tues­day, and The first Asian AB on Thurs­day. Both have a good buzz from their Auck­land sea­sons. Until 24 Sep­tem­ber and 1 Octo­ber respec­tive­ly. Cir­ca The­atre hosts He […]

Review: Te Radar’s Eating the dog

Te Radar has a pas­sion for his­to­ry. This show has devel­oped over a num­ber of years from an orig­i­nal com­mis­sion by the Christchurch Arts Fes­ti­val, in con­junc­tion with Te Runan­ga o Ngai Tahu, in 2005. There he explored South Island his­to­ry. Here, he explores some of New Zealand’s his­to­ry. Explor­ers, high­way­men, inven­tors, and enter­tain­ers are […]

Review: Four flat whites in Italy

There’s no doubt that Cir­ca puts on a great Roger Hall and this iter­a­tion of Four flat whites in Italy is no excep­tion. It crack­les with ener­gy and fair zips through the action. Here’s the sto­ry — Adri­an (Stu­art Deve­nie) and Ali­son (Darien Tak­le) — art gallery attend­ing, book read­ing, Labour vot­ers — are about […]

Review: I, George Nepia

 I, George Nepia is a beau­ti­ful­ly writ­ten, beau­ti­ful­ly realised play. The script by Hone Kou­ka draws inspi­ra­tion from many sources includ­ing Nepi­a’s auto­bi­og­ra­phy. You don’t have to have read the book to appre­ci­ate the play. (I’m not even sure you have to appre­ci­ate rug­by.) The nar­ra­tive is about a man find­ing his place in a […]

The Rugby World Cup and You, Too

Despite Hadyn’s ear­li­er post we know there’s a rea­son­able pro­por­tion of you out there (just as among the Welling­ton­ista itself) that are rel­a­tive­ly meh about this whole World Cup thing. But what­ev­er your opin­ions about the event, it has to be acknowl­edged that a lot of effort has gone into the asso­ci­at­ed off-field activ­i­ties, many […]

Theatre: New Zealand plays in the next fortnight

#RWC11 is prompt­ing an abun­dance of New Zealand the­atre. The plays cov­er NZ his­to­ry, pol­i­tics, and trav­el. On at Down­stage is On the Upside-Down of the World by Arthur Meek. It’s based on ‘Our Maoris’ by Ann Mar­tin. She came to New Zealand from Eng­land with the first Chief Jus­tice. The play fol­lows her as […]

Review: CAV&PAG

Cav­al­le­ria rus­ti­cana by Mascagni, and Pagli­ac­ci,  by Leon­cav­al­lo, are appar­ent­ly oper­a’s most famous dou­ble bill. Both operas cov­er betrayed love and jeal­ousy.  Both end with a death.  They are sat­is­fy­ing­ly epic in this pro­duc­tion by New Zealand Opera, sup­port­ed by the Vec­tor Welling­ton Orches­tra. The cur­tain ris­es on an enor­mous rocky out­crop. It’s a bar­ren […]

WOW 2011

It’s WOW time again, and this year’s show is the most amaz­ing and extrav­a­gant yet. But was it too extrav­a­gant this year? I’ll get to that lat­er. Please note that this post will con­tain spoil­ers about the show, so if you’re going, don’t read it until after­wards okay?  The Welling­ton­ista has a lit­tle pre-WOW game. […]

Review: Eight

Mono­logues have always struck me as excit­ing things to watch. There is only the per­former and the audi­ence. If the audi­ence does­n’t like the per­former then it can seem like a very long time sit­ting in the dark wait­ing to get back to the bar. If it works then it’s mag­i­cal. In Eight, there are […]

Strike: Elemental

Strike are com­plet­ing their Down­stage Res­i­den­cy with a revis­it of Ele­men­tal. It’s a “per­cus­sive based the­atri­cal stage show” which is fun­ny, breath­tak­ing, and intri­cate. Mur­ray Hick­man, Tim Whit­ta, Leni Sulusi, and Taku­mi Motokawa, are joined by new­bie Tom Broome. Their team work is so good that it’s dif­fi­cult to tell that he’s new. The pieces […]