This is a ‘tune up’ of 2018’s STUPID BITCH which played in a dance studio above Cuba Street in the Fringe Festival. As a work in development it garnered actor/writer Claire Waldron nominations for Outstanding Performer in the Wellington and Dunedin Fringe Festivals. This time around it’s at BATS Theatre in The Heyday Dome. Waldron […]
Late January 2020 and the summery weather is here. I finally feel like I’m waking up in 2020 – which is a bit awkward given I’ve been back at work for a few weeks…but enough about work! Brace yourselves for a busy theatrical start to the year. We’ve got three Festivals coming our way in […]
Circa’s panto this year is Alice in Wonderland, and it is a mystical journey down the rabbit hole (Mt Vic tunnel), to discover fun, some quality Kiwi bangers, and utter manicism (in a good way). Written by Circa stalwarts, Gavin Rutherford and Simon Leary (who play the Dame and the Mad Hatter respectively), it’s a […]
Four Nights In the Green Barrow Pub is the third of Cassandra Tse’s shows I’ve seen, and each one was wildly different from the others. M’Lady had me in stitches, The Aliens, in tears. Four Nights, though, took me down memory lane. Having a hundred noisy musical Irish cousins of my own, I was probably […]
Blackbird Ensemble are “NZ’s most exciting chamber orchestra”, and Thursday’s homage to Björk supported that claim more than competently. A collection of strings, horns, percussionists, and Claire Cowan’s multi-instrumentalism brought director Cowan’s arrangements to vibrant and emotional life. The musicians were more than just that; in their glowing boiler suits they became part of a sensory […]
Cock is tense. It is beautiful, jarringly intimate, and phenomenally crafted. It’s also completely heartbreaking. Circa One’s set (designed by Sean Lynch) inspires thoughts of a boxing ring, or a fashion show – in the round, with bright lights cast down onto a white floor below. The audience sits on three sides; I view the […]
Liz and Frank have spent the past few years achieving the sort of anaemic existence that passed for middle-class success for my parents’ generation. Careers, a house, a child. Carefully curated shelves of books and knick-knacks in the living room. This living room is the stage for a reunion dinner party; two old friends […]
Circa One has been turned into a man-cave, complete with a nude calendar – permanently set to July – a fridge full of beers and a Ryobi power drill for The Pink Hammer, being performed until early October. The show itself is a critique of Kiwi masculinity (of a sort), a bit of feminist fun […]
‘Peggy Pickit Sees the Face of God’ by Roland Schimmelpfennig is opening at Circa Theatre next week. A New Zealand premiere appropriate for our modern lives, this play examines colonialist attitudes over freshly baked bread, and discusses quarantines and vaccinations while sharing drinks – it’s irony, of a sort. Are we doing enough to help […]
Death takes her by the hand, leads her to a pool of light at the apron of the stage and she tells us her last moments. There’s light at the end, she says, and disappears off stage. I sniff, a little, and hold back tears. Death Comes To Us All is a remarkably honest, very […]