Extravaganza of Progressive Post-Rock

Post-rock is a done-to-death descrip­tion but as a sem­a­phore of intent it still serves a cer­tain pur­pose. First coined by music-journo Simon Reyn­olds as a term to describe pro­gress­ive music “using rock instru­ment­a­tion for non-rock pur­poses, using gui­tars as facil­it­at­ors of timbre and tex­tures rather than riffs and power chords”, its use was rap­idly spread dur­ing the 90s by breath­less writers sud­denly over­whelmed by seem­ingly-infin­ite pos­sible music-futures. Reyn­olds fur­ther expounded:

per­haps the really pro­voc­at­ive area for future devel­op­ment lies… in cyborg rock; not the whole­hearted embrace of Tech­no’s meth­od­o­logy, but some kind of inter­face between real time, hands-on play­ing and the use of digit­al effects and enhance­ment.


… which in itself has turned out to be suit­ably ambi­tious, as in gen­er­al attempts at an amal­gam of real-time instru­ment­a­tion and digit­al frip­pery have turned out to be a big hor­rible mess (with not­able excep­tions, of course).

Rusticity

rusticity

Fol­low­ing the suc­cess of the recent Wel­ling­ton Flickr Group’s exhib­i­tion at the Para­mount, cames yet more pho­to­graph­ic good­ness from a Wel­ling­ton flickr-ite legend A Dif­fer­ent Per­spect­ive (aka Jim Hende­r­son).

He’s put­ting on an exhib­i­tion of his work down at Island Bay’s The Bach café, from the 1st to the 30th of April.

To get a feel for what you might be see­ing, check out his awe­some flickr pho­to­stream here.

Where we’ll be

If you’re try­ing to stalk the Wel­ling­tonista, and/or find some­thing to do this week­end, here are our hot tips:

  • The City Art Gal­lery tonight because Luke Buda is ador­able and Aspen has a good track record
  • The Aro Val­ley Fair. Per­haps you can find out for me why it seems that every­one in Aro owns a dog and/or a baby.
  • Try­ing to find the Wel­ling­tonista on our big night out on Sat­urday – it would be cheat­ing to tell you where we’ll be, but there may be clues in these posts here.
  • If the poster­’s this good the Voom and The Sneaks gig should be good as well. Voom used to be the lazi­est band in NZ – their songs are so effort­lessly pop per­fec­tion – but it seems they’ve finally got their act togeth­er after many line-up scan­dals.
  • The Fest­iv­al Italia on Sunday. Per­haps you could adopt a bad accent and try the “Do you have any Itali­an in you? Do you want some?” line you neg­lected to use on St. Patrick­’s Day.

A Friday night and a Saturday morning

Down at the City Gal­lery on Fri­day night they are run­ning anoth­er one of their Late Night Ses­sions, where you get to cruise around the big exhib­i­tion (this time it’s the bien­ni­al Pro­spect show) in rel­at­ive peace and listen to lovely live music while you do so. And all for free.

City Gal­lery’s pop­u­lar late night Fri­day returns. Wander through Tele­com Pro­spect 2007: New Art New Zea­l­and to a back­drop of inde­pend­ent and elec­tron­ic sounds by loc­al per­formers. Fea­tur­ing Penelop­ing, Tc Wedde with Luke Buda, and Aspen.

The lovely Luke Buda is of course in The Phoenix Found­a­tion, as is (the equally lovely) Tc Wedde. Aspen is also lovely and also known as Sign­er, and is one half of Over the Atlantic and one half of Skal­lander. And the “medi­um-core girl-boy plink­pop!” Penelop­ing also have a very good repu­ta­tion as a live act. Hav­ing exper­i­enced Late Night Ses­sions many times before – from the point of view both of a per­former and a pat­ron – I can heart­ily recom­mend this event.

Cuba Street Carnival Feedback

Cuba St Carnival - Photo by Chillu, stolen from flickrDid you know that the Coun­cil sup­por­ted the car­ni­val?

Do you think they should sup­port the car­ni­val?

Got 2 minutes to answer those & a few oth­er ques­tions right here?

Sup­ple­ment­ary ques­tion:

Are you offen­ded by nud­ity at car­ni­vals? If no, were you not out­side Floriditas with half the Wel­ling­tonista?

Then go here… and if that’s your wife/girlfriend/mother/daughter wrapped around that pole.…

Well, way to go.

Plenty to wine about

There comes a time in every­one’s life when they feel the need to leave Wel­ling­ton, even if it’s just for one day. No really, it hap­pens! And a par­tic­u­larly good day to get out of town, if you don’t like the col­our green, or pota­toes, or Guiness or drunk­en fake-Irish louts, would be this Sat­urday. So where to go to get away? How about a wine fest­iv­al – after we all know, that wine drink­ers are a bet­ter class of people than beer drink­ers – some­where out of town but still nearby?

Well it just so hap­pens that March 17 is your lucky day, with not one but two fest­ivals tak­ing place nearby. There’s the Wair­ar­apa Wines Har­vest Fest­iv­al in Glad­stone (as well as the Inter­na­tion­al Bal­loon Fiesta and the day before Round the Vines, and also the Great Wel­ling­ton Wine and Food Fest­iv­al in Paekakariki. So how do you choose which one to go to when they both cost $25 for an entrance fee? Take our quiz to find out.

On the ball

Get your mask ready: it’s time to party quasi-anonym­ously with friends and strangers at a Vene­tian Mas­quer­ade Ball. Cham­pagne! Chan­deliers! Canapes! Cleav­age! (if the poster is any­thing to go by)

Ballo di Sciocco poster

Stately Drans­field House in upper Wil­lis Street will play the gra­cious host for “Ballo di Sciocco” on the 31st of March. The ven­ue and the imagery may me old-fash­ioned, but the ball itself must be Gen­er­a­tion Next, since it has a myspace page. Look­ing at the organ­isers’ page and list of friends, I get the feel­ing this will be no ordin­ary ball.

Tick­ets $120 from Mad­mat on 027 290 3591.

St Michael’s & Kelburn Village Fair – March 10 from 10am

St Michael'sThe St Michael’s & Kel­burn Vil­lage Fair is on tomor­row at 10am.

This will be the first one I’ve man­aged to catch, so I can­’t regale you with tales of past exper­i­ences, but I can prom­ise you stalls, home bak­ing, junk/treasure, and prob­ably an awful lot of very out of date 2nd hand uni­ver­sity text books.

There may also be fire eat­ers, dan­cing, dan­cing girls, dan­cing bears, acrobats & tightrope walk­ers. I dunno, but I’m hop­ing.

And of course, the very attract­ive res­id­ents of Kel­burn.

And her own­er.

Hi, and Pandit Shiv Kumar Sharma

Hi. I’m new here. Usu­ally I burble sporad­ic­ally and semi-coher­ently on Drinks-After-Work; I’m look­ing for­ward to the chal­lenge of step­ping up to the plate and mak­ing sense most of the time.

Posters for this went up last night (sorry for the stink image – I can­’t find any­thing on the web so far):

Pan­dit Shiv Kumar Sharma is the pion­eer of the Kash­miri san­toor (Indi­an hammered dul­ci­mer) and was (heh) instru­ment­al in it’s accept­ance into the hal­lowed pan­theon of Indi­an clas­sic­al music (read about it). At 69 he is the acknow­ledged mas­ter of san­toor; indeed he is vir­tu­ally syn­onym­ous with it. Using a 100-string san­toor in chro­mat­ic arrange­ment Sharma cre­ates com­plex webs of beau­ti­ful, eth­er­e­al, shim­mer­ing sound, mount­ing impro­visa­tion with­in impro­visa­tion with­in the raga form, cli­max­ing in furi­ous blo­wouts with fiery tabla vir­tu­osos and fren­zied, ecstat­ic glis­sando.

He’s real good. His album Sampra­daya is one of my favour­ite Indi­an clas­sic­al record­ings of all time. And with his debut in 1997 (also on san­toor), Sharma’s son and dis­ciple Rahul became the third part of an excep­tion­al pan-gen­er­a­tion­al san­toor tri­um­vir­ate. Both Sharma’s are play­ing at St Mary of the Angels on Wed­nes­day the 14th of March – pre­sum­ably on their way to WOMAD – with Yogesh Sam­si on the tabla. They will play in an excit­ing Jugalbhansdi style. Book­ings from Tick­etek.

Party Like It’s 1971 presents: Motorik

A DJ-event at The Mighty Mighty in Cuba Mall, fea­tur­ing DJ Kapit­an Krautrock and DJ Name play­ing pro­gress­ive Ger­man music from the ’60s, ’70s, and ’80s…

This event is part of the Ber­lin Bon­anza at The Mighty Mighty in March.