Review – Oddacity

Odda­city prom­ised an “award-win­n­ing, best-of spec­tac­u­lar with a cast of inter­na­tion­al luminar­ies per­form­ing styl­ish acts”, under the beau­ti­ful sky­light in Bats’ Hey­day Dome.   I was­n’t sure what to expect, know­ing the theatre would­n’t suit aer­i­als or acro­bat­ics, but I hoped  for clowns.  I was not dis­ap­poin­ted in that sense. Odda­city is usu­ally Sach­ie Mikawa, Trent […]

Review: Dr Drama Makes a Show

It was weird for me to go to a show at 93 Kel­burn Parade, hav­ing com­pleted my own humble BA at Vic almost 20 years ago.  In fact, #93 was the site of at least one audi­tion and more than a few rehears­als for me.  It’s had a bit of a facelift, now being an […]

Review: The Human Voice (La voix humaine)

TW: Sui­cide Jean Cocteau wrote La Voix Humaine in 1928 as a one-act play.  Fran­cis Poulenc set it to music 30 years later, des­pite hav­ing already known Cocteau well for years, and gave the reas­on for the delay as hav­ing needed more life exper­i­ence to do it justice.  Dur­ing those years he struggled with depres­sion […]

Four Nights In the Green Barrow Pub – Review

Four Nights In the Green Bar­row Pub is the third of Cas­sandra Tse’s shows I’ve seen, and each one was wildly dif­fer­ent from the oth­ers.  M’Lady had me in stitches, The Ali­ens, in tears.  Four Nights, though, took me down memory lane. Hav­ing a hun­dred noisy music­al Irish cous­ins of my own, I was prob­ably […]

Blackbird Ensemble Performs Björk: All Is Full Of Love – Review

Black­bird Ensemble are “NZ’s most excit­ing cham­ber orches­tra”, and Thursday’s homage to Björk sup­por­ted that claim more than com­pet­ently.  A col­lec­tion of strings, horns, per­cus­sion­ists, and Claire Cow­an’s multi-instru­­ment­al­ism brought dir­ect­or Cow­an’s arrange­ments to vibrant and emo­tion­al life.  The musi­cians were more than just that; in their glow­ing boil­er suits they became part of a sens­ory […]

Review: Peggy Pickit Sees the Face of God

  Liz and Frank have spent the past few years achiev­ing the sort of anaem­ic exist­ence that passed for middle-class suc­cess for my par­ents’ gen­er­a­tion.  Careers, a house, a child.  Care­fully cur­ated shelves of books and knick-knacks in the liv­ing room.  This liv­ing room is the stage for a reunion din­ner party; two old friends […]

Review: Rigoletto

Ver­di’s Rigo­letto is a clas­sic, and deservedly so.  The story was based on a Vic­tor Hugo play, adap­ted some­what to avoid cen­sor­ship.  Hugo, by all accounts, was not at all happy that his play was being pla­gi­ar­ised (and by an Itali­an!) until he atten­ded and was amazed by a per­form­ance.  Music­ally it was rather revolu­tion­ary, […]

Don’t feed dogs chocolate – put it in beer instead

Guest post by Krystle, thanks Krystle! Cof­fee, chocol­ate, and beer…these are a few of Wel­ling­to­ni­ans’ favor­ite things – and thanks to a col­lab, you can now drink a fusion of all three. Loc­al legends Black Dog Brew­ery and Wel­ling­ton Chocol­ate Fact­ory have teamed up to pro­duce the Bean Me Up Mocha Stout. You may be […]

Review: NZSO Baroque Series – Water Music

Tele­mann: Water Music “Ham­burger Ebb und Fluth” (TWV 55:C3) Händel: Water Music (HWV 348–350) St. Paul’s Cathed­ral, Wel­ling­ton Fri­day 1 Feb 2019 Listen­ing to the two “Water Music” suites by Tele­mann and Han­del fill the echo­ing expanse of St. Paul’s, I wondered how it is we find rever­ber­a­tion so attract­ive. Is it a cul­tur­al asso­ci­ation […]

Review: The Blender (Sundays with BaseJump Improv)

With a dash of insan­ity, a smidge of ridicu­lous­ness, and a lot of Wel­ling­to­ni­an wit, Base­Jump Improv’s new show The Blender is a wild ride for your Sunday even­ing. We don’t tend to see Sundays as a ‘going to theatre day’ but with a show run­ning at roughly forty-five minutes long, this piece is eas­ily man­age­able between […]